
LATEST NEWS FROM AROUND THE WORLD


Renée Fleming’s Cities That Sing


How Urdu Theater Is Reaching Out to New Audiences



Memorial To Professor Maya Harbuzyuk

Egypt Joins Jordan’s Open-Space Theatre Festival




“All Of It” at the Royal Court

Robert Patrick, Playwright, Has Passed Away


Octavian Saiu, Professor of Theatre Studies and the President of the International Association of Theatre Leaders (IATL), in dialogue with Robert Lepage in the context of the presentation of his show, 887, at Craiova Shakespeare Festival.

Edinburgh Festivals, May Luck Be With You

Edinburgh Fringe 2023: Overview


Edinburgh Fringe 2023: #Danish Ed Fringe

Big In Belgium At The Edinburgh Fringe 2023




Tartuffe or the Hypocrite: Tartare of Tartuffe


“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

“The Book of Ruth”: Kaddish For Peaceful Life


“Report to an Academy”: To Be or Not to Be Human?

“Nora”: Present Continuous Hell


They Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
“Amahemhem”: Walking Alongside the Ghosts of Our Past
by Kopano Masibi | Sep 29, 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
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The Echoes Of Lawino Reverberate In Uganda
by Trevor Mukholi | Aug 22, 2023 | Adaptation, Review, Uganda
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Egypt’s Prima Ballerina Magda Saleh Passes Away In Cairo
by Ati Metwaly | Jun 11, 2023 | Egypt, News, Theatre and Dance
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“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
by Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Prison Shakespeare at Milan’s Young Offenders Institute
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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“Interview with Ukrainian Actor Orest Pastukh”
by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine
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“The Interview,” Park Theatre
by Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
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“Antigones” Kosovo Theatre Showcase
by Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
by Sarah Austin | Oct 25, 2023 | Adaptation, Australia, Review
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.


