




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


Edinburgh Festival Fringe 2024 Overview

“L’Addition,” S’il Vous Plait



“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling

“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

“The Outrun”
Euroregional Theatre Festival Timișoara 2024
https://thetheatretimes.com/latest-post/sections/festivals/teszt-2024/
“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder


LATEST NEWS FROM AROUND THE WORLD



On Kyoto Experiment’s Curatorial Vision

The Images of Me: 2024 Prologue New Play Festival











Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
by Aleks Sierz | Feb 26, 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
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Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”
by Kyungjin Jo | Apr 24, 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
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Violence Is Not Fate. Change Is Possible
by Berna Ataoğlu | Apr 3, 2025 | Playwriting, Theatre and Gender, Turkey
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Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
by Aleks Sierz | Apr 29, 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
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“Shards of Chaotic Memory in Multicoloured Ink”
by Margaret Rose | Apr 16, 2025 | Italy, Review, Theatre and Disability
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A Play About Abortion – “Hypothetıcal Baby”
by Berna Ataoğlu | Apr 25, 2025 | Canada, Review, Theatre and Gender
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
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Uncle Actor
by Jonathan Kalb | Apr 12, 2025 | Adaptation, New York, Review
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Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
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SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.


Theatre “Haunts” People
![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-440x264.jpg)
![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-440x264.jpg)



On Kyoto Experiment’s Curatorial Vision



The Images of Me: 2024 Prologue New Play Festival

“In The Name Of Profit” At Fringe Milano Off



“My Mother’s Funeral”

“L’Addition,” S’il Vous Plait

“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling



“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

Isabella Rossellini at Rubix Festival in Montenegro

“The Outrun”







