Euroregional Theatre Festival Timișoara 2024
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On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
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Isabella Rossellini at Rubix Festival in Montenegro
The Rubix festival, held for the second time in Porto Montenegro, in Tivat, represents an...
Netherworld or Right Now?
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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ESSAYS
Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
INTERVIEWS
On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
REVIEWS
Mark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
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The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
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Mozart! The Gem of European Musical Theatre
Dedicated to the 25th anniversary of the musical Mozart! Contains fragments of the exclusive...
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Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
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Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
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Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read More![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_12_fot.-Magda_Hueckel-627x376.jpg.webp)
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]
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Read More![On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]](https://thetheatretimes.com/wp-content/uploads/2024/09/PIKNIK_galeria_1_fot.-Magda_Hueckel-627x376.jpg.webp)
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]
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“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
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Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
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“My Mother’s Funeral”
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Edinburgh Festival Fringe 2024 Overview
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Adapting Lu Xun for the Contemporary Stage: A Production by China’s Central Academy of Drama at the Edinburgh Fringe Arts Festival: “ZhuJian (Forging the Swords)”
Adapted from Lu Xun’s novel, the play takes the same name, “Zhu Jian” (Forging the Swords), and has become one of the most popular productions at the Edinburgh Festival Fringe 2024. The work was brought to Edinburgh by a group of student actors from the Central Academy of Drama in China. Director Fengrui Yang is currently pursuing his doctoral training at the Academy. The play is notable for its re-examination of the theme of vengeance, a central idea in Lu Xun’s novel. Lu Xun is one of the most influential authors in modern China featured with his social criticism writing style in the 1920s.
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Bologna To Edinburgh Non-Stop
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Scottish Nursery School Kids Bring A Comedic Shakespeare To The Fringe
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“In Two Minds.” Female Led Irish Storytelling
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Tampere Theatre Festival 2024: Asking Important Questions About Theatre and Democracy
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“Catarina and the Beauty of Killing Fascists” at the Tampere Theatre Festival: Do We Defend Democracy by Breaking Its Rules?
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“Penthesilea” After Von Kleist. Let’s Rock
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“Hamstrung.” Yorick’s Untold Story
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
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“The Outrun”
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