SPECIAL REPORT. THEATRE ARTISTS IN UKRAINE
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: A Calmly Intelligent Exploration of Family Identity
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
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Cape Town Theatre Company’s “A Picture of Dorian Gray” at Masque Theatre
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Current Plans: Hong Kong’s Collaborative Art Space
It was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
From Uruguay to Auroville: Clowning Duo Brings Physicality and Humour to the Stage
At Adishakti Theatre’s Remembering Veenapani festival, a clowning troupe from Uruguay...
“When The World Turns” is a Profoundly Moving Theatrical Experience for Children with Complex Disabilities
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
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Joe White’s “Blackout Songs” at Hampstead Theatre: Powerful Account of Mutual Dependency on Drink
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
“Husino’s Miner” at Dodona Theatre, Prishtina, Kosovo
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
“The Handke Project,” Kosovo Theatre Showcase
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
“Hostel Lights” at the Baxter
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
The International Association of Theatre Leaders (IATL) would like to invite you to The...
“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
ESSAYS
How I Reunited the Most Important Documents in English Theater History for the First Time in 200 Years
Most of what we know about the beginnings of English professional theater as a financial...
INTERVIEWS
Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
REVIEWS
“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
READ ALL LATEST
“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read More“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read More
Women and War: a Staged Reading of Two New Plays From Ukrainian Playwrights
Earlier this year in the Polish theatre journal Didaskalia (169/170, 2022), a pair of Ukrainian...
Read MoreInterview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
Read MoreJoe White’s “Blackout Songs” at Hampstead Theatre: Powerful Account of Mutual Dependency on Drink
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read More
Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
Read MoreHow I Reunited the Most Important Documents in English Theater History for the First Time in 200 Years
Most of what we know about the beginnings of English professional theater as a financial...
Read More
“The Poltergeist,” Arcola Theatre
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
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Four of Shakespeare’s Plays and How They Speak to the Current Political Situation in Britain
The last few years in politics have gifted the keen observer many allusions to some of...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MoreRegistration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
The International Association of Theatre Leaders (IATL) would like to invite you to The...
Read MoreCurrent Plans: Hong Kong’s Collaborative Art Space
It was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
Read More“The Handke Project,” Kosovo Theatre Showcase
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read More
Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
Read MoreSudha Bhuchar’s Evening Conversations at the Soho Theatre: A Calmly Intelligent Exploration of Family Identity
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
Read More“Husino’s Miner” at Dodona Theatre, Prishtina, Kosovo
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MoreCape Town Theatre Company’s “A Picture of Dorian Gray” at Masque Theatre
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read More
“Woyczek” at the National Theater of Hungary
Buchner’s “historically difficult explains modernity” in the performance of...
Read More
Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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Writing about African Arts 2022: Call for Participants
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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“When The World Turns” is a Profoundly Moving Theatrical Experience for Children with Complex Disabilities
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
Read More
Prequel, Sequel and Two Fangs: An Exclusive Interview with Dacre Stoker
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
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“Sesame Street: The Musical” Electrifies
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
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“Ravenscourt,” Hampstead Theatre
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
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Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
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“Desdemona Roopakam” to be Staged
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
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Generation XIII – A Documentary Podcast
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
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The 90-Minute MacGuffin: “Four Saints in Three Acts”
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
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Micro Theatre Festival Returns with 16 Mini Plays This Week
The third edition of the Micro Theatre Festival (MTF) will kick off Saturday 8 October and run...
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Exclusive Interview with Stuart Nash, Founder of Nairobi Performing Arts Studio
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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Micro Theatre Festival Returns with 16 Mini Plays This Week
The third edition of the Micro Theatre Festival (MTF) will kick off Saturday 8 October and run...
Read More
Review: Jazzart Dance Theatre’s “Survive”
SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...
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“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
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“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
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Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
Read More“Hostel Lights” at the Baxter
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
Read More
An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
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How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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“Who Killed My Father,” Young Vic
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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