Christy Romer

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Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.

Posted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics

Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...

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Exit interview: Dubravka Vrgoč

Posted by Christy Romer | 14th Feb 2022 | Croatia, Directing, Interview, Management

Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...

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Our Experiments: Democratizing The Creative Process

Posted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia

In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...

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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia

Posted by Christy Romer | 11th Feb 2021 | Design, Estonia, Interview, Theatre and Science

Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...

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Our Experiments: How Dakh Theatre Went Digital

Posted by Christy Romer | 6th Feb 2021 | Festivals, Interview, Ukraine

An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...

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Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” by Rhiannon Ling 30th May 2023
The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
Theater, A Major Job Sector by Heather Waters 2nd April 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
The House Where Phantom Lived. Part II – Her… by Lisa Monde 31st March 2023
The Theatre We Want In 2040? We Used… by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, And Heather Russek 28th April 2023
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Recent Posts

“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival 31st May 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” 30th May 2023
Robert Patrick, Playwright, Has Passed Away 19th May 2023
“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream 12th May 2023
Drag Queens in Musical Theatre 8th May 2023
“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre 3rd May 2023
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking 1st May 2023
“Young Barbarians”: Non-serious Seriousness and Hungarian Drive 1st May 2023
Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech” 29th April 2023
“Sea Creatures,” Hampstead Theatre 28th April 2023

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