From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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United Kingdom
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
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“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire.
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
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Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
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Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
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Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
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“Figures In Extinction:” A Dance Trilogy Report
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
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“Digital Access To The Performing Arts” Released Open Access
The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...
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Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
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Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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“A Working Class Hero” – Identity And Class at Voila! Theatre Festival
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
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“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
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The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025
Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
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Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
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