CPH Stage Festival 2024



“Bérénice” at Milan’s FOG Festival


Milan’s FOG Festival









Tartuffe or the Hypocrite: Tartare of Tartuffe

“Leaning Church”: The Voices of a Vanished City
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment
by Aleks Sierz | Mar 28, 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
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2024 Dublin Theatre Festival – Subjective Report [Part II]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
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2024 Dublin Theatre Festival – Subjective Report [Part I]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
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Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
by Emilija Kvočka | Mar 18, 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
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An Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
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Getting Known
by Jonathan Kalb | Feb 10, 2025 | Directing, Review, United States of America
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“No Power for the Electric Chair ” – Crime of Theatrical Absurd
by Emilija Kvočka | Dec 16, 2024 | Directing, Macedonia, Review
Robert Icke’s Manhunt at the Royal Court Theatre: Terrifyingly Powerful Account Of Toxic Masculinity And Murderous Rage
by Aleks Sierz | Apr 11, 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
by Aleks Sierz | Apr 29, 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
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Violence Is Not Fate. Change Is Possible
by Berna Ataoğlu | Apr 3, 2025 | Playwriting, Theatre and Gender, Turkey
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Theatre “Haunts” People
by Ivanka Apostolova Baskar | Mar 26, 2025 | Festivals, Interview, Playwriting, Romania
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ESSAYS
Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival
by Aysha Zackria | Apr 6, 2025 | Dramaturgy, Essay, Festivals
I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...
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Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
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The Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
INTERVIEWS
Interview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company
by Walter Byongsok Chon | Apr 22, 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
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Theatre “Haunts” People
by Ivanka Apostolova Baskar | Mar 26, 2025 | Festivals, Interview, Playwriting, Romania
REVIEWS
Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
by Aleks Sierz | Apr 29, 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
-
A Play About Abortion – “Hypothetıcal Baby”
by Berna Ataoğlu | Apr 25, 2025 | Canada, Review, Theatre and Gender
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READ ALL LATEST
Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
by Aleks Sierz | Apr 29, 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MoreA Play About Abortion – “Hypothetıcal Baby”
by Berna Ataoğlu | Apr 25, 2025 | Canada, Review, Theatre and Gender
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
Read MoreFive Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”
by Kyungjin Jo | Apr 24, 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read MoreInterview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company
by Walter Byongsok Chon | Apr 22, 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
Read MoreQueer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods
by Morgan Skolnik | Apr 20, 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read More“Shards of Chaotic Memory in Multicoloured Ink”
by Margaret Rose | Apr 16, 2025 | Italy, Review, Theatre and Disability
At Milan’s Franco Parenti theatre, Shards of Chaotic Memory in Multicoloured Ink (Schegge di...
Read MoreJulia Grogan’s Playfight at the Soho Theatre: Superbly Punchy Teen Drama That Electrifies The Senses And Engages The Emotions
by Aleks Sierz | Apr 15, 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MoreUncle Actor
by Jonathan Kalb | Apr 12, 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MoreRobert Icke’s Manhunt at the Royal Court Theatre: Terrifyingly Powerful Account Of Toxic Masculinity And Murderous Rage
by Aleks Sierz | Apr 11, 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read More“Liberation.” Roundabout Theatre. Look Back to Know Where You Are
by Cristina Modreanu | Apr 7, 2025 | Review, Theatre and Gender, United States of America
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
Read MoreViolence Is Not Fate. Change Is Possible
by Berna Ataoğlu | Apr 3, 2025 | Playwriting, Theatre and Gender, Turkey
Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...
Read MoreThe Beauty of Cultural Specificity in “Bubble Schmeisis”
by Morgan Skolnik | Apr 2, 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MoreI Am Not Afraid For The Future Of The Theatre
by Ivanka Apostolova Baskar | Apr 2, 2025 | Croatia, Interview, Transcultural Collaborations, Translation
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
Read MoreUnderneath the Grass Roots
by Jonathan Kalb | Apr 2, 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MoreChris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment
by Aleks Sierz | Mar 28, 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MoreThe Rebellious Power of “Liberation” at Roundabout Theatre Company
by Morgan Skolnik | Mar 27, 2025 | New York, Review, Theatre and Gender
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
Read MoreTheatre “Haunts” People
by Ivanka Apostolova Baskar | Mar 26, 2025 | Festivals, Interview, Playwriting, Romania
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
Read MoreNikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
by Aleks Sierz | Mar 21, 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MoreGetting To an Emotional Truth With Padraic Lillis
by Marcina Zaccaria | Mar 19, 2025 | Dramaturgy, Interview, Producing, United States of America
Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
Read MoreBrave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
by Emilija Kvočka | Mar 18, 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read More“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I
by Lisa Monde | Mar 12, 2025 | Interview, Musical Theatre, Spain
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the...
Read MoreAn Innovative “Romeo E Giulietta” In Milan
by Margaret Rose | Mar 10, 2025 | Directing, Italy, Review
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
Read MoreWoman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
by Emily Cordes | Mar 8, 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MoreNick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot
by Aleks Sierz | Mar 5, 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MoreVictor’s Journey
by Margaret Rose | Mar 5, 2025 | Italy, Review, Theatre and Science
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
Read MoreThe Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research
by Ivanka Apostolova Baskar | Mar 4, 2025 | Interview, Theatre and Politics, Turkey
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
Read More2024 Dublin Theatre Festival – Subjective Report [Part II]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read More2024 Dublin Theatre Festival – Subjective Report [Part I]
by Michał Lachman | Mar 4, 2025 | Acting, Festivals, Ireland
My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...
Read MoreBridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize
by Diana Fathi | Mar 3, 2025 | Books, Iran, Playwriting, Translation
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
Read MoreReview Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.
by Geraldine Brodie | Mar 3, 2025 | Germany, Review, Theatre and Gender
Interpretations in cultures and languages external to Spain have been integral to the survival of...
Read MoreGiuliana Musso Performs Franz Kafka’s “The Ape”
by Margaret Rose | Mar 2, 2025 | Italy, Review, Theatre and Politics
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
Read MoreCoral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
by Aleks Sierz | Feb 26, 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MoreLaura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
by Aleks Sierz | Feb 21, 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MoreBeyond the Canvas: The Art of Candida Alvarez
by Alexander Fatouros | Feb 21, 2025 | New York, Transmedia, United States of America
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
Read MorePolish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida
by Aleksandra M. Różalska | Feb 18, 2025 | Poland, Transcultural Collaborations, United States of America
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
Read MoreLanguage Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
by Ellen Pearlman | Feb 17, 2025 | Interview, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
by Ellen Pearlman | Feb 16, 2025 | Interview, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
Read MorePlaywriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read MoreShow/Boat: A River Slashes Open an Old Classic
by Morgan Skolnik | Feb 13, 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MoreThe Horror of Mundanity in NYTW’s A Knock On the Roof
by Morgan Skolnik | Feb 13, 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MoreDropping Balms
by Jonathan Kalb | Feb 13, 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MoreCulture Belongs To Humanity! Not To The Armies
by Ivanka Apostolova Baskar | Feb 12, 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
Read MoreEline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
by Aleks Sierz | Feb 10, 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MoreGetting Known
by Jonathan Kalb | Feb 10, 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MoreТim Rice – 80: The Нero and His Many Anniversaries. Part II
by Lisa Monde | Feb 7, 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
The first part of this interview is available here. Tim Rice has been lucky to work with many...
Read MoreFrom Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
by Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read MoreA Dystopian Sci-Fi: “Honey, I’m Home”
by Berna Ataoğlu | Feb 6, 2025 | Canada, Review, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MoreThere Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre
by Ivanka Apostolova Baskar | Feb 5, 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MoreLucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
by Margaret Rose | Feb 4, 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MoreA Canadian Epic: “Come From Away”
by Berna Ataoğlu | Feb 4, 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
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- Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom” 24th April 2025
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- Robert Icke’s Manhunt at the Royal Court Theatre: Terrifyingly Powerful Account Of Toxic Masculinity And Murderous Rage 11th April 2025
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