Christy Romer

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Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.

Posted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics

Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...

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Exit interview: Dubravka Vrgoč

Posted by Christy Romer | 14th Feb 2022 | Croatia, Directing, Interview, Management

Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...

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Our Experiments: Democratizing The Creative Process

Posted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia

In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...

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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia

Posted by Christy Romer | 11th Feb 2021 | Design, Estonia, Interview, Theatre and Science

Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...

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Our Experiments: How Dakh Theatre Went Digital

Posted by Christy Romer | 6th Feb 2021 | Festivals, Interview, Ukraine

An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...

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Recent Posts

A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October 29th September 2022
Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu. 28th September 2022
Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity 26th September 2022
An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS 23rd September 2022
VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank 22nd September 2022
Dangerous Desires in “Marie It’s Time” 21st September 2022
With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age 20th September 2022
Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work. 19th September 2022
How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times 18th September 2022
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