Alan Ayckbourn’s “How the Other Half Loves” at the Old Vic: Technically Brilliant if Rather Overlong and Old-Fashioned West End Farce
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
Read MorePosted by Aleks Sierz | 13th Aug 2026 | Playwriting, Review, United Kingdom
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
Read MorePosted by Xunnan Li | 10th Jul 2026 | Review, United Kingdom
Sinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
Read MorePosted by Margaret Rose | 26th Jun 2026 | Review, Theatre and Politics, United Kingdom
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
Read MorePosted by Aleks Sierz | 19th Jun 2026 | London, Review, Theatre and Politics, United Kingdom
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
Read MorePosted by Azadeh Kangarani | 22nd May 2026 | Belarus, Review, Theatre and Politics, United Kingdom
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
Read MorePosted by Zoë Hewitt | 2nd May 2026 | Review, Theatre and Dance, United Kingdom
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
Read MorePosted by Verity Healey | 1st May 2026 | Review, Theatre and Politics, United Kingdom
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
Read MorePosted by Aleks Sierz | 25th Apr 2026 | Devised Theatre, Review, United Kingdom, United States of America
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Read MorePosted by Zoë Hewitt | 22nd Apr 2026 | Review, Theatre and Dance, United Kingdom
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
Read MorePosted by Aleks Sierz | 14th Apr 2026 | London, Playwriting, Review, United Kingdom
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
Read MorePosted by Aleks Sierz | 8th Apr 2026 | Adaptation, Review, United Kingdom
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read MorePosted by Duška Radosavljević | 1st Apr 2026 | London, Review, United Kingdom
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | 17th Mar 2026 | Essay, Poland, United Kingdom
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
Read MorePosted by The Theatre Times | 7th Mar 2026 | Australia, Books, Essay, Europe, Transmedia, United Kingdom, United States of America
The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...
Read MorePosted by Aleks Sierz | 20th Feb 2026 | Playwriting, Review, Theatre and Politics, Ukraine, United Kingdom
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
Read MorePosted by Aleks Sierz | 19th Feb 2026 | Acting, Directing, Review, United Kingdom
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
Read MorePosted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Aleks Sierz | 8th Jan 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
Read MorePosted by Verity Healey | 3rd Jan 2026 | Review, United Kingdom
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
Read MorePosted by Savas Patsalidis | 2nd Jan 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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