Tartuffe or the Hypocrite: Tartare of Tartuffe

“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

“The Book of Ruth”: Kaddish For Peaceful Life



How Urdu Theater Is Reaching Out to New Audiences

68th Sterijino pozorje: A critical dialogue




Egypt Joins Jordan’s Open-Space Theatre Festival











The ENTRE Festival in Midwest Brazil


“Trade/Motorhead” at PROTOTYPE 2023 Festival

“Undine” at PROTOTYPE 2023 Festival

“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival

“note to a friend” at PROTOTYPE 2023 Festival

“Morning//Mourning” at PROTOTYPE 2023 Festival








“Flo & Joan,” Lund Comedy Festival



Highlights from the Mladi Levi Festival in Ljubljana







Győr Is Once Again the Capital of Dance


- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
by Huw Griffiths | Sep 28, 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
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“A Mirror” at Almeida Theatre
by Aleks Sierz | Sep 3, 2023 | Acting, London, Review, United Kingdom
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Arden of Faversham: A True Crime Thriller
by Clare Cioffero | Apr 10, 2023 | Acting, New York, Review, United States of America
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“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
Tartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
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“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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Interview With Ulviyya Heydarova
by Emiliia Dementsova | Aug 9, 2023 | Azerbaijan, Dramaturgy, Interview
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
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“Hostel Lights” at the Baxter
by Megan Choritz | Sep 24, 2022 | Design, Review, South Africa, Theatre for Young Audiences
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
by Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
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Robert Patrick, Playwright, Has Passed Away
by Magie Dominic | May 19, 2023 | New York, News, Playwriting, United States of America
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ESSAYS
Prison Shakespeare at Milan’s Young Offenders Institute
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
INTERVIEWS
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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“Interview with Ukrainian Actor Orest Pastukh”
by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine
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REVIEWS
“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
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“The Interview,” Park Theatre
by Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
READ ALL LATEST
Prison Shakespeare at Milan’s Young Offenders Institute
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read MoreAI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read More“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read More“Interview with Ukrainian Actor Orest Pastukh”
by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read MoreSensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
by Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read More“The Interview,” Park Theatre
by Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read More“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
by Trevor Boffone | Nov 24, 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MoreReflections On Teaching Israel/Palestine in The Theatre Studies Classroom
by Sruti Bala and Rashna D. Nicholson | Nov 22, 2023 | Education, India, Theatre and Politics
What is the task of a humanities education? The following incident, which recently took place in...
Read MoreThey Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read More“Antigones” Kosovo Theatre Showcase
by Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MoreIn Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
by Rhiannon Ling | Nov 14, 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read More“The Shadow Garden” Kosovo Theatre Showcase
by Verity Healey | Nov 13, 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read More“The Interview” Review: A Blend of Fact and Speculation
by Victoria Chen | Nov 10, 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MoreWicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
by Lisa Monde | Nov 9, 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read More“Negotiating Peace”, Kosovo Theatre Showcase 2023
by Verity Healey | Nov 8, 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read More“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read More“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 2, 2023 | Kosovo, Review, Theatre and Politics
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
Read MoreSheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
by Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read More“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse
by Maria Delgado | Oct 30, 2023 | Review, Spain
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
Read MoreThe Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero
by Maria Delgado | Oct 28, 2023 | Review, Spain
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
Read MoreFloating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid
by Maria Delgado | Oct 27, 2023 | Review, Spain
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
Read More“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
by Emilija Kvočka | Oct 26, 2023 | Festivals, Review, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read More“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
by Sarah Austin | Oct 25, 2023 | Adaptation, Australia, Review
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
Read MoreTartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
Read MoreJames Fritz’s The Flea at the Yard Theatre: History Play Gives a Queer Reading of the Cleveland Street Scandal of 1889
by Aleks Sierz | Oct 24, 2023 | London, Review, Theatre and Gender, United Kingdom
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
Read MoreLolita Chakrabarti’s Hamnet at the Garrick Theatre: Pedestrian Adaptation of Maggie O’Farrell’s Bestseller About Shakespeare’s Wife and Son
by Aleks Sierz | Oct 23, 2023 | Adaptation, Books, London, Review, United Kingdom
Why are stage adaptations of bestselling novels so disappointing? Okay, I appreciate the...
