Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
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Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
Elena Serra Keeps Mime Alive
Artiste and teacher Elena Serra shares the joy of conveying emotions without words. The greenroom...
Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
“Skintight” at Geffen Playhouse
Elliot: “You don’t get to choose people’s words, Jodi.” Jodi: “No, I don’t. But I won’t...
Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
- Adaptation
- Devised Theatre
- Immersive Theatre
- Musical Theatre
- Translation
- Transmedia
- Transcultural Collaborations
- LGBTQ Theatre
- Theatre and Disability
- Theatre and Gender
- Theatre and Politics
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
“All That Remains” At Etcetera Theatre Camden: An Emotional Journey
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
“The Boy in the Moon” at the 1000 Islands Theatre: A Moving Story Which Leaves Difficult Questions for the Audience to Ponder.
A play based on the memoir of Globe and Mail journalist Ian Brown’s experience of bringing up his...
Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
LATEST FESTIVAL REPORT
Stratford 2019: “Nathan the Wise”- A Parable of Tolerance
“ I hear, I hear, come finish with thy tale. Is it soon ended?” – Nathan the Wise There are...
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
ESSAYS
Edinburgh Fringe 2019: Aditi Mittal, Sumit Anand and Devang Tewari On Their Journey to Edinburgh
For years, the Edinburgh Fringe Festival, those three performance-packed weeks in August, has been...
INTERVIEWS
Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
REVIEWS
Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
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Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read More
“All That Remains” At Etcetera Theatre Camden: An Emotional Journey
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read More
Alexander Zeldin’s “Faith, Hope and Charity” at the National Theatre
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
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Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
Read More
“Skintight” at Geffen Playhouse
Elliot: “You don’t get to choose people’s words, Jodi.” Jodi: “No, I don’t. But I won’t...
Read More
“Hansard” at the National Theatre
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read More
Ugandan Show Tackles Language and Culture
It is still not uncommon to hear various parts of the continent being referred to as ‘Anglophone Africa’, ‘Francophone Africa’, ‘Lusophone Africa’, and so on. In fact, there are more French and English speakers in Africa today than there are in France and England respectively!
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Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Read More
HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Read More
Elena Serra Keeps Mime Alive
Artiste and teacher Elena Serra shares the joy of conveying emotions without words. The greenroom...
Read More
Stratford 2019: “Nathan the Wise”- A Parable of Tolerance
“ I hear, I hear, come finish with thy tale. Is it soon ended?” – Nathan the Wise There are...
Read More
French Puppetry and Object Theater in North America and France
Between January and July 2019, the liveliness of the French puppetry and object theater scene was...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read More
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
Read More
“Total Immediate Collective Imminent Terrestrial Salvation” at The Royal Court
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
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Henrik Ibsen’s “A Doll’s House” at the Lyric Hammersmith: New Artistic Director’s Superb Debut
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
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“The Secret River” at The National Theatre
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
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Interview: Kristina Poe of LAByrinth Theater Company
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
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“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
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“8 Hotels” at Minerva Theatre
Beliefs of racial purity and superiority were at the heart of the conflict that brought about the...
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Mental Illness And Childhood Trauma On Indian Stage: QTP’s “Every Brilliant Thing”
In a country where mental illness is as big an issue as poverty is but is not talked about and dealt with the same zeal and enthusiasm, Mumbai-based QTP’s latest production Every Brilliant thing, written by British playwrights Duncan Macmillan and Jonny Donahoe, and directed by Quasar Thakore-Padamsee, comes as a much needed venture.
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Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
Read More
Lucy Prebble’s “A Very Expensive Poison” at the Old Vic: Post-truth Games with Docu-drama
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
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Harvey Fierstein’s “Torch Song” at the Turbine Theatre
The Turbine Theatre opens its doors to London audiences with Drew McOnie’s intimate production of...
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Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
Read More
Tennessee Williams’ “The Night of the Iguana” at Noël Coward Theatre
A defrocked minister who botches up his job as a tour guide; a recently widowed hotel manager who...
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Edinburgh Fringe 2019: Solo Performances
Stalkers, heroes, and cult leaders. Depression, maternity, and citizenship. Edinburgh Festival...
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“Felix Starro” is Born
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
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In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
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Robert Icke’s “The Doctor” at the Almeida Theatre
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
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Edinburgh Fringe 2019: After the Fact
Facts can be stranger than fiction. Every year, this truism gets demonstrated afresh—and with an...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Robert Icke’s “The Doctor” At The Almeida Theatre
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
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Which Theatre Style Connects With You the Most, Asks Deepro Roy’s New Play
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
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Philip Luswata Brings “30 Years of Bananas” Back to Life
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
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Edinburgh Fringe 2019: Aditi Mittal, Sumit Anand and Devang Tewari On Their Journey to Edinburgh
For years, the Edinburgh Fringe Festival, those three performance-packed weeks in August, has been...
Read More
Stratford 2019: Perfect Production Lurching Forward Into Full-Blown Farce
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
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“The Crucible” at the Stratford: How Puritanism Predicts this Political Moment
Arthur Miller’s classic play about the 17th-century witchcraft trials in colonial Salem,...
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“Gem of the Ocean” at Pittsburgh Playwrights Theatre Company in Pittsburgh, PA, USA
A couple of weeks ago The New Yorker featured an article by Kelefa Sanneh about the work of Dr....
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Edinburgh Fringe 2019: Female-Led Narratives
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
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“Pericles” in Griffith Park – Independent Shakespeare Co.’s Offers Los Angeles a Summer Treat
Incest, attempted murder, attempted rape, and a family desperately seeking out a better life only...
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Aichi Triennale 2019: Political Art, Censorship, and Democracy
The sudden Aug. 3 closure of After “Freedom of Expression?” — a multi-artist exhibit...
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Edinburgh Fringe 2019: Anthropocene
It should be not at all surprising that climate change was one of the hot topics of this year’s...
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Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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“Shikaar” Review: A Commune of Chudails
Patchworks Ensemble’s new play, Shikaar explores the insidious culture of instigation...
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Sanhita Manch: Plays Spanning Genres And Sensibilities
Sanhita Manch’s third edition will stage four original plays that celebrate homegrown talent in...
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“The Bonds of Interest”: Jacinto Benavente’s Renewal of Spanish Theatre (1907), A Significant Choice for This New Odyssey Beginning
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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“Alegría”: The Cirque du Soleil Resurrects the Show that Defined Its Aesthetic
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
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