“Koothu” Comes Home: How Group Of Shadow Puppeteers In Salem Streamed A Play Live On Facebook
There was a new energy about Mu Harikrishnan’s terrace. In the village of Yervadi near Salem that...
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow – discusses how the COVID-19 pandemic has affected the theatre community in Russia and the Stanislavsky Electrotheatre. He also shares his thoughts on the post-pandemic theatre.
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland)– responds to Boris Yukhananov and discusses how the COVID-19 pandemic has affected his work, TR Warszawa, and the theatre community in Poland. He also reflects on what may the future of theatre look like.
William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the Less Good Idea – responds to Grzegorz Jarzyna and discusses how the COVID-19 pandemic has affected his work, The Centre, creative process, and the theatre community in Johannesburg.
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to William Kentridge. The discussion focuses on the impact that the COVID-19 pandemic had on China’s theatre and its communities from the perspective of a theatre maker and spectator. They also explain why they think theatre will survive the pandemic.
Nils Haarmann – dramaturg at the Schaubühne – respond to Grzegorz Jarzyna. The discussion focuses on how Schaubühne responded to the COVID-19 pandemic and the impact it had on its immediate and further plans, and on German theatre institutions and communities.
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Egypt’s Sharm El-Sheikh Int’l Theatre Festival For Youth Launches YouTube, SoundCloud Channels
The channels aim to archive the festival’s previous sessions and their activities. The Sharm...
“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
Simulations With Actors Prepare Nurses For The Demands Of Their Profession
Now more than ever, it is essential that post-secondary nursing programs train students to deal...
Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
Invisible Diaries: Lay Your Burdens Down Day
I’ve hit the wall. The big move is over but moving the “small stuff” all day reminded...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
Mother and the Other and a Dialogue Among Civilizations
M(O)ther is an international online collaboration to be shown August 9, 2020: 2pm EST, 8pm South...
To Screen or Not to Screen: A Digital Experience at Mixer
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
Exploring Funding in Zimbabwean Theatre
Funding in Zimbabwean Theatre is a key challenge. There is no doubt that if one were to do an...
Interview with Playwright Espi Tomičić. Part II: ‘Boy From the Neighborhood’
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
ESSAYS
“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
INTERVIEWS
A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
REVIEWS
Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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SPOTLIGHT ON POLAND
SPOTLIGHT ON RUSSIA
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A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
Read More
Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read More
“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
Read More
“Koothu” Comes Home: How Group Of Shadow Puppeteers In Salem Streamed A Play Live On Facebook
There was a new energy about Mu Harikrishnan’s terrace. In the village of Yervadi near Salem that...
Read More
Egypt’s Sharm El-Sheikh Int’l Theatre Festival For Youth Launches YouTube, SoundCloud Channels
The channels aim to archive the festival’s previous sessions and their activities. The Sharm...
Read More
Mother and the Other and a Dialogue Among Civilizations
M(O)ther is an international online collaboration to be shown August 9, 2020: 2pm EST, 8pm South...
Read More
Interview with Playwright Espi Tomičić. Part II: ‘Boy From the Neighborhood’
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
Read More
Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
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Interview with Playwright Espi Tomičić. Part I: Earning an Identity
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
Read More
An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
Read More
Italy, Post-Lockdown: The In-Box Project
Founded in Siena in 2009, The In-Box Project is part festival, part funding body, and part...
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National Theatre of Nigeria Restoration To Generate 10,000 Jobs – Minister
The Minister of Information and Culture, Alhaji Lai Mohammed, has said the planned restoration and...
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The Tragedy of Social Distancing in Physical Theatre
As the name implies, physical theatre is more like a contact sport. Actors have to constantly...
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To Screen or Not to Screen: A Digital Experience at Mixer
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
Read More
Russian Theatre Stages “The Cherry Orchard” Using Minecraft
The “ironic, but reliable” version recreates the theater experience in the finest details. The...
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Nils Haarmann On The Pandemic And Post-Pandemic Theatre
Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...
Read More
Chennai-Based The Little Theatre Introduces ArtsLab, A New Alternative Learning Initiative
ArtsLab explores the phenomenon of ‘light’ in its first module through theatre, art, music, and...
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Simulations With Actors Prepare Nurses For The Demands Of Their Profession
Now more than ever, it is essential that post-secondary nursing programs train students to deal...
Read More
Exploring Funding in Zimbabwean Theatre
Funding in Zimbabwean Theatre is a key challenge. There is no doubt that if one were to do an...
