How COVID-19 Is Reshaping The Performing Arts
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
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“My Vagina Was Not Buried With Him”: A Rich Multi Genre Narrative
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
Sthaayi Theatre Brings Out its Latest Tamil Play “Hayavadana” in Coimbatore
The Play is Directed by Thirunavakkarasu and is a Tribute to Girish Karnad and BV Karanth. “This...
Interview with Jérôme Bel
Part of a generation of choreographers who rose to prominence in the mid-1990s, the French...
“From the Fishbowl”: Devising Theatre in a World Interrupted
This year, the University of Arizona School of Theatre, Film & Television partnered with The...
From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
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How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
Artists’ Entry: Tiago Rodrigues
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
ESSAYS
Jimmy Fallon, Addison Rae, and the Issue of TikTok Dance Credit
On March 26, 2021, ultra-famous TikTok star Addison Rae Easterling appeared on The Tonight Show...
INTERVIEWS
Interview with Jérôme Bel
Part of a generation of choreographers who rose to prominence in the mid-1990s, the French...
REVIEWS
“My Vagina Was Not Buried With Him”: A Rich Multi Genre Narrative
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
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“My Vagina Was Not Buried With Him”: A Rich Multi Genre Narrative
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
Read More
“Fantastic Mr. Fox” Wows audiences at the National Children’s Theatre
Roald Dahl’s much-loved classic Fantastic Mr. Fox wowed young audiences at the National Children’s...
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Sthaayi Theatre Brings Out its Latest Tamil Play “Hayavadana” in Coimbatore
The Play is Directed by Thirunavakkarasu and is a Tribute to Girish Karnad and BV Karanth. “This...
Read More
How COVID-19 Is Reshaping The Performing Arts
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
Read More
Interview with Jérôme Bel
Part of a generation of choreographers who rose to prominence in the mid-1990s, the French...
Read More
“Chenchu Lakshmi”, A Telangana Chindu Yakshaganam Takes Center Stage
Chenchu Lakshmi directed by Srinivas Denchanala and Chindula Shyam was staged on March 23 at...
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Artists’ Entry: Tiago Rodrigues
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
Read More
The DOT Theatre is Back in Coimbatore with its Latest Play, “Baksa”
Directed by Amrith Jayan, Baska talks about the struggle to overcome the conditioning of humans by...
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Chennai-Based Theatre Nisha’s New Play is Inspired from Girish Karnad’s “Yayati”
Theatre Nisha’s first live play after a pandemic-induced hiatus of one year, Arundhati, is based...
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The South African Play That’s Tackling The Scourge Of The Street Drug Whoonga
The drug whoonga has plagued South African communities for at least a decade, yet only gained...
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“From the Fishbowl”: Devising Theatre in a World Interrupted
This year, the University of Arizona School of Theatre, Film & Television partnered with The...
Read More
West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read More
Jimmy Fallon, Addison Rae, and the Issue of TikTok Dance Credit
On March 26, 2021, ultra-famous TikTok star Addison Rae Easterling appeared on The Tonight Show...
Read More
The Social Theater of Ambulatory Care in Poland. Part 3.
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
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“Black Dove” – Chekhov in Mexico
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
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The Social Theater of Ambulatory Care in Poland. Part 2.
For Part 1 go here. Responding to The Crisis of The Individual: Therapy or Conjuring “Let’s stay...
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The Social Theater of Ambulatory Care in Poland. Part 1
As the Węgajty Theater [1] was launching an appeal for Easter food donations for homeless people...
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“XOVA”- One of the Best Productions of 2020!
Xova, the predominantly isiXhosa-language production which has just finished a sold-out run at the...
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Isolation to Creation: Guggenheim Works Process, Parts 2-4
These artists are passionate and insightful, yet the dancers and musicians are not acclimated to speaking their minds to audiences. What emerges is a raw and thoughtful narrative with a sense of the vulnerability beneath the passion.
