Euroregional Theatre Festival Timișoara 2024
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Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
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![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_12_fot.-Magda_Hueckel-150x150.jpg.webp)
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”
In the intimate setting of a small black box theatre, audience members find themselves not in the...
”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
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Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Do Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-150x150.jpg)
![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-150x150.jpg)
Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
ESSAYS
Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
INTERVIEWS
“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II
For the first part of the interview go here. From the earliest musicals, one can trace the...
REVIEWS
”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
READ ALL LATEST
”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
Read More
“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II
For the first part of the interview go here. From the earliest musicals, one can trace the...
Read More
“Hamlet”, Teatro La Plaza, Barbican
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MoreCatharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
Read More
“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MoreDo Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
Read More
A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read More“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MoreBlack and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Read MoreConor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read More
A Play About Abortion – “Hypothetıcal Baby”
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
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Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read More
Interview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
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Queer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
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“Shards of Chaotic Memory in Multicoloured Ink”
At Milan’s Franco Parenti theatre, Shards of Chaotic Memory in Multicoloured Ink (Schegge di...
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Julia Grogan’s Playfight at the Soho Theatre: Superbly Punchy Teen Drama That Electrifies The Senses And Engages The Emotions
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
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Uncle Actor
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
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Robert Icke’s Manhunt at the Royal Court Theatre: Terrifyingly Powerful Account Of Toxic Masculinity And Murderous Rage
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
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“Liberation.” Roundabout Theatre. Look Back to Know Where You Are
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
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Violence Is Not Fate. Change Is Possible
Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...
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The Beauty of Cultural Specificity in “Bubble Schmeisis”
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
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I Am Not Afraid For The Future Of The Theatre
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
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Underneath the Grass Roots
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
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Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
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The Rebellious Power of “Liberation” at Roundabout Theatre Company
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
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Theatre “Haunts” People
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
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Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
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Getting To an Emotional Truth With Padraic Lillis
Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.
Read MoreBrave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read More
“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the...
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An Innovative “Romeo E Giulietta” In Milan
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
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Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
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Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
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Victor’s Journey
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
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The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
Read More![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-627x376.jpg)
2024 Dublin Theatre Festival – Subjective Report [Part II]
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read More![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-627x376.jpg)
2024 Dublin Theatre Festival – Subjective Report [Part I]
My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...
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Bridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
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Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.
Interpretations in cultures and languages external to Spain have been integral to the survival of...
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Giuliana Musso Performs Franz Kafka’s “The Ape”
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
Read MoreCoral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read More
Laura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
British people are socially awkward: this explains why we talk about the weather, queue...
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Beyond the Canvas: The Art of Candida Alvarez
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
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Polish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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Playwriting Awards in Taiwan: Recognition and Reality
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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