




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


Edinburgh Festival Fringe 2024 Overview

“L’Addition,” S’il Vous Plait



“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling

“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

“The Outrun”
Euroregional Theatre Festival Timișoara 2024
https://thetheatretimes.com/latest-post/sections/festivals/teszt-2024/
“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder


LATEST NEWS FROM AROUND THE WORLD



On Kyoto Experiment’s Curatorial Vision

The Images of Me: 2024 Prologue New Play Festival











Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
by Aleks Sierz | Jan 20, 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
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Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
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Culture Belongs To Humanity! Not To The Armies
by Ivanka Apostolova Baskar | Feb 12, 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
by Margaret Rose | Feb 4, 2025 | Italy, Review, Theatre and Gender
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Show/Boat: A River Slashes Open an Old Classic
by Morgan Skolnik | Feb 13, 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
by Morgan Skolnik | Feb 13, 2025 | New York, Review, Theatre and Politics
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A Dystopian Sci-Fi: “Honey, I’m Home”
by Berna Ataoğlu | Feb 6, 2025 | Canada, Review, Theatre and Science
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
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SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.



On Kyoto Experiment’s Curatorial Vision



The Images of Me: 2024 Prologue New Play Festival

“In The Name Of Profit” At Fringe Milano Off



“My Mother’s Funeral”

“L’Addition,” S’il Vous Plait

“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling



“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

Isabella Rossellini at Rubix Festival in Montenegro

“The Outrun”







