“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland, United States of America
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
Read MorePosted by Aleks Sierz | 2nd Aug 2025 | London, Review, United Kingdom
Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...
Read MorePosted by Aleks Sierz | 6th Jul 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
George Bernard Shaw is the supreme example of old writing. Maddeningly verbose, eye-poppingly...
Read MorePosted by Aleks Sierz | 19th Jun 2025 | LGBTQ+ Theatre, Review, United Kingdom
Let us always remember the pioneers. Although there is a fair amount of relatively mainstream...
Read MorePosted by Aleks Sierz | 17th Jun 2025 | London, Review, Theatre and Politics, United Kingdom
Only the truth, we are told, can set us free — but there are times in love when the New Testament...
Read MorePosted by Lisa Monde | 16th May 2025 | Interview, Musical Theatre, Spain, United Kingdom
For the first part of the interview go here. From the earliest musicals, one can trace the...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read MorePosted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MorePosted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MorePosted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 




“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026