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SPECIAL REPORT: TESZT - Euroregional Theatre Festival Timișoara 2024
LATEST NEWS FROM AROUND THE WORLD
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A Theatre Festival Where Nature Was the Co-actor
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Becoming a Citizen Dramaturg
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She Arts Festival Launches In Cairo
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Renée Fleming’s Cities That Sing
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Miangaly Theatre Company: Defining the Stage in Madagascar
by Lalatiana Andréa Rasamoelina | Jul 3, 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Obari Gomba’s Grit and the Politics of Vendetta
by Ugochukwu Anad! | May 9, 2024 | Nigeria, Review, Theatre and Politics
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
Wajdi Mouawad’s “Littoral”: Searching for Peace Through the Devastation of War
by Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
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Miss Julie: Amy Ng Brings A “Problem Play” To Hong Kong
by Molly Grogan | Jul 17, 2024 | Hong Kong, Review, Theatre and Politics
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
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Back to the Updated Future: Rock Opera “Starmania” – 45th Anniversary
by Lisa Monde | Jul 21, 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
“The Hope Theory:” A Recipe For Believing In Your Dreams
by Azadeh Kangarani | Jul 24, 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
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“Cats”: The Jellicle Ball is near Purrfect
by Morgan Skolnik | Jul 13, 2024 | LGBTQ+ Theatre, New York, Review, United States of America
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Medea as a Border-Body [Part I]
by Deniz Bașar | Jul 10, 2024 | Review, Theatre and Politics, United States of America
Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | May 2, 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
by David O'Donnell | Apr 19, 2024 | Adaptation, New Zealand, Review, Worldwide
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
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![52nd Venice Theatre Biennale (15-30 June). Tim Crouch’s “Truth’s A Dog Must To Kennel”](https://thetheatretimes.com/wp-content/uploads/2024/07/TRUTHS-A-DOG-MUST-TO-KENNEL-2-440x264.webp)
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CPH Stage Festival 2024
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![“Bérénice” at Milan’s FOG Festival](https://thetheatretimes.com/wp-content/uploads/2024/05/FOG-2024-Romeo-Castellucci-Berenice-©Alex-Majoli-8-440x264.jpg)
“Bérénice” at Milan’s FOG Festival
![Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024](https://thetheatretimes.com/wp-content/uploads/2024/04/Copy-of-Website-Penguin-1-1-440x264.jpg)
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Milan’s FOG Festival
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Tartuffe or the Hypocrite: Tartare of Tartuffe
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“Leaning Church”: The Voices of a Vanished City
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“Fear Eats The Soul”: Love In The Grip of Hate
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She Arts Festival Launches In Cairo
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“The Book of Ruth”: Kaddish For Peaceful Life
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How Urdu Theater Is Reaching Out to New Audiences
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68th Sterijino pozorje: A critical dialogue
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Egypt Joins Jordan’s Open-Space Theatre Festival
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The ENTRE Festival in Midwest Brazil
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“Trade/Motorhead” at PROTOTYPE 2023 Festival
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“Undine” at PROTOTYPE 2023 Festival
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“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
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“note to a friend” at PROTOTYPE 2023 Festival
![“Morning//Mourning” at PROTOTYPE 2023 Festival](https://thetheatretimes.com/wp-content/uploads/2023/01/vqKXcej0-1-440x264.jpeg)
“Morning//Mourning” at PROTOTYPE 2023 Festival
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![Micro Theatre Festival Returns with 16 Mini Plays This Week](https://thetheatretimes.com/wp-content/uploads/2022/11/Micro-Theatre-1-440x264.jpeg)
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- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
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More Sickly Mansions
by Jonathan Kalb | Jan 7, 2024 | Acting, Review, United States of America
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Netherworld or Right Now?
