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MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre
The program also featured two performances from Karima Mansour. Between May 10 and 15, Falaki...
Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees
A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...
“Monogamy” at The Park Theatre
Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the...
Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Performance As An Act Of Civil Disobedience. Forbidden To Forbid
The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
How Shakespeare Used Music To Tell Stories
Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...
A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
Open Letters To The Circus #3: Who Gets To Build The Future?
This is the third letter in a cycle of Open Letters To The Circus. This letter is written in the...
When The Cultural Cringe Abated: Australian Drama In The 1970s
In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...
Review: “The Music Man” At The Stratford Festival
Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...
MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre
The program also featured two performances from Karima Mansour. Between May 10 and 15, Falaki...
Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form
There are some who say she and her group actually gave birth to the Harlem Renaissance. The Troubadors weren’t just a couple of singers; we’re talking dozens and dozens of singers, dancers, jugglers, it was truly a very fine circus with opera at the end. It was a variety show at its finest. She played Madison Square Garden! This was how big she was in her moment.
- Theatre and Gender
- Theatre and Disability
- Theatre and Age
- LGBTQ Theatre
Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...
The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
“Still Life With Chickens:” New Samoan Play Confronts Loneliness Through Comedy
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
When The Personal And Political Collide
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
- Adaptation
- Translation
- Transmedia
- Transcultural Collaborations
David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse
Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...
ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees
A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...
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