Read More
It’s Easy To Become An Enemy Of The People When Speaking Truth – In Historic Drama, And Today
A doctor speaks about events they think will put public health at risk. Instead of responding with...
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Live-Stage Performances Are Taking Roads Less Traveled With Trucks And Virtual Reality
As the new reality of daily life amid a global pandemic settles in, many people are getting...
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“Sisters” Act: The Hollow Feminism Of China’s Hottest New Show
For the most talked-about show of the summer, Mango TV’s Sisters Who Make Waves has an unusual...
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Paid-For Digital Streaming Has A Place In Theatre’s Return
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
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Death Of The Theatre Critic?
This is the age of marketing, not the age of criticism. To give an example, I’ll start with a...
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Richard Butchins’ “213 Things About Me:” The Theatre of Lockdown
Award-winning disabled documentary filmmaker, photographer, artist, published writer, and...
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Coronavirus: Theatres Are Already Closing – The UK Government Needs To Act Now
The executive director of Manchester’s Royal Exchange Theatre, Steve Freeman, could have been...
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Saudi Universities to Open Art, Theatre, Film Departments for First Time in History
Saudi Arabia’s Minister of Culture, Badr bin Abdullah bin Mohammed bin Farhan Al Saud,...
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“Hamilton” – The Diverse Musical With Representation Problems
Hamilton Disney+ “The world turned upside down”, proclaim the cast of Lin-Manuel Miranda’s...
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Invisible Diaries: Garden
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...
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“Les Blancs” at The National Theatre
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to...
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“The Shopping Dead”: A New Theatrical Sensation on WhatsApp
“They’ve locked us in here and they’re going to wait for the virus to finish us off.”...
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Theater in The Time of COVID-19: Must The Show Go On?
Amidst the COVID-19 pandemic, people around the world turned to the arts and creative sector for...
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Morgan Grambo – Landing the Moment
Theatre Artist Inside look Morgan Grambo, recent MFA graduate of Dramaturgy from the University of...
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How The Streaming Theatre Uses Digital Storytelling to Its Advantage
As many have already said, the best streamed performances seem to be those that are made for the...
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Dance Performance About One of Egypt’s National Movement Founders Qassem Amin Released on YouTube
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
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Theatre United Against a Shift to the Right
Pressure on the German theatre and cultural landscape has increased significantly since the...
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Better Access To Stories Can Improve Adolescent Lives In Africa
Across cultures, the self-making powers of storytelling are widely recognized. Steve Biko, the...
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Invisible Diaries: Body and Space
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. At the moment, my...
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For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
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10 Masterpieces in Ugandan Theatre
If you want to understand a nation and its people, look no farther than its art. Through a...
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Support For Artists Is Key To Returning To Vibrant Cultural Life Post-Coronavirus
Artists are crucial to the futures we’re imagining beyond the COVID-19 pandemic. The vitality of...
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The Birth of Jewish Theatre
Solomon Mikhoels, one of the founders and greatest stars of the Soviet Yiddish theater, wrote in...
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Tianjiao Li and Xuexi Li On The Pandemic And Post-Pandemic Theatre
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
Read More
CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
Read More
“Jane Clegg” at Finborough Theatre
Edwardian dramatist St John Ervine was once, along with Arthur Wing Pinero, Henry Arthur Jones,...
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Watching “Hamilton” Today – Musical Drama Can Be Radical, Just Don’t Believe All The Hype
When Disney released a film version of the musical Hamilton on July 3, it was 11 years since...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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Network of Artistic Theatre Activists Kerala (NATAK) Keeps Theatre Scene in Kerala Active Through Social Media
At the backyard of his home at Kattappana in Idukki district, GK Pannamkuzhy set up a pyre. It was...
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Theaters in Iran Reopen Amid COVID-19 Concerns
After four months of closure, theaters in Iran are able to open because they implemented necessary...
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Review: More Important Halves, Teatar Mašina igre in Collaboration with Teatar & TD in Zagreb, Croatia
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
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Russian Theatre Stages “The Cherry… 28th July 2020 
“XXX Neon Sign” Review: Embodied… 31st October 2019 
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For Our Poland They Go into Battle! “Berek” at The… 15th July 2020 
Interview with Playwright Espi Tomičić. Part II:… 2nd August 2020 
The Birth of Jewish Theatre 12th July 2020 
How The Streaming Theatre Uses Digital Storytelling… 17th July 2020 
Mother and the Other and a Dialogue Among Civilizations 2nd August 2020 
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