
LATEST NEWS FROM AROUND THE WORLD


Renée Fleming’s Cities That Sing


How Urdu Theater Is Reaching Out to New Audiences



Memorial To Professor Maya Harbuzyuk

Egypt Joins Jordan’s Open-Space Theatre Festival




“All Of It” at the Royal Court

Robert Patrick, Playwright, Has Passed Away


Octavian Saiu, Professor of Theatre Studies and the President of the International Association of Theatre Leaders (IATL), in dialogue with Robert Lepage in the context of the presentation of his show, 887, at Craiova Shakespeare Festival.

Edinburgh Festivals, May Luck Be With You

Edinburgh Fringe 2023: Overview


Edinburgh Fringe 2023: #Danish Ed Fringe

Big In Belgium At The Edinburgh Fringe 2023





“Report to an Academy”: To Be or Not to Be Human?

“Nora”: Present Continuous Hell


“Amahemhem”: Walking Alongside the Ghosts of Our Past
by Kopano Masibi | Sep 29, 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
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Léonora Miano On “What Must be Said”
by Brian Valente-Quinn | Jun 5, 2023 | Essay, France, Theatre and Decolonization
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
“Amahemhem”: Walking Alongside the Ghosts of Our Past
by Kopano Masibi | Sep 29, 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
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The Echoes Of Lawino Reverberate In Uganda
by Trevor Mukholi | Aug 22, 2023 | Adaptation, Review, Uganda
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Egypt’s Prima Ballerina Magda Saleh Passes Away In Cairo
by Ati Metwaly | Jun 11, 2023 | Egypt, News, Theatre and Dance
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“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
Assam’s First Female Freedom Fighter, Shot a Century Ago, Rediscovered Onstage
by The Hindu | Sep 20, 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
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How Urdu Theater Is Reaching Out to New Audiences
by Narenda Kusnur | Sep 14, 2023 | Festivals, India, News
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“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
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Edinburgh Festivals, May Luck Be With You
by Antonio Hernández | Sep 28, 2023 | Edinburgh 2023, Review, Scotland
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“German Autumn” At The Uppsala Stadsteater
by Bryce Lease | Sep 20, 2023 | Review, Sweden
A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
by Andrew Agress | Sep 27, 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with 'Nightmare Dollhouse,' exploring a surprisingly popular fear.
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Renée Fleming’s Cities That Sing
by Jingyi Zhang | Sep 21, 2023 | News, Theatre and Opera, United States of America
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ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
by Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
by Huw Griffiths | Sep 28, 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
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New Zealand’s Oldest University Theatre Programme Under Threat
by David O'Donnell | Jun 28, 2023 | Education, New Zealand, News, Oceania
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.


