“Ja Goryl, Ty Człowiek:” Understanding Koko
“PÚPÄTKO” from the Slovak Ján Palárik Theatre
“Drapando:” Scratching For A Connection
“My Mother’s Funeral”
“The Popess” Visits The Edinburgh Fringe Festival
Edinburgh Festival Fringe 2024 Overview
“L’Addition,” S’il Vous Plait
“The Amazing Doctor She Medicine Show”
Climate Change Shakespeare. “A Midsummer’s Tempest”
Bologna To Edinburgh Non-Stop
“Freak Out!” A Heady Cocktail About Climate Change
“In Two Minds.” Female Led Irish Storytelling
“Penthesilea” After Von Kleist. Let’s Rock
“Hamstrung.” Yorick’s Untold Story
“The Outrun”
Euroregional Theatre Festival Timișoara 2024
https://thetheatretimes.com/latest-post/sections/festivals/teszt-2024/“Invisible Lands,” Bodies, Gods, and… People
“Pericles” – An Odyssey from Timișoara
“Youth Without God;” Unkind, Realistic Reminder
LATEST NEWS FROM AROUND THE WORLD
A Theatre Festival Where Nature Was the Co-actor
Becoming a Citizen Dramaturg
She Arts Festival Launches In Cairo
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
-
-
-
-
Critical Generosity as a Decolonial Praxis
by Giulia Casalini | Jun 19, 2024 | Austria, Review, Theatre and Decolonization
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
-
-
-
“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
-
Meet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC
by Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
-
-
Report From The Underground: A New Iranian Theatre
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
-
-
On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
by Ilinca Todoruţ | Oct 9, 2024 | Interview, Romania, Theatre and Politics
How is the German State Theatre different from other Romanian public theatres? Last year, when...
-
Mozart! The Gem of European Musical Theatre
by Lisa Monde | Oct 8, 2024 | Austria, Interview, Musical Theatre
-
-
-
The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
by Morgan Skolnik | Oct 2, 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
-
-
-
“The Amazing Doctor She Medicine Show”
by Margaret Rose | Aug 19, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom, United States of America
-
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
“Macbeth (An Undoing)”: A New Take That Aims To Reimagine Lady Macbeth’s Path – But Ultimately Leaves You Guessing
by Kate Hunter | Jul 24, 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
-
Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
-
-
-
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
“My Mother’s Funeral”
“L’Addition,” S’il Vous Plait
“The Amazing Doctor She Medicine Show”
Climate Change Shakespeare. “A Midsummer’s Tempest”
Bologna To Edinburgh Non-Stop
“Freak Out!” A Heady Cocktail About Climate Change
“In Two Minds.” Female Led Irish Storytelling
“Penthesilea” After Von Kleist. Let’s Rock
“Hamstrung.” Yorick’s Untold Story
Isabella Rossellini at Rubix Festival in Montenegro
“The Outrun”
CPH Stage Festival 2024
“Bérénice” at Milan’s FOG Festival
Milan’s FOG Festival
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
She Arts Festival Launches In Cairo
“The Book of Ruth”: Kaddish For Peaceful Life
How Urdu Theater Is Reaching Out to New Audiences
68th Sterijino pozorje: A critical dialogue
Egypt Joins Jordan’s Open-Space Theatre Festival
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Isabella Rossellini at Rubix Festival in Montenegro
by Emilija Kvočka | Aug 14, 2024 | Acting, Festivals, Montenegro, Review
The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...
