Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MorePosted by Aleks Sierz | 27th Oct 2025 | Ireland, Playwriting, Review, United Kingdom
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MorePosted by Aleks Sierz | 26th Oct 2025 | London, Playwriting, Review, United Kingdom
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MorePosted by Aleks Sierz | 30th Sep 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read MorePosted by Aleks Sierz | 26th Sep 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Margaret Rose | 27th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Aleks Sierz | 23rd Aug 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read More
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
