SPECIAL REPORT FORM PRAGUE QUADRENNIAL 2019
Special Report From Our Stage European Festival in Dresden 2019
Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European Theatre Convention) is all about sustaining this collective, and at their annual conference between the 23rd-26th May in Dresden, Germany, they are proving that the collective is not only an integral part to theatre, but that participation can also be a key component.
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First Egyptian Integrated Dance Show Spotlights Dancing With Disability
When you have any sort of injury, you are forced to listen to your body, which is reflected in...
Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Staging The Present Moment: International Festival of Iberian Expression Theatre
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
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PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages!
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
Revisiting Broadway’s Forgotten Genius, John Latouche
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
“Zinc (Zn)”: The Element That is Necessary for Life Becomes an Element of Death
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
LATEST FESTIVAL REPORT
PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
SPOTLIGHT ON POLAND
SPOTLIGHT ON RUSSIA
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
Githa Sowerby’s “Rutherford And Son” at The National Theatre
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
“School Girls; Or The African Mean Girls Play”: A Show About Competition
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
ESSAYS
Revisiting Broadway’s Forgotten Genius, John Latouche
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
INTERVIEWS
On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
REVIEWS
PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
READ ALL LATEST
PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
Read More
“Zinc (Zn)”: The Element That is Necessary for Life Becomes an Element of Death
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
Read More
Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking Into the Festival Circuit
Arguably, it is not common practice to name a theatre after a living playwright, and neither is to...
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Where Have You Gone, Davey?
The Polish narrative of 1968 tends to end with the conclusion that Jews lived in Poland after...
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Terence Rattigan’s “While the Sun Shines” at the Orange Tree Theatre: Rare Revival of Wartime Mega-Hit
Since playwright Terence Rattigan’s rehabilitation in the early 1990s, after the comprehensive...
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PQ 2019: A Taboo Collection From Budapest
This week, the New York Times posted an ad for a new fashion correspondent. The job ad reads, in...
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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Read More
On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
Read More
Githa Sowerby’s “Rutherford And Son” at The National Theatre
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read More
About “Lemons Lemons Lemons Lemons Lemons”
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
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Revisiting Broadway’s Forgotten Genius, John Latouche
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
Read More
The Toronto Theatre Laboratory
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
Read More
PQ 2019: Chaos and Kindness
The headquarters of the PQ is the Exhibition Grounds, but that’s not its boundaries. Between the...
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“Mending Fences:” A Difficult Norman Foster Play Produces Unexpected Emotional Depths
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
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Sasha Waltz: The Opera Choreographer
Choreographer Sasha Waltz has added a chapter to the history of dance with choreographic opera. It...
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This Odia Theatre Group Cycles From Village to Village for Stories
Members of theatre group Natya Chetana travel to villages teasing out stories from the everyday...
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“Priscilla, Queen of the Desert”: Vibrant Musical Numbers But It Avoids the Dicey Sexual and Racial Politics That Underly the Show
Orpheus Musical Theatre Society have brought to the stage another light-hearted musical, doing...
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Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”
Authored and directed by Bárbara Colio (Mexicali, Baja California), Casi Transilvania (Almost...
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“As You Like It”at The Oregon Shakespeare Festival
To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...
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Staging the Political
With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...
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“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
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“The Impossible She” and The Evolution of Queer Stories in Opera
Representation within opera has always been thin; The Impossible She stood to try to expand those...
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“Hairspray” at The Oregon Shakespeare Festival
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Hollywood Fringe Festival – “The Same Room”
On its 10th Anniversary, the Hollywood Fringe Festival and its almost 400 shows, events and...
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Criticizing Patriarchy and the Status Quo in Iraq: A One-Woman Show
On May 2nd, 2019, at The Institute of Fine Arts in Basra, Banin Abbas, an Iraqi actor, and...
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PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
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The Hollywood Fringe Festival – “The Bully Problem”
Hollywood Fringe Festival – Day One – Show 1 – “The Bully Problem”, a new musical.
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In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read More
OUT SCORE: Χω/ορικές Σημειογραφίες I
OUT SCORE: Χω/ορικές Σημειογραφίες I is a research program that generates encounters between...
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Rediscovering Ancient Greek Music
“Research into ancient Greek music is pointless”—Giuseppe Verdi “Nobody has ever made head or tail...
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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
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Shakespeare and India
The most striking aspect of Shakespeare in India today is that it seems to have at last got over...
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Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European Theatre Convention) is all about sustaining this collective, and at their annual conference between the 23rd-26th May in Dresden, Germany, they are proving that the collective is not only an integral part to theatre, but that participation can also be a key component.
Read More
“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
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“ANNA” at The National Theatre
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
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STO Union’s Nadia Ross Charting Her Own Disruptive Course North Of Wakefield
An abandoned high school in the village of Farrellton, Que., just north of Wakefield, seems an...
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Shakespeare, Sinatra, And The Philosophy Of Aging
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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In Black Swan’s “Water,” Three Vignettes Explore The Politics of Immigration, Drought, and Family Dynamics
Water, written by Jane Bodie and directed by Emily McLean, was commissioned by Clare Watson,...
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Theatre Kraken’s “Lysistrata” at the Gladstone Theatre
I naively asked the production team which translation they used for the production since I assumed...
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“Amour” at Charing Cross Theatre
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
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Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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salt. at The Royal Court
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
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