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Kenya International Theatre Festival, 2018 Edition
‘The KITF theatre conference is a platform of intellectual and professional networking, organized under the auspices of the Kenya International Theatre Festival now in its third year of bringing together theatre artists, theatre academicians, journalists, government agencies and theatre enthusiasts in a pedestal of discussion, critique, and description on realities’
Peking Opera At The British Library: The Triumph Of Xieyi
As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...
Nick Stafford’s “War Horse” At The National Theatre
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
Wit’s End: Will Eno’s “Thom Pain”
“So, a horse walks into a bar. The bartender says, ‘Why the long face?’ And the horse says, ‘I’m...
“Oedipus Schmoedipus” at HKREP Black Box Theatre
Hong Kong Repertory Theatre (HKREP) has been presenting the biannual International Black Box...
Off The Stage And Into Your Home
“The Stage in the Drawing-Room” is the title of a 19th-century instruction manual by Henry Dakin...
“Sound Of The Beast” Slams Brutality, Inequality, And Racism
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Move The Sound! Directing With New Technology
For me, as a director, it is important that the artistic idea and concept emerge from the story...
“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
Prasanth Narayanan Is Giving Shape To A Novel Theatre Culture
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
It’s Ella Hickson’s Moment (Of Honesty)
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
“Company” Review, Gielgud Theatre: “You Can’t Imagine It Being Staged Any Other Way Again”
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells
A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...
Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
- Theatre and Gender
- Theatre and Disability
- Theatre and Age
- LGBTQ Theatre
It’s Ella Hickson’s Moment (Of Honesty)
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Golden Oldies: A Saitama Theater Festival For Elderly Actors Welcomes Seniors From Around The World
Renowned theater director Yukio Ninagawa broke new ground when he launched Saitama Gold Theater in...
“Daniel’s Husband” At Westside Theatre
A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...
- Adaptation
- Translation
- Transmedia
- Transcultural Collaborations
Nick Stafford’s “War Horse” At The National Theatre
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
The Re-Invention Of Subtitling. A New Technical Approach To The International Market
“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...
“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
Telling A Thai Tale: A Dance Dramaturg’s Take
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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