How Urdu Theater Is Reaching Out to New Audiences

68th Sterijino pozorje: A critical dialogue




Egypt Joins Jordan’s Open-Space Theatre Festival











The ENTRE Festival in Midwest Brazil


“Trade/Motorhead” at PROTOTYPE 2023 Festival

“Undine” at PROTOTYPE 2023 Festival

“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival

“note to a friend” at PROTOTYPE 2023 Festival

“Morning//Mourning” at PROTOTYPE 2023 Festival








“Flo & Joan,” Lund Comedy Festival



Highlights from the Mladi Levi Festival in Ljubljana







Győr Is Once Again the Capital of Dance








- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
by Huw Griffiths | Sep 28, 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
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“A Mirror” at Almeida Theatre
by Aleks Sierz | Sep 3, 2023 | Acting, London, Review, United Kingdom
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Arden of Faversham: A True Crime Thriller
by Clare Cioffero | Apr 10, 2023 | Acting, New York, Review, United States of America
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“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
All The Conflicts In The Social Theatre Today: Interview With Fabio Tolledi
by Ivanka Apostolova Baskar | Sep 7, 2023 | Directing, Interview, Italy
Fabio Tolledi is a theatre director, and playwright of Astràgali Teatro, a theatre company founded...
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
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Meeting The Public Is The Most Important Incentive For Those Who Do Theatre: An Interview With Walter Prete
by Ivanka Apostolova Baskar | Aug 14, 2023 | Dramaturgy, Interview, Italy, Translation
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
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Interview With Ulviyya Heydarova
by Emiliia Dementsova | Aug 9, 2023 | Azerbaijan, Dramaturgy, Interview
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
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“Hostel Lights” at the Baxter
by Megan Choritz | Sep 24, 2022 | Design, Review, South Africa, Theatre for Young Audiences
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
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Robert Patrick, Playwright, Has Passed Away
by Magie Dominic | May 19, 2023 | New York, News, Playwriting, United States of America
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ESSAYS
Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
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On China’s Broadway, IP Is King — For Now
by Wu Changchang | Jul 1, 2023 | China, Essay, Musical Theatre
INTERVIEWS
A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
by Andrew Agress | Sep 27, 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with 'Nightmare Dollhouse,' exploring a surprisingly popular fear.
REVIEWS
“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
READ ALL LATEST
“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
Read More“Amahemhem”: Walking Alongside the Ghosts of Our Past
by Kopano Masibi | Sep 29, 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MoreSydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
by Huw Griffiths | Sep 28, 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
Read MoreEdinburgh Festivals, May Luck Be With You
by Antonio Hernández | Sep 28, 2023 | Edinburgh 2023, Review, Scotland
Edinburgh in August is a kind of Mecca for theatergoers around the world. It is due to its...
Read MoreNice to MITEM you: the 10th edition of the Madách International Theatre Meeting Opens in the Hungarian Capital
by Emiliia Dementsova | Sep 27, 2023 | Festivals, Hungary, News
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
Read MoreA Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
by Andrew Agress | Sep 27, 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MoreSweeney Todd: Not a Demon, But a Barber of Fleet Street
by Lisa Monde | Sep 24, 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MoreLauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness
by Aleks Sierz | Sep 22, 2023 | Review, United Kingdom
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
Read MoreRenée Fleming’s Cities That Sing
by Jingyi Zhang | Sep 21, 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read More“What the Constitution Means to Me” Is As Timely As Ever
by Trevor Boffone | Sep 21, 2023 | Review, Theatre and Politics, United States of America
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
Read More“German Autumn” At The Uppsala Stadsteater
by Bryce Lease | Sep 20, 2023 | Review, Sweden
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
Read MoreAssam’s First Female Freedom Fighter, Shot a Century Ago, Rediscovered Onstage
by The Hindu | Sep 20, 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MoreAnupama Chandrasekhar’s “The Father And The Assassin” At The National Theatre: Vastly Compelling And Darkly Comic History Play About Indian Independence
by Aleks Sierz | Sep 19, 2023 | Documentary Theatre, India, Review, Theatre and Politics, United Kingdom
