Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
Read MorePosted by Aleks Sierz | 12th Sep 2024 | Review, Theatre and Politics, United Kingdom
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
Read MorePosted by Kasia Lech | 7th Sep 2024 | Czech Republic, Essay, New Theatre for Children Festival, Wrocław 2024, Norway, Poland, Slovakia, Theatre for Young Audiences, United Kingdom
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read MorePosted by Aleks Sierz | 6th Sep 2024 | London, Review, Theatre and Politics, United Kingdom
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePosted by Margaret Rose | 4th Sep 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Margaret Rose | 29th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
As part of Here and Now, a new Arts Council England showcase, Tim Etchells, artistic director of...
Read MorePosted by Annette Balaam | 23rd Aug 2024 | Review, Transmedia, United Kingdom
On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...
Read MorePosted by Margaret Rose | 19th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom, United States of America
The title of the play, The Amazing Doctor She Medicine Show, leaves one wondering who on earth was...
Read MorePosted by Margaret Rose | 18th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On this year’s Edinburgh Fringe a raft of reimaginings of Shakespeare’s plays, by emerging and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
Read MorePosted by Margaret Rose | 15th Aug 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MorePosted by Margaret Rose | 13th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
Read MorePosted by Gill Foster | 19th Jul 2024 | Musical Theatre, Review, United Kingdom
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
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