by Marcina Zaccaria | Jun 17, 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
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Phillip Luswata: A Career Onstage and Behind the Scene
by Kaggwa Andrew Mayiga | Feb 4, 2024 | Directing, Essay, Uganda
52nd Venice Theatre Biennale (15-30 June). Tim Crouch’s “Truth’s A Dog Must To Kennel”
by Margaret Rose | Jul 18, 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
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Becoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Miangaly Theatre Company: Defining the Stage in Madagascar
by Lalatiana Andréa Rasamoelina | Jul 3, 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
ESSAYS
The “ETC Theatre Green Book” and Theatre-making During Climate Crisis
by Ilinca Todoruţ | Jul 20, 2024 | Essay, Europe, Theatre and Science
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
INTERVIEWS
Back to the Updated Future: Rock Opera “Starmania” – 45th Anniversary
by Lisa Monde | Jul 21, 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
REVIEWS
“The Hope Theory:” A Recipe For Believing In Your Dreams
by Azadeh Kangarani | Jul 24, 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
READ ALL LATEST
“The Hope Theory:” A Recipe For Believing In Your Dreams
by Azadeh Kangarani | Jul 24, 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MoreTheTheatreTimes.com wins the 2024 ATHE-ASTR Award for Excellence in Digital Scholarship
by The Theatre Times | Jul 22, 2024 | News, United States of America
Wajdi Mouawad’s “Littoral”: Searching for Peace Through the Devastation of War
by Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MoreBack to the Updated Future: Rock Opera “Starmania” – 45th Anniversary
by Lisa Monde | Jul 21, 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
Read MoreThe “ETC Theatre Green Book” and Theatre-making During Climate Crisis
by Ilinca Todoruţ | Jul 20, 2024 | Essay, Europe, Theatre and Science
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
Read MoreJordan Cheng: The Genial Striver Of Hong Kong Musical Theatre
by Molly Grogan | Jul 19, 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read More52nd Venice Theatre Biennale (15-30 June). Tim Crouch’s “Truth’s A Dog Must To Kennel”
by Margaret Rose | Jul 18, 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MoreMiss Julie: Amy Ng Brings A “Problem Play” To Hong Kong
by Molly Grogan | Jul 17, 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MoreMake Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
by Kasia Lech | Jul 15, 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
Read More“Cats”: The Jellicle Ball is near Purrfect
by Morgan Skolnik | Jul 13, 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MoreNew Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read MoreNew Buds on a Fertile Island: New Play Development in Taiwan, Part 2
by The Prologue Center for New Plays | Jul 11, 2024 | News, Playwriting, Taiwan
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read MoreMedea as a Border-Body [Part I]
by Deniz Bașar | Jul 10, 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MoreMedea as a Border-Body [Part II]
by Deniz Bașar | Jul 10, 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MoreTheatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 1.
by John Freedman | Jul 9, 2024 | Interview, Theatre and Politics, Ukraine
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read MoreTheatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 2.
by John Freedman | Jul 9, 2024 | Interview, Theatre and Politics, Ukraine
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read MoreAt the Intersection of Interactive Mediums: “DIRT” Blends Games and Theater at The Tank
by Andrew Agress | Jul 8, 2024 | Interview, New York, United States of America
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read More“Invisible Lands,” Bodies, Gods, and… People
by Teodora Medeleanu | Jul 7, 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MoreWater for Elephants: a Musical or a Circus Drama?
by Lisa Monde | Jul 4, 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MoreMiangaly Theatre Company: Defining the Stage in Madagascar
by Lalatiana Andréa Rasamoelina | Jul 3, 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
Read More“Pericles” – An Odyssey from Timișoara
by Teodora Medeleanu | Jul 1, 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read More“Youth Without God;” Unkind, Realistic Reminder
by Teodora Medeleanu | Jul 1, 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read MoreDeath Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
by Teodora Medeleanu | Jun 29, 2024 | Review, Romania, TESZT 2024, Transmedia
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read More“Laughs In Spanish” Review
by Amelia Parenteau | Jun 25, 2024 | Review, Theatre and Gender, United States of America
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
Read MoreThe Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick
by Andrew Agress | Jun 23, 2024 | Interview, New York, United States of America
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
Read MoreExploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
by Azadeh Kangarani | Jun 21, 2024 | Review, Theatre and Science, United States of America
In a world devastated by the apocalypse, where water has become the new currency of human...
