




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


Edinburgh Festival Fringe 2024 Overview

“L’Addition,” S’il Vous Plait



“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling

“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

“The Outrun”
Euroregional Theatre Festival Timișoara 2024
https://thetheatretimes.com/latest-post/sections/festivals/teszt-2024/
“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder


LATEST NEWS FROM AROUND THE WORLD



On Kyoto Experiment’s Curatorial Vision

The Images of Me: 2024 Prologue New Play Festival











Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
by Aleks Sierz | Feb 26, 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
- Africa
- Asia
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- North America
- South America
- Oceania
Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
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The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research
by Ivanka Apostolova Baskar | Mar 4, 2025 | Interview, Theatre and Politics, Turkey
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
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Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
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The Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
by Aleks Sierz | Mar 21, 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
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An Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
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Getting To an Emotional Truth With Padraic Lillis
by Marcina Zaccaria | Mar 19, 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth - the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
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SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-440x264.jpg)
![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-440x264.jpg)



On Kyoto Experiment’s Curatorial Vision



The Images of Me: 2024 Prologue New Play Festival

“In The Name Of Profit” At Fringe Milano Off



“My Mother’s Funeral”

“L’Addition,” S’il Vous Plait

“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling



“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

Isabella Rossellini at Rubix Festival in Montenegro

“The Outrun”







CPH Stage Festival 2024



“Bérénice” at Milan’s FOG Festival


Milan’s FOG Festival









Tartuffe or the Hypocrite: Tartare of Tartuffe

“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

She Arts Festival Launches In Cairo
- Acting
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Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot
by Aleks Sierz | Mar 5, 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
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2024 Dublin Theatre Festival – Subjective Report [Part II]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
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2024 Dublin Theatre Festival – Subjective Report [Part I]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
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Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
by Emilija Kvočka | Mar 18, 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
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An Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
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Getting Known
by Jonathan Kalb | Feb 10, 2025 | Directing, Review, United States of America
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“No Power for the Electric Chair ” – Crime of Theatrical Absurd
by Emilija Kvočka | Dec 16, 2024 | Directing, Macedonia, Review
Getting To an Emotional Truth With Padraic Lillis
by Marcina Zaccaria | Mar 19, 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth - the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
by Aleks Sierz | Mar 21, 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
ESSAYS
Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
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INTERVIEWS
Getting To an Emotional Truth With Padraic Lillis
by Marcina Zaccaria | Mar 19, 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth - the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
REVIEWS
Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
by Aleks Sierz | Mar 21, 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
-
-
An Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
READ ALL LATEST
Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
by Aleks Sierz | Mar 21, 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MoreGetting To an Emotional Truth With Padraic Lillis
by Marcina Zaccaria | Mar 19, 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
Read MoreBrave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
by Emilija Kvočka | Mar 18, 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read More“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I
by Lisa Monde | Mar 12, 2025 | Interview, Musical Theatre, Spain
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the...
Read MoreAn Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
Read MoreWoman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
by Emily Cordes | Mar 8, 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MoreNick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot
by Aleks Sierz | Mar 5, 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MoreVictor’s Journey
by Margaret Rose | Mar 5, 2025 | Italy, Review, Theatre and Science
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
Read MoreThe Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research
by Ivanka Apostolova Baskar | Mar 4, 2025 | Interview, Theatre and Politics, Turkey
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
Read More2024 Dublin Theatre Festival – Subjective Report [Part II]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read More2024 Dublin Theatre Festival – Subjective Report [Part I]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...
Read MoreBridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize
by Diana Fathi | Mar 3, 2025 | Books, Iran, Playwriting, Translation
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
Read MoreReview Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.
by Geraldine Brodie | Mar 3, 2025 | Germany, Review, Theatre and Gender
Interpretations in cultures and languages external to Spain have been integral to the survival of...
Read MoreGiuliana Musso Performs Franz Kafka’s “The Ape”
by Margaret Rose | Mar 2, 2025 | Italy, Review, Theatre and Politics
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
Read MoreCoral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
by Aleks Sierz | Feb 26, 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MoreLaura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
by Aleks Sierz | Feb 21, 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MoreBeyond the Canvas: The Art of Candida Alvarez
by Alexander Fatouros | Feb 21, 2025 | New York, Transmedia, United States of America
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
Read MorePolish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida
by Aleksandra M. Różalska | Feb 18, 2025 | Poland, Transcultural Collaborations, United States of America
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
Read MoreLanguage Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
by Ellen Pearlman | Feb 17, 2025 | Interview, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
by Ellen Pearlman | Feb 16, 2025 | Interview, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
Read MorePlaywriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read MoreShow/Boat: A River Slashes Open an Old Classic
by Morgan Skolnik | Feb 13, 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MoreThe Horror of Mundanity in NYTW’s A Knock On the Roof
by Morgan Skolnik | Feb 13, 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MoreDropping Balms
by Jonathan Kalb | Feb 13, 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MoreCulture Belongs To Humanity! Not To The Armies
by Ivanka Apostolova Baskar | Feb 12, 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
Read MoreEline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
by Aleks Sierz | Feb 10, 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MoreGetting Known
by Jonathan Kalb | Feb 10, 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MoreТim Rice – 80: The Нero and His Many Anniversaries. Part II
by Lisa Monde | Feb 7, 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
The first part of this interview is available here. Tim Rice has been lucky to work with many...
Read MoreFrom Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
by Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read MoreA Dystopian Sci-Fi: “Honey, I’m Home”
by Berna Ataoğlu | Feb 6, 2025 | Canada, Review, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MoreThere Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre
by Ivanka Apostolova Baskar | Feb 5, 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MoreLucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
by Margaret Rose | Feb 4, 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MoreA Canadian Epic: “Come From Away”
by Berna Ataoğlu | Feb 4, 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read MoreRameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris
by Maria Delgado | Feb 3, 2025 | France, Review, Theatre and Opera
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read MoreThe Visit
by Margaret Rose | Jan 24, 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePhilip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MoreDisability, Kink, and Joy as Resistance in The Dan Daw Show
by Morgan Skolnik | Jan 22, 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MoreRoy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
by Aleks Sierz | Jan 20, 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MoreSitting Down with Theater Artist Kate Rankine
by Morgan Skolnik | Jan 17, 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MoreA Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
by Andrew Agress | Jan 15, 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MoreThe Fire This Time Festival Enters Its 16th Year
by Marcina Zaccaria | Jan 7, 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MoreThe Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read MoreFrom Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
by Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MoreТim Rice – 80: The Hero and His Many Anniversaries. Part I
by Lisa Monde | Dec 30, 2024 | Dramaturgy, Interview, Musical Theatre, United States of America
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Read MoreFilmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones”
by Maria Delgado | Dec 23, 2024 | Review, Spain
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
Read More“1936”: Andrés Lima puts the Spanish Civil War on Stage
by Maria Delgado | Dec 23, 2024 | Review, Spain
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
Read MoreHumankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
by Ilinca Todoruţ | Dec 23, 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MoreDavid McVicar’s new “Maria Stuarda” at Madrid’s Teatro Real
by Maria Delgado | Dec 22, 2024 | Review, Spain, Theatre and Opera
Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the...
Read MoreNanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
by Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read More“No Power for the Electric Chair ” – Crime of Theatrical Absurd
by Emilija Kvočka | Dec 16, 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
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- Victor’s Journey 5th March 2025
- The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research 4th March 2025
- 2024 Dublin Theatre Festival – Subjective Report [Part II] 4th March 2025