-
How Padmavati Rao Embraces Life Through Theatre And Activism
by Charumathi Supraja | Jun 23, 2024 | Acting, India, Review
-
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
-
The Comeuppance, Almeida Theatre
by Aleks Sierz | Apr 18, 2024 | Acting, Review, United Kingdom
-
Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
Netherworld or Right Now?
by Marcina Zaccaria | Jun 17, 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
-
-
-
-
Phillip Luswata: A Career Onstage and Behind the Scene
by Kaggwa Andrew Mayiga | Feb 4, 2024 | Directing, Essay, Uganda
A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
by Jenna Lourenco | Aug 23, 2024 | Boston, Dramaturgy, Essay, Musical Theatre, United States of America, Worldwide
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
-
Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
-
-
New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
-
The Bounds, Royal Court
by Aleks Sierz | Jul 4, 2024 | Dramaturgy, Review, United Kingdom
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
-
-
-
-
Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Miangaly Theatre Company: Defining the Stage in Madagascar
by Lalatiana Andréa Rasamoelina | Jul 3, 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
-
-
-
Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
-
New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
ESSAYS
Report From The Underground: A New Iranian Theatre
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
For many Iranians, the contemporary history of the country is divided into before and after...
INTERVIEWS
On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
by Ilinca Todoruţ | Oct 9, 2024 | Interview, Romania, Theatre and Politics
How is the German State Theatre different from other Romanian public theatres? Last year, when...
-
-
Mozart! The Gem of European Musical Theatre
by Lisa Monde | Oct 8, 2024 | Austria, Interview, Musical Theatre
REVIEWS
Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
by Aleks Sierz | Oct 7, 2024 | Books, Review, Theatre and Politics, United Kingdom
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
READ ALL LATEST
On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
by Ilinca Todoruţ | Oct 9, 2024 | Interview, Romania, Theatre and Politics
How is the German State Theatre different from other Romanian public theatres? Last year, when...
Read MoreMeet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC
by Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
Read MoreMozart! The Gem of European Musical Theatre
by Lisa Monde | Oct 8, 2024 | Austria, Interview, Musical Theatre
Dedicated to the 25th anniversary of the musical Mozart! Contains fragments of the exclusive...
Read MoreMark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
by Aleks Sierz | Oct 7, 2024 | Books, Review, Theatre and Politics, United Kingdom
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
Read MoreThe Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
by Morgan Skolnik | Oct 2, 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92
by Milad Azarm | Oct 1, 2024 | Iran, News, Theatre and Gender
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
Read MoreReport From The Underground: A New Iranian Theatre
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
For many Iranians, the contemporary history of the country is divided into before and after...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
by Hayel Ali Al-Mathabi | Sep 18, 2024 | Interview, Romania, Transcultural Collaborations, Transmedia
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
by Hayel Ali Al-Mathabi | Sep 18, 2024 | Interview, Romania, Transcultural Collaborations, Transmedia
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
Read MoreTimberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
by Aleks Sierz | Sep 12, 2024 | Review, Theatre and Politics, United Kingdom
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
Read MoreRepresentation Of Women In Iraqi Theatre: An Interview With Playwright And Director Dr. Awatif Naeem
by Amir Al-Azraki | Sep 11, 2024 | Interview, Iraq, Theatre and Gender
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
Read MoreIt Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
by Kasia Lech | Sep 7, 2024 | Czech Republic, Essay, New Theatre for Children Festival, Wrocław 2024, Norway, Poland, Slovakia, Theatre for Young Audiences, United Kingdom
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read More“Dziwna Wiosna”: About Cruelty Without Brutality or a War Story for the Young Children
by Zuzanna Madurska and Jacky Lie-A-Njoek | Sep 7, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences, Ukraine
In Poland, the war is no longer just the national memory and has been present in our everyday life...
Read MoreTom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama
by Aleks Sierz | Sep 6, 2024 | London, Review, Theatre and Politics, United Kingdom
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePerformance That Every Man Should See, And No Child Should
by Tessa Coenen and Zuzanna Madurska | Sep 6, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
Introduction Gdzie Jest Tata? (Where is Daddy?) as seen at the New Theatre for Children Festival...
Read MorePost-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read More“Ja Goryl, Ty Człowiek:” Understanding Koko
by Tessa Coenen | Sep 4, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The story about Koko the gorilla who learns sign language has been well documented in scientific...
