Euroregional Theatre Festival Timișoara 2024
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Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Filmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones”
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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“1981” directed by Tomi Janežič at Novi Sad Theatre
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Тim Rice – 80: The Hero and His Many Anniversaries. Part I
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
The Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It's really how we continue to keep people and community.
ESSAYS
The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
INTERVIEWS
A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
REVIEWS
From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
READ ALL LATEST
A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MoreThe Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MoreThe Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read MoreFrom Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read More
Тim Rice – 80: The Hero and His Many Anniversaries. Part I
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Read MoreFilmmaker David Trueba’s theatre debut: “Los guapos/The Handsome Ones”
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
Read More
“1936”: Andrés Lima puts the Spanish Civil War on Stage
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
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Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
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David McVicar’s new “Maria Stuarda” at Madrid’s Teatro Real
Gaetano Donizetti’s Maria Stuarda, first produced at Milan’s Teatro alla Scala in 1835, like the...
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Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read More“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read More
(LA)HORDE’s Flash Mob Revolution
The enthusiastic applause and standing ovations received by Room with a View from the large...
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Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
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“We Live in Cairo”-Off-Broadway
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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“DRAG: The Musical.” An exclusive interview with Alaska Thunderfuck
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
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Big Bang Professional Week, Temporada Alta Fights Against ‘Mierda Bonita’
Mierda bonita, or beautiful shit in English, is the term used in La luz de un lago/The light of a...
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On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Read More
Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
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Six Against Turkey – We Are All a Little Turkish
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
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Fruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
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“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
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The Revolutionary Spirit is Alive in “We Live in Cairo”
Though many people rushed to them post election, the musical of our political moment is not...
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The Images of Me: 2024 Prologue New Play Festival
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
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“Flower Sajza” at The National Experimental Theater of Tirana- Kosovo Albania Theatre Showcase
In Flower Sajza, directed by Endri Çela at the National Experimental Theater of Tirana, two women...
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“How I Learned To Drive” – Heartefact Fund at the Kosovo Albania Theatre Showcase
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
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The Kosovo Albania Theatre Showcase 2024 – A Review of “The Internationals”
The Director, a positive character The Critic is a sitter on fences and neither a positive nor...
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Starlight Express The Musical: 40 Years in The Orbit
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
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Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
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Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this...
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Shakespeare In Iraq: An Interview With Dr. Samir Talib
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
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The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
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Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
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“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read More“1981” directed by Tomi Janežič at Novi Sad Theatre
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
Read More
Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Trans Joy in The Christine Jorgensen Show
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
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“Tattooer” At Atelier Shunpusha: “Tattooer” Reworks Tanizaki’s Japanese Tale Of Desire And Power With Subtlety And Verve
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
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Regional Producing Theatres In England. Leeds Playhouse: A Case Study
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Deep Thoughts on Deep History at The Public Theater
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
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“In The Name Of Profit” At Fringe Milano Off
The city of Milan hosts two annual Fringe events, the first in June, and the second, in late...
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Robert Icke’s Oedipus at Wyndham’s Theatre: Lots Of Stunning Acting Compensates For Some Questionable Writing
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
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Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read MoreElectrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read More
“Paisatges Compartits (Shared Landscapes)”, A Pleasant Day of Theatrical Land Art
The meeting point is in l’Animal a l’esquena, Malpelo dance company rehearsals site....
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La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
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“Eréndira”: Show Business As Usual
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
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Theatrical Tectonics: The Slowdown Entertainment of a José Rivera Play
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
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“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
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