Nobodies who kill somebodies: let’s make a list. Okay, there’s Lee Harvey Oswald (JFK), James Earl...
Read MoreA Tweet About “Psycho”
by Minakhanim Gurbanova | Sep 16, 2023 | Adaptation, Azerbaijan, Review
It has become common practice to spend time on social networks at certain hours of the day,...
Read MoreHow Urdu Theater Is Reaching Out to New Audiences
by Narenda Kusnur | Sep 14, 2023 | Festivals, India, News
The Hoshruba Repertory Theatre Festival, which begins on September 12 at Prithvi Theatre in...
Read MoreNotch Theatre Company’s “Wild Home” To Host Community Event On September 13th
by Rhiannon Ling | Sep 13, 2023 | News, Participatory Theatre, Theatre and Politics, United States of America
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
Read MoreMiriam Battye’s Strategic Love Play At The Soho Theatre: Mixture Of Laughter, Pain And Insight Into Contemporary Romance
by Aleks Sierz | Sep 11, 2023 | Review, United Kingdom
Remember what a first date feels like? Awkward. Exciting. Awkward. Intriguing. Awkward. Difficult....
Read More“Writing Using:” Framing the Body’s Process of Liberation Through Contemporary Dance
by Walter Byongsok Chon | Sep 9, 2023 | Review, South Korea, Theatre and Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
Read MorePolish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read MoreAll The Conflicts In The Social Theatre Today: Interview With Fabio Tolledi
by Ivanka Apostolova Baskar | Sep 7, 2023 | Directing, Interview, Italy
Fabio Tolledi is a theatre director, and playwright of Astràgali Teatro, a theatre company founded...
Read More68th Sterijino pozorje: A critical dialogue
by Andrej Čanji and Borisav Matić | Sep 6, 2023 | Festivals, Review, Serbia
The 68th Sterijino pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and...
Read MoreTim Fraser’s Candy At Park Theatre: Moving Account Of Gender Identity And Masculinity
by Aleks Sierz | Sep 6, 2023 | Review, United Kingdom
Okay, let’s start with a definition: it is said that sex is what you have between your legs, and...
Read MoreInstitutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro
by Ivanka Apostolova Baskar | Sep 6, 2023 | Interview, Italy, Management
Franco Ungaro works at the AMA – Accademia Mediterranea dell’Attore in Lecce (Italy), he has...
Read More“All the world’s a stage, and all the men and women merely players” at Shakespeare Festival in Serbia
by Emilija Kvočka | Sep 5, 2023 | Festivals, Review, Serbia
The tenth in a row international theatre festival “Shakespeare Festival”, whose...
Read MoreUNBOX ME! Live Theatre and the Virtual World.
by Annette Balaam | Sep 4, 2023 | Review, Transmedia, United Kingdom
UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...
Read More“Stumped.” Live Theatre In The Age Of Hybrid Realities.
by Annette Balam | Sep 3, 2023 | Review, Transmedia, United Kingdom
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
Read More“A Mirror” at Almeida Theatre
by Aleks Sierz | Sep 3, 2023 | Acting, London, Review, United Kingdom
This is a play about censorship in a totalitarian state — but, no, I’m not reviewing The...
Read More“Radio Man:” A Story of Connection and Bloodshed in Dystopian America
by Rhiannon Ling | Sep 2, 2023 | LGBTQ Theatre, New York, Review, Theatre and Gender, United States of America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
Read MoreOnce Upon a Warning for Next Time
by Morgan Skolnik | Sep 1, 2023 | Musical Theatre, New York, Review
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
Read MoreEdinburgh Fringe 2023: Overview
by Duška Radosavljević | Aug 22, 2023 | Edinburgh 2023, Review, Scotland
There is a show at this year’s Fringe called Distant Memories of the Near Future written and...
Read MoreThe Echoes Of Lawino Reverberate In Uganda
by Trevor Mukholi | Aug 22, 2023 | Adaptation, Review, Uganda
When considering Okot p’Bitek’s perspective on African tradition, it becomes evident that change is inevitable. If African tradition is lived in the midst of the battle of life, then Lawino is not the character to focus on, as she refuses to acknowledge the possibility of change. Similarly, Ocol negates everything about himself to accommodate the other, but his transformation is ultimately revealed to be superficial. Opio and Clementine, however, require a more nuanced examination, as their experiences shed light on the agency of individuals in this exchange of aesthetics and epistemology.
Read MoreLucy Prebble’s “The Effect” At The National Theatre: Non-White Cast Bring A New Energy To This Contemporary Classic
by Aleks Sierz | Aug 21, 2023 | Review, United Kingdom
Success always opens doors. Ever since the HBO drama Succession was lauded as a huge international...
Read MoreEdinburgh Fringe 2023: “Lucy and Friends,” Pleasance Courtyard
by Duška Radosavljević | Aug 20, 2023 | Edinburgh 2023, Review, Scotland
Lucy McCormick used to do music gigs and re-enactments, but she has now put her past and her...
Read MoreEdinburgh Fringe 2023: #Danish Ed Fringe
by Duška Radosavljević | Aug 19, 2023 | Denmark, Edinburgh 2023, Review, Scotland