Read More“My Mother’s Funeral”
by Margaret Rose | Sep 4, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
Read More“PÚPÄTKO” from the Slovak Ján Palárik Theatre
by Zuzanna Madurska | Sep 2, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Slovakia
Creating theatre for the very young – one that can hold their attention, stimulate the right...
Read More“Drapando:” Scratching For A Connection
by Maria Karaś, Jacky Lie-An-Joek and Tessa Coenen | Sep 2, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The play Drapando, czyli Atak Zamszałego Starucha (Drapando, or the attack of the mossy old man)...
Read More“Púpätko” at the 7th New Theatre for Children Festival
by Meeke van Raak | Sep 1, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Slovakia
Púpätko is a beautiful show where sensory play meets nature. The show, aimed at children of 6...
Read More“The Popess” Visits The Edinburgh Fringe Festival
by Margaret Rose | Aug 31, 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read More“Malvolio’s Fantasy.” A Glitzy Retelling Of Twelfth Night
by Margaret Rose | Aug 31, 2024 | Adaptation, Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MoreContemporary Transnationalism Theatre in China: Theatre Review of “Apple Tree” directed by Feng Lu
by Xunnan Li | Aug 30, 2024 | China, Review, Theatre and Politics
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
Read MoreEdinburgh Festival Fringe 2024 Overview
by Duška Radosavljević | Aug 29, 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read More“L’Addition,” S’il Vous Plait
by Margaret Rose | Aug 29, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
As part of Here and Now, a new Arts Council England showcase, Tim Etchells, artistic director of...
Read MoreAdapting Lu Xun for the Contemporary Stage: A Production by China’s Central Academy of Drama at the Edinburgh Fringe Arts Festival: “ZhuJian (Forging the Swords)”
by Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Review
Adapted from Lu Xun’s novel, the play takes the same name, “Zhu Jian” (Forging the Swords), and has become one of the most popular productions at the Edinburgh Festival Fringe 2024. The work was brought to Edinburgh by a group of student actors from the Central Academy of Drama in China. Director Fengrui Yang is currently pursuing his doctoral training at the Academy. The play is notable for its re-examination of the theme of vengeance, a central idea in Lu Xun’s novel. Lu Xun is one of the most influential authors in modern China featured with his social criticism writing style in the 1920s.
Read MoreIntercultural Chinese Dance Artist in the UK: Interview with Joanna Hangyu Zhou
by Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Interview
UK-China Performing Arts (UKCPA), one of the UK’s most prominent Chinese performing arts organizations, plays a crucial role in bridging Chinese and British performing arts cultures. Joanna Hangyu Zhou, the founder of UKCPA and a former national-level dancer with a permanent position at China National Opera & Dance Drama Theater, has emerged as a leading international dance artist in the UK. Following her graduation with a master’s degree from the University of Roehampton in 2016, where she specialized in dance studies, Joanna embarked on a journey of exploring innovations in intercultural Chinese and British performing arts through artistic practice and education.
Read MoreActing As Social Practice: Theater As A Tool To Initiate Dialogue In A Hyperdiverse Immigration Society
by Haytham Hmeidan | Aug 26, 2024 | Essay, Germany, Theatre and Politics
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
Read MoreA Stinging Critique of the American Dream Underlies “The Queen of Versailles”
by Jenna Lourenco | Aug 23, 2024 | Boston, Dramaturgy, Essay, Musical Theatre, United States of America, Worldwide
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
Read MoreSamuel Beckett’s “Krapp’s Last Tape” In The Digital World Of Zoom Theatre
by Annette Balaam | Aug 23, 2024 | Review, Transmedia, United Kingdom
On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...
Read MoreThe Music of Magical Worlds. An Exclusive Interview with Alan Menken
by Lisa Monde | Aug 23, 2024 | Interview, Musical Theatre, United States of America
Everyone knows Alan Menken – the composer, author of the famous animated films released by...
