Act of Will: Kenya Theatre Award Defy Covid-19 Gloom
The big winner at the awards (Kenya’s version of the Tony's) was Back to Basics theatre group. Founded by veteran thespian Mbeki Mwalimu, Back to Basics raked up a total of 6 awards.
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Act of Will: Kenya Theatre Award Defy Covid-19 Gloom
The big winner at the awards (Kenya’s version of the Tony's) was Back to Basics theatre group. Founded by veteran thespian Mbeki Mwalimu, Back to Basics raked up a total of 6 awards.
The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Written by: Elizabeth Kerr Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly present as an old married couple, even if they’ve only been bound in matrimony for seven years. They...
Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson.
Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...
ESSAYS
How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
INTERVIEWS
In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
REVIEWS
The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
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The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
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A Point and Click Music Session With “Modulation”
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
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Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
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Act of Will: Kenya Theatre Award Defy Covid-19 Gloom
The big winner at the awards (Kenya’s version of the Tony’s) was Back to Basics theatre group. Founded by veteran thespian Mbeki Mwalimu, Back to Basics raked up a total of 6 awards.
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Don’t Worry, Guy: Toronto’s Indie Theatre Community Stays Resilient
On February 20th at 7pm, Sebastian Biasucci’s family will be in their kitchen eating dinner. One...
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Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor
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Inside Virtual Rooms
In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they...
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Works Process at The Guggenheim: Isolation to Creation Docuseries
Midway through the first episode of Isolation to Creation, a docuseries produced as part of this...
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How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
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“A Strange Loop” by Michael R. Jackson
Jackson’s brave and ingenious dismantling of race and sexuality norms provides a portal from which those who have experienced discrimination based on their identity can readily embrace his insight and wit.
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In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
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Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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In Conversation with Hanane Hajj Ali
The occasion of this interview is Hanane Hajj Ali was chosen to receive the 2020 Gilder/Coigney...
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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
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Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson.
Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...
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About “Living Newspaper”: A Counter Narrative
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
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Rangbhoomi Spaces Is Hyderabad’s New Cultural Space
Theatre actor, director, and founder of KissaGo Theatre Group Jay Jha speaks on the hardships...
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Mobile Theatres Begin Their Tours with Cairo’s Al-Asmarat District
The Egyptian Ministry of Culture has announced that its mobile theatre tours began this week, with...
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Mikhail Baryshnikov: A Dancer Whose Flight to Freedom Brought Him Cult Status
Mikhail Baryshnikov is not one to go unnoticed. A true living legend of ballet, he is one of the...
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Kalidasa’s “Vikramorvaseeyam” on Koodiyattam Stage
Venu brought alive the nuances of Kalidasa’s Vikramorvaseeyam at the recent Koodiyattam...
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Our Experiments: How Dakh Theatre Went Digital
An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...
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Expect Revivals and VR from the Stage as Theater Continues to Deal with the Coronavirus
In his 1964 anthem, “The Times They Are A-Changin’,” Bob Dylan sings: “As the present now / Will...
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Music Live Streaming from the Conservatory San Pietro a Majella in Naples
The Conservatory San Pietro a Majella is one of the most important and prestigious musical...
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Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”
Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...
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“I Imagine “Future” as a Hologram Rather Than as a Frozen Marble Sculpture”: An interview with choreographer Galina Borissova
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Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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In China’s Voguing Houses, Queer Millennials Strike a New Pose
Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...
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Death or Re-birth?: On Vicissitudes of the Egyptian Stage During 2020
This year, for theatre and dance artists around the world, it was necessary to convey the message...
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Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
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Ten Ableist Tropes to Jettison in 2021
Disabled people need people who live in privileged bodies to do better. People with disabilities...
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“A Black and White Cookie” at TNC
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“Times3 (Times x Times x Times)” Takes Bite Out of Big Apple
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On Changing The Disability Inclusion Narrative: An Interview With Theater Breaking Through Barriers’ Nick Viselli
Inclusion has quickly become the commanding narrative in the theater world, but when it comes to...
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In India, 16% of Creative Sector Facing Permanent Closure
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The Amazing Energy of the Bulgarian Dance Platform 2020
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“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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In Turkey, Stage Curtains Open Digitally Amid Pandemic
Theaters are now opening virtually after remaining closed for months due to the coronavirus...
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On sound ecology: “Rainforest V (variation 3)” at Arter
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The Attakkalari Centre for Movement Arts Reimagines Dance for the Online Medium
Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”
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How to Write a Pandemic Play
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Choosing the Stories You Tell: An Interview with Kelley Girod
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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review
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2021 Flying Start For Human Rights Art Festival
First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.
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