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“Angola Camp 13” is an All-Powerful Musical and Choreographic Masterpiece!
Angola Camp 13, the multiple-award winning South African State Theatre production would not have...
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ASSITEJ World Congress & Performing Arts Festival is Finally Here
The 2020 ASSITEJ World Congress & Performing Arts Festival / MIRAI 2020 is scheduled to take...
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“UnRavelled” – A New Play by Jake Broder
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
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Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
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The Closing of South Africa’s Fugard Theatre Points to Systemic Failures
South Africa’s theatre fraternity has reacted with heartbreak to the announcement that Cape Town’s...
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Repertoire Readings: Connecting the Past to the Present: Farinaz Kavianifar Interview with Ruhollah Jafari
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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Impact of COVID-19 on Creative Industries Among Core Topics of Culture Summit Abu Dhabi
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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Portrait: Tamanoir Immersive Studio, Between Performance And VR
Tamanoir is a French Immersive Studio dedicated to creating international experiences, lying at...
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Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
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Navarang Theatre Group in Palakkad Brings Eachara Warrier Back on Stage
The theatre group’s staging of the play Kando Ningal, Ente Kuttiye?, based on the life of the...
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“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production
Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...
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Poignant and Delightful, “A Brimful of Asha” is an Honest Look into One Family’s Debate On Marriage, Career, and Way of Life
“You are not here to see a play. You are here to see me settle a dispute with Ravi,” Asha Jain,...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read More
“Yabuhara Kengyo” Shows Audiences that Justice isn’t Always Blind
Colorful graffiti marks the facade of a shuttered shopping mall. People navigate their way around...
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“Typical” at The Soho Theatre
As the events of last year made clear, the police have a problem with race on both sides of the...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
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Debate: France, The Nation Where Culture Was Left Behind
In France, the cultural sector receives significant public, private and governmental support. This...
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With Jean-Rene Gossart, French Theatre is Taking Root in Bali
One could say that French-speaking communities around Asia are very lucky to be able to attend...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Secrets of the Oslo Accords Come to Light on Stage
He may live in New York, but playwright J.T. Rogers has spent a lot of time in Japan over the past...
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Interview with Ossama Halal on Experimenting with Physical Theatre and Beyond
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
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Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale
Review: Whale Fall, written by Ian Sinclair and directed by Melissa Cantwell for The Kabuki Drop....
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In Conversation with Yve Blake, Fangirling on the Fangirls
From Beatlemania in the sixties to 2010 boy band sensation One Direction, to today’s global...
Read MoreRobots Were Dreamt up 100 Years Ago – Why Haven’t Our Fears About Them Changed Since?
This is a story you will have heard before. A genius but completely mad scientist – with the backing of a ruthlessly greedy corporation – creates a sentient robot. The scientist’s intentions for the robot are noble: to help us...
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New York’s Secret Theatre Brings an Experiential Horror-Thriller Play to India
Redemption Room, an experiential horror-thriller theatre performance by New York-based Secret...
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Windows into Performance Art: River Lin’s Artistic and Curatorial Practices
Networking is both motif and method in the work of River Lin (林人中). Performing, directing,...
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Playing Richard
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
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Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre
Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...
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Jimmy Fallon, Addison Rae, and the Issue of TikTok… 2nd April 2021 
“A Little Life”: Adaptation and Mixed Reality 20th April 2020 
Theatre Puppets Through The Ages 20th June 2020 
ASSITEJ World Congress & Performing Arts… 26th March 2021 
Making Live Theatre Limitless Through Film and… 21st March 2021 
Interview with Ossama Halal on Experimenting with… 5th March 2021 
5 Reasons Why Verse Is the Language for Theatre in 2020s 12th March 2021 
“From the Fishbowl”: Devising Theatre in… 4th April 2021 
“Angola Camp 13” is an All-Powerful… 27th March 2021 
How COVID-19 Is Reshaping The Performing Arts 10th April 2021