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AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
30th November 2023, Anne Hamilton Interview, New York, Transmedia, United States of America
Maskara’s Quê Onde – fade into Primorsky Stair scene from Eisenstein’s Battleship Potemkin (Image taken from the film Quê Onde – cinematography Erik Ely and Hudson Cândido) "Waiting for Lucky" and "Quê Onde" – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival  2023
29th November 2023, Martin Blaszk Brazil, Poland, Review
"The Interview," Park Theatre
25th November 2023, Aleks Sierz London, Review, Theatre and Politics, United Kingdom, Worldwide
Prison Shakespeare at Milan's Young Offenders Institute
1st December 2023, Margaret Rose Essay, Italy, Theatre and Age
"Interview with Ukrainian Actor Orest Pastukh"
28th November 2023, Verity Healey Interview, Kosovo, Ukraine
Two dancers are on the ground on a bare stage. Their image is projected onto the back wall. Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
26th November 2023, Soo Ryon Yoon Review, South Korea, Theatre and Dance
Protestors at IIT Bombay demand firing of theatre professor for screening film on Palestine/Israel (8 November 2023). Reflections On Teaching Israel/Palestine in The Theatre Studies Classroom
22nd November 2023, Sruti Bala and Rashna D. Nicholson Education, India, Theatre and Politics
Sally Edmundson and Ian James in “Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
24th November 2023, Trevor Boffone Transmedia, United States of America
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