CPH Stage Festival 2024



“Bérénice” at Milan’s FOG Festival


Milan’s FOG Festival









Tartuffe or the Hypocrite: Tartare of Tartuffe

“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

She Arts Festival Launches In Cairo

“The Book of Ruth”: Kaddish For Peaceful Life

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V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
by Ivanka Apostolova Baskar | Feb 2, 2025 | Acting, Interview, Transcultural Collaborations
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
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“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
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Isabella Rossellini at Rubix Festival in Montenegro
by Emilija Kvočka | Aug 14, 2024 | Acting, Festivals, Montenegro, Review
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How Padmavati Rao Embraces Life Through Theatre And Activism
by Charumathi Supraja | Jun 23, 2024 | Acting, India, Review
From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
by Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
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“No Power for the Electric Chair ” – Crime of Theatrical Absurd
by Emilija Kvočka | Dec 16, 2024 | Directing, Macedonia, Review
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“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
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Liu Xiaoyi’s Creative Revolution
by Molly Grogan Zolima CityMag | Jun 19, 2024 | Directing, Hong Kong, Interview, Singapore
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Netherworld or Right Now?
by Marcina Zaccaria | Jun 17, 2024 | Directing, New York, Review, United States of America
Тim Rice – 80: The Нero and His Many Anniversaries. Part II
by Lisa Monde | Feb 7, 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Fire This Time Festival Enters Its 16th Year
by Marcina Zaccaria | Jan 7, 2025 | Interview, New York, Playwriting
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ESSAYS
Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
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INTERVIEWS
Culture Belongs To Humanity! Not To The Armies
by Ivanka Apostolova Baskar | Feb 12, 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
REVIEWS
Show/Boat: A River Slashes Open an Old Classic
by Morgan Skolnik | Feb 13, 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
by Morgan Skolnik | Feb 13, 2025 | New York, Review, Theatre and Politics
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READ ALL LATEST
Playwriting Awards in Taiwan: Recognition and Reality
by Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read MoreShow/Boat: A River Slashes Open an Old Classic
by Morgan Skolnik | Feb 13, 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MoreThe Horror of Mundanity in NYTW’s A Knock On the Roof
by Morgan Skolnik | Feb 13, 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MoreCulture Belongs To Humanity! Not To The Armies
by Ivanka Apostolova Baskar | Feb 12, 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
Read MoreEline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
by Aleks Sierz | Feb 10, 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MoreТim Rice – 80: The Нero and His Many Anniversaries. Part II
by Lisa Monde | Feb 7, 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
The first part of this interview is available here. Tim Rice has been lucky to work with many...
Read MoreFrom Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
by Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read MoreA Dystopian Sci-Fi: “Honey, I’m Home”
by Berna Ataoğlu | Feb 6, 2025 | Canada, Review, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MoreThere Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre
by Ivanka Apostolova Baskar | Feb 5, 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MoreLucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
by Margaret Rose | Feb 4, 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MoreA Canadian Epic: “Come From Away”
by Berna Ataoğlu | Feb 4, 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read MoreRameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris
by Maria Delgado | Feb 3, 2025 | France, Review, Theatre and Opera
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read MoreThe Visit
by Margaret Rose | Jan 24, 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePhilip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MoreDisability, Kink, and Joy as Resistance in The Dan Daw Show
by Morgan Skolnik | Jan 22, 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MoreRoy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
by Aleks Sierz | Jan 20, 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MoreSitting Down with Theater Artist Kate Rankine
by Morgan Skolnik | Jan 17, 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MoreA Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
by Andrew Agress | Jan 15, 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MoreThe Fire This Time Festival Enters Its 16th Year
by Marcina Zaccaria | Jan 7, 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MoreThe Beginnings of Theatre in Iraq
by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read MoreFrom Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
by Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MoreТim Rice – 80: The Hero and His Many Anniversaries. Part I
by Lisa Monde | Dec 30, 2024 | Dramaturgy, Interview, Musical Theatre, United States of America
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Read MoreFilmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones”
by Maria Delgado | Dec 23, 2024 | Review, Spain
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
Read More“1936”: Andrés Lima puts the Spanish Civil War on Stage
by Maria Delgado | Dec 23, 2024 | Review, Spain
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
Read MoreHumankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
by Ilinca Todoruţ | Dec 23, 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MoreDavid McVicar’s new “Maria Stuarda” at Madrid’s Teatro Real
by Maria Delgado | Dec 22, 2024 | Review, Spain, Theatre and Opera
Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the...
Read MoreNanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
by Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read More“No Power for the Electric Chair ” – Crime of Theatrical Absurd
by Emilija Kvočka | Dec 16, 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read More(LA)HORDE’s Flash Mob Revolution
by Ilinca Todoruţ | Dec 13, 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read MoreMelati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy
by Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read More“We Live in Cairo”-Off-Broadway
by Heather Waters | Dec 10, 2024 | Musical Theatre, New York, Review, Theatre and Politics
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
Read More“DRAG: The Musical.” An exclusive interview with Alaska Thunderfuck
by Lisa Monde | Dec 9, 2024 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
Read MoreBig Bang Professional Week, Temporada Alta Fights Against ‘Mierda Bonita’
by Antonio Hernández Nieto | Dec 9, 2024 | Festivals, News, Spain
Mierda bonita, or beautiful shit in English, is the term used in La luz de un lago/The light of a...
Read MoreOn Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Read MorePeter J. Chelkowski: A Life of Scholarship And Cultural Exchange
by Milad Azarm | Dec 4, 2024 | Interview, Iran, Poland, Transcultural Collaborations
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
Read MoreSix Against Turkey – We Are All a Little Turkish
by Verity Healey | Dec 3, 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review, Theatre and Politics
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
Read MoreFruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
by Victoria Zavyalova | Dec 3, 2024 | Festivals, Review, Theatre and Science, United States of America
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
Read More“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
by Gonca Yalçın | Dec 2, 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read MoreThe Revolutionary Spirit is Alive in “We Live in Cairo”
by Morgan Skolnik | Nov 27, 2024 | Musical Theatre, New York, Review, United States of America
Though many people rushed to them post election, the musical of our political moment is not...
Read MoreThe Images of Me: 2024 Prologue New Play Festival
by Kuan-Ting Lin | Nov 25, 2024 | Festivals, News, Taiwan
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
Read More“Flower Sajza” at The National Experimental Theater of Tirana- Kosovo Albania Theatre Showcase
by Verity Healey | Nov 18, 2024 | Documentary Theatre, Kosovo, Kosovo Albania Theatre Showcase 2024, Review
In Flower Sajza, directed by Endri Çela at the National Experimental Theater of Tirana, two women...
Read More“How I Learned To Drive” – Heartefact Fund at the Kosovo Albania Theatre Showcase
by Verity Healey | Nov 18, 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review, Serbia, Theatre and Gender
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
Read MoreThe Kosovo Albania Theatre Showcase 2024 – A Review of “The Internationals”
by Verity Healey | Nov 17, 2024 | Kosovo, Kosovo Albania Theatre Showcase 2024, Review
The Director, a positive character The Critic is a sitter on fences and neither a positive nor...
Read MoreStarlight Express The Musical: 40 Years in The Orbit
by Lisa Monde | Nov 14, 2024 | Europe, Germany, Interview, Musical Theatre, Review
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
Read MoreCapitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
by Maria Delgado | Nov 11, 2024 | Review, Spain
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
Read MoreChela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
by Maria Delgado | Nov 10, 2024 | Review, Spain
Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this...
Read MoreShakespeare In Iraq: An Interview With Dr. Samir Talib
by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
Read MoreThe Many Monsters of Ars Nova’s “The Beastiary”
by Morgan Skolnik | Nov 7, 2024 | New York, Puppetry, Review, United States of America
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
Read More“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
by Morgan Skolnik | Nov 5, 2024 | Musical Theatre, New York, Review, United States of America
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
Read MoreChé Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
by Aleks Sierz | Nov 1, 2024 | London, Playwriting, Review, United Kingdom
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
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Rameau reinvented: Peter Sellars stages… by Maria Delgado 3rd February 2025 From Lawyer to Lyricist/Librettist: An Artist… by Morgan Skolnik 7th February 2025 Starlight Express The Musical: 40 Years in The Orbit by Lisa Monde 14th November 2024 Culture Belongs To Humanity! Not To The Armies by Ivanka Apostolova Baskar 12th February 2025 Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024 Roy Williams’s The Lonely Londoners at the Kiln… by Aleks Sierz 20th January 2025There Is Nothing To Know About The Theatre, There Is… by Ivanka Apostolova Baskar 5th February 2025
Lucy Kirkwood’s “The Welkin”… by Margaret Rose 4th February 2025Тim Rice – 80: The Hero and His Many Anniversaries. Part I by Lisa Monde 30th December 2024
From Hunting Ritual to Installation Art: Tianzhuo… by Ilinca Todoruţ 31st December 2024
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- Playwriting Awards in Taiwan: Recognition and Reality 14th February 2025
- Show/Boat: A River Slashes Open an Old Classic 13th February 2025
- The Horror of Mundanity in NYTW’s A Knock On the Roof 13th February 2025
- Culture Belongs To Humanity! Not To The Armies 12th February 2025
- Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging 10th February 2025
- Тim Rice – 80: The Нero and His Many Anniversaries. Part II 7th February 2025
- From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon 7th February 2025
- A Dystopian Sci-Fi: “Honey, I’m Home” 6th February 2025
- There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre 5th February 2025
- Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan 4th February 2025