Read MoreTESZT 15: Euroregional Theatre Festival Timișoara, Romania (19-26 May, 2024)
by Jozefina Komporaly and Katalin Demeter | Jun 20, 2024 | News, Romania, TESZT 2024
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
Read MoreCPH Stage Festival 2024
by Duška Radosavljević | Jun 18, 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MoreWhen Sondheim Meets TikTok
by Trevor Boffone | Jun 18, 2024 | Musical Theatre, United States of America
Does Stephen Sondheim make you want to throw ass? Does the score of Sunday in the Park with George...
Read MoreNetherworld or Right Now?
by Marcina Zaccaria | Jun 17, 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read MoreHopes, Dreams, Revenants and Repetitions: La Zaranda’s “Manual Para Armar Un Sueño/Manual For Building A Dream” At Barcelona’s Teatre Romea
by Maria Delgado | Jun 16, 2024 | Review, Spain
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
Read MoreSentimentality and Mentality, Apocalypse and Theatrical Eclipse at 69th Sterijno Pozorje
by Emilija Kvočka | Jun 16, 2024 | Festivals, Review, Serbia
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read MoreHappy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Read MoreSanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
by Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read MoreTheatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
by Rhiannon Ling | Jun 4, 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read MoreWhen Theatre Meets Gaming: “Third Law” at Culture Lab LIC
by Rhiannon Ling | Jun 1, 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MoreProminent American Theatre Scholar, Elinor Fuchs, Dies at 91
by The Theatre Times | May 28, 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
Read More“Ronja, the Robber’s Daughter:” Theater Conventions for Kids
by Teodora Medeleanu | May 22, 2024 | Poland, Review, Theatre for Young Audiences
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
Read MoreLike Mother, Like Son: “Redemption Story” at A.R.T./NY
by Rhiannon Ling | May 22, 2024 | New York, Review, Theatre and Film, United States of America
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read More“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg
by Lisa Monde | May 21, 2024 | France, Interview, Musical Theatre
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
Read MoreThe Return of the Musical “Titanic” to NYC
by Christina Stanton | May 19, 2024 | Musical Theatre, Review, United States of America
Most historic dates and events fade from view after a few years, especially as witnesses age and...
Read More“English,” a Gate to Enriching Desired Dreams
by Azadeh Kangarani | May 15, 2024 | Review, Theatre and Politics, United States of America
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
Read More“Earworm:” Entangled in the Political Landscape
by Amin Azimi | May 15, 2024 | Canada, Review, Theatre and Politics
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
Read MoreLegacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read More“Bérénice” at Milan’s FOG Festival
by Margaret Rose | May 14, 2024 | Festivals, Italy, Theatre and Art
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MoreIgor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
by Emilija Kvočka | May 13, 2024 | Directing, Macedonia, Review, Serbia
He lived for 33 years, and then he left us. He had his first professional direction in the...
Read MoreFrom Exile to Redemption
by Marcina Zaccaria | May 12, 2024 | Review, Theatre and Politics, United States of America
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
Read MoreObari Gomba’s Grit and the Politics of Vendetta
by Ugochukwu Anad! | May 9, 2024 | Nigeria, Review, Theatre and Politics
On 9th April, the University of Nigeria, Nsukka, produced Obari Gomba’s Grit directed by...
Read MoreHow To Recognise Us? The Foreign Women In London: Theatre Review Of “Don’t Get Me Wrong”
by Xunnan Li | May 5, 2024 | Review, Theatre and Politics, United Kingdom
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
Read MoreRetro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | May 2, 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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