Read MoreThe Life of Three “Best Friends:” Anat Gov’s Feminism at the 14th Street Y
by Rhiannon Ling | Oct 22, 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MoreGroundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
by Jenna Lourenco | Oct 21, 2023 | Boston, Interview, Theatre and Disability, United States of America
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
Read More“The Overcoat:” A Balaganza of Absurdity and Travesty.
by Emiliia Dementsova | Oct 18, 2023 | Georgia, Review, Theatre Olympics 2023
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Read MoreThe Ephemera of the Cherry Orchard: Agnieszka Kazimierska’s “Katie’s Tales”
by Rhiannon Ling | Oct 18, 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MoreTanika Gupta’s “The Empress” at the Lyric Hammersmith: Epic RSC History Play Tackles Race and Empire
by Aleks Sierz | Oct 18, 2023 | India, London, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Anniversaries are great moments for reassessment. Ten years ago, the Royal Shakespeare Company...
Read More“Leaning Church”: The Voices of a Vanished City
by Emiliia Dementsova | Oct 17, 2023 | Czech Republic, Festivals, Review, Theatre and Politics, Theatre Olympics 2023
This is the story of the Big Bang. Not the explosion that gave birth to the universe. But an...
Read More“Cake: The Marie Antoinette Playlist” Review: An Absolute Treat
by Victoria Chen | Oct 16, 2023 | Review, United Kingdom
Cake: The Marie Antoinette Playlist may be presented as a concert, but Drew McOnie’s...
Read More“Kinder” Review: Tackling Big Issues One Little Footstep At A Time
by Victoria Chen | Oct 16, 2023 | Europe, Review, Theatre for Young Audiences, United Kingdom
In a short hour, Smoking Apple’s touring production, Kinder, transports us across...
Read More“Fear Eats The Soul”: Love In The Grip of Hate
by Emiliia Dementsova | Oct 11, 2023 | Adaptation, Festivals, Germany, Review, Theatre and Film, Theatre Olympics 2023
These two people are separated by history, geography, language, maths, and other school subjects...
Read MoreJames Reaney’s The Donnelly Trilogy and the Making of the Canadian Nation
by Barbara Gabriel | Oct 10, 2023 | Canada, Documentary Theatre, Review
When you head out of London on Highway 4 North, it is almost a straight line through to Lucan,...
Read More“The Book of Ruth”: Kaddish For Peaceful Life
by Emiliia Dementsova | Oct 9, 2023 | Festivals, Romania, Theatre Olympics 2023
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
Read More“Look What You Made Me Do”: Marketing “POTUS” on Social Media
by Trevor Boffone | Oct 9, 2023 | Dramaturgy, Transmedia, United States of America
How do you market theatre on social media? What strategies can a social media manager use to...
Read More“Gulliver’s Travels”: a Lesson in Satire for Children.
by Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
Read MoreKeeping Alive the U.N.’s Dialogue Among Civilizations – as Theatre
by Heather Waters | Oct 6, 2023 | Boston, Interview, United States of America
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
Read MoreA Journey of Discovery and Identity Formation: “The Dictionary of Lost Words” Makes Its Wonderful Stage Debut
by Russell Fewster | Oct 5, 2023 | Adaptation, Australia, Review
The Dictionary of Lost Words follows Esme as she navigates the patriarchal world of Victorian...
Read More“That Face” at Orange Tree Theatre
by Aleks Sierz | Oct 3, 2023 | Adaptation, Playwriting, Review, United Kingdom
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
Read More“Amahemhem”: Walking Alongside the Ghosts of Our Past
by Kopano Masibi | Sep 29, 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MoreSydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
by Huw Griffiths | Sep 28, 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
Read MoreEdinburgh Festivals, May Luck Be With You
by Antonio Hernández | Sep 28, 2023 | Edinburgh 2023, Review, Scotland
Edinburgh in August is a kind of Mecca for theatergoers around the world. It is due to its...
Read MoreNice to MITEM you: the 10th edition of the Madách International Theatre Meeting Opens in the Hungarian Capital
by Emiliia Dementsova | Sep 27, 2023 | Festivals, Hungary, News
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
Read MoreA Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
by Andrew Agress | Sep 27, 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MoreSweeney Todd: Not a Demon, But a Barber of Fleet Street
by Lisa Monde | Sep 24, 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MoreLauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness
by Aleks Sierz | Sep 22, 2023 | Review, United Kingdom
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
Read MoreRenée Fleming’s Cities That Sing
by Jingyi Zhang | Sep 21, 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read More
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“Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023 Reflections On Teaching Israel/Palestine in The… by Sruti Bala And Rashna D. Nicholson 22nd November 2023 “Negotiating Peace”, Kosovo Theatre… by Verity Healey 8th November 2023 Sweeney Todd: Not a Demon, But a Barber of Fleet Street by Lisa Monde 24th September 2023 Wicked the Musical Celebrates Its 20th Anniversary… by Lisa Monde 9th November 2023 AI, Sci-Fi, Neuroscience and ChatGPT – An Interview… by Anne Hamilton 30th November 2023 Drag Queens in Musical Theatre by Lisa Monde 8th May 2023 “The Shadow Garden” Kosovo Theatre Showcase by Verity Healey 13th November 2023 In Conversation with Sartre and Plato: Locus29’s… by Rhiannon Ling 14th November 2023 The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Recent Posts
- Prison Shakespeare at Milan’s Young Offenders Institute 1st December 2023
- AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu 30th November 2023
- “Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023 29th November 2023
- “Interview with Ukrainian Actor Orest Pastukh” 28th November 2023
- Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE 26th November 2023
- “The Interview,” Park Theatre 25th November 2023
- “Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media 24th November 2023
- Reflections On Teaching Israel/Palestine in The Theatre Studies Classroom 22nd November 2023
- They Were People: Brittany K. Allen’s “Redwood” at EST 20th November 2023
- “Antigones” Kosovo Theatre Showcase 19th November 2023
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