Read MoreOscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Read More“The Amazing Doctor She Medicine Show”
by Margaret Rose | Aug 19, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom, United States of America
The title of the play, The Amazing Doctor She Medicine Show, leaves one wondering who on earth was...
Read MoreClimate Change Shakespeare. “A Midsummer’s Tempest”
by Margaret Rose | Aug 18, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On this year’s Edinburgh Fringe a raft of reimaginings of Shakespeare’s plays, by emerging and...
Read MoreDialoguing With The Classics In Madrid: “La Fortaleza/The Fortress” And “Macho Grita/Alpha Male Shouts”
by Duncan Wheeler | Aug 16, 2024 | Review, Spain, Theatre and Politics
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MoreBologna To Edinburgh Non-Stop
by Margaret Rose | Aug 16, 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MoreScottish Nursery School Kids Bring A Comedic Shakespeare To The Fringe
by Margaret Rose | Aug 16, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MoreLuke Wright, A Spoken-Word Poet At The Top Of His Game
by Margaret Rose | Aug 16, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read More“Freak Out!” A Heady Cocktail About Climate Change
by Margaret Rose | Aug 16, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
Read More“In Two Minds.” Female Led Irish Storytelling
by Margaret Rose | Aug 15, 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MoreTampere Theatre Festival 2024: Asking Important Questions About Theatre and Democracy
by Maria Delgado | Aug 15, 2024 | Festivals, Finland, Review, Tampere Theatre Festival 2024
Tampere is Finland’s third largest city— parallels are often drawn with Manchester, in part...
Read More“Catarina and the Beauty of Killing Fascists” at the Tampere Theatre Festival: Do We Defend Democracy by Breaking Its Rules?
by Maria Delgado | Aug 15, 2024 | Festivals, Finland, Portugal, Review, Tampere Theatre Festival 2024
In my humble view, Tiago Rodrigues is one of the most important theatre makers at work today. His...
Read More“Penthesilea” After Von Kleist. Let’s Rock
by Margaret Rose | Aug 14, 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read More“Hamstrung.” Yorick’s Untold Story
by Margaret Rose | Aug 14, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MoreIsabella Rossellini at Rubix Festival in Montenegro
by Emilija Kvočka | Aug 14, 2024 | Acting, Festivals, Montenegro, Review
The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...
Read More“The Outrun”
by Margaret Rose | Aug 13, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
Read More- 1
- ...
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
- ...
- 105
Like Us On Facebook
Most Popular Posts
- “Cake: The Marie Antoinette Playlist”… by Victoria Chen 16th October 2023
- Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
- Report From The Underground: A New Iranian Theatre by Ali Mansouri 25th September 2024
- The Music of Magical Worlds. An Exclusive Interview… by Lisa Monde 23rd August 2024
- It Takes Artistry to Make Theatre for Young… by Kasia Lech 7th September 2024
- Representation Of Women In Iraqi Theatre: An… by Amir Al-Azraki 11th September 2024
- “Laughs In Spanish” Review by Amelia Parenteau 25th June 2024
- Timberlake Wertenbaker’s “Our Country’s… by Aleks Sierz 12th September 2024
- “The Maids” by Genet: The Logic of the Paradox by Lisa Monde 2nd January 2024
- “Miss Saigon”: Déjà vu. An exclusive… by Lisa Monde 21st May 2024
Recent Posts
- On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania 9th October 2024
- Meet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC 9th October 2024
- Mozart! The Gem of European Musical Theatre 8th October 2024
- Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas 7th October 2024
- The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song 2nd October 2024
- Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92 1st October 2024
- Report From The Underground: A New Iranian Theatre 25th September 2024
- On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III] 23rd September 2024
- On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II] 23rd September 2024
- On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I] 23rd September 2024