There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...
Read MoreBig In Belgium At The Edinburgh Fringe 2023
by Duška Radosavljević | Aug 18, 2023 | Belgium, Edinburgh 2023, Review, Scotland
It was exactly ten years ago that Big in Belgium – a season of work from Flanders – was first...
Read MoreUkraine Fringe: Festival For The Brave To Be Held In Blended Form From August 21st To September 3rd
by Borisav Matić | Aug 18, 2023 | Festivals, News, Ukraine
The first edition of Ukraine Fringe – under the slogan Festival for the Brave – will...
Read MoreEdinburgh International Festival 2023: “FOOD” By Geoff Sobelle
by Duška Radosavljević | Aug 17, 2023 | Edinburgh 2023, Review, Scotland
You would not have been wrong to expect a feast in this show set at a giant dining table, fully...
Read MorePoland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”
by Duška Radosavljević | Aug 16, 2023 | Edinburgh 2023, Poland, Review, Scotland
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
Read MoreEdinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea
by Duška Radosavljević | Aug 16, 2023 | Edinburgh 2023, Review, Scotland, South Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MoreMemorial To Professor Maya Harbuzyuk
It is with great regret and sadness that we have learned of the untimely and sudden death of an...
Read MoreMeeting The Public Is The Most Important Incentive For Those Who Do Theatre: An Interview With Walter Prete
by Ivanka Apostolova Baskar | Aug 14, 2023 | Dramaturgy, Interview, Italy, Translation
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
Read MoreBrian Friel’s Dancing At Lughnasa At The National Theatre London
by Michał Lachman | Aug 10, 2023 | Ireland, Review, United Kingdom
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
Read MoreInterview With Ulviyya Heydarova
by Emiliia Dementsova | Aug 9, 2023 | Azerbaijan, Dramaturgy, Interview
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
Read More“Habitat” by Doris Uhlich: Performing a Landscape of Naked Bodies
by Marilena Borriello | Aug 6, 2023 | Denmark, Review, Theatre and Art
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
Read MoreNatalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
by Kitty Brandon-James & Alma Prelec | Aug 5, 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read More“Beneatha’s Place,” Young Vic
by Aleks Sierz | Aug 4, 2023 | London, Review, Theatre and Politics, United Kingdom
Trauma is the source of identity politics. In the case of African-Americans, the experience of...
Read MoreEgypt Joins Jordan’s Open-Space Theatre Festival
by Ahram Online | Aug 3, 2023 | Festivals, Jordan, News
Egypt is represented by one play and a jury member at the second edition of Jordan’s...
Read MoreCraft of “Downton Abbey” and “Gilded Age” Director, Michael Engler
by Alexander Fatouros | Jul 28, 2023 | Directing, Interview, New York, Theatre and Film, United States of America
American television and film director Michael Engler is extraordinarily skilled at both comedies...
Read More“Kiss” at the Wilma Theater
by Emily Maiorano | Jul 27, 2023 | Review, Transcultural Collaborations, Translation, United States of America
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
Read MoreDoulas as Resistance: The Anthropologists’s “axes, herbs and satchels”
by Rhiannon Ling | Jul 26, 2023 | Devised Theatre, Editorial, New York, Theatre and Decolonization, United States of America
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
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Polish People Deserve Better From Irish Theatre… by Kasia Lech 7th September 2023 “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023 “German Autumn” At The Uppsala Stadsteater by Bryce Lease 20th September 2023 Drag Queens in Musical Theatre by Lisa Monde 8th May 2023 A Tweet About “Psycho” by Minakhanim Gurbanova 16th September 2023 The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023 Edinburgh Fringe 2023: Overview by Duška Radosavljević 22nd August 2023 All The Conflicts In The Social Theatre Today:… by Ivanka Apostolova Baskar 7th September 2023 A Performance of Pediophobia: “Nightmare… by Andrew Agress 27th September 2023 “What the Constitution Means to Me” Is… by Trevor Boffone 21st September 2023
Recent Posts
- “That Face” at Orange Tree Theatre 3rd October 2023
- “Amahemhem”: Walking Alongside the Ghosts of Our Past 29th September 2023
- Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous 28th September 2023
- Edinburgh Festivals, May Luck Be With You 28th September 2023
- Nice to MITEM you: the 10th edition of the Madách International Theatre Meeting Opens in the Hungarian Capital 27th September 2023
- A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC 27th September 2023
- Sweeney Todd: Not a Demon, But a Barber of Fleet Street 24th September 2023
- Lauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness 22nd September 2023
- Renée Fleming’s Cities That Sing 21st September 2023
- “What the Constitution Means to Me” Is As Timely As Ever 21st September 2023
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