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Artscape Women Humanity Arts Festival 2018
This year marks the 12th edition of the Artscape Women’s Humanity Arts Festival (AWHAF) from July...
The Man Who Played With Fire
Cai Guoqiang is known for his explosive works, but the Chinese artist is now going back to his...
“Nina’s Got News” – Edinburgh Fringe, Review: Frank Skinner’s Debut Play Is A Wasted Opportunity
It is 27 years since Frank Skinner won the Perrier Award in Edinburgh, setting him on the path to...
Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Baig’s “Acha Bacha” Shows That Sometimes Real Stories Don’t Have Happy Endings
I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Good Theatre Surpasses Language: An Interview with Mari-Liis Lill, Estonian Actress
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
“Remembering Stanislavsky”: A Tribute To The Great Russian Master At The University Of Macerata
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
Contemporary Performing Arts In Ukraine. In Search Of A Lost Identity
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
The Beauty Of The Bodrum Ballet Festival
The artistic quality of the International Bodrum Ballet Festival gets better with each passing...
For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
- Theatre and Gender
- Theatre and Disability
- Theatre and Age
- LGBTQ Theatre
“Lysa And The Freeborn Dames” Pays Tribute To Feminist Protests
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
- Adaptation
- Translation
- Transmedia
- Transcultural Collaborations
“Melancholia” Artfully Brings The End Of The World To The Stage
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Kamishibai: How The Magical Art Of Japanese Storytelling Is Being Revived And Promoting Bilingualism
In a world where technological advancement seems to be at the forefront of almost everything, it...
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