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PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
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“Genocide 25”: A Rwandan Generation Learning About 94
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
“Queen Moremi The Musical”: Immortalizing a Traditional Legend
The Story of the Little Known Heroine There are a couple of names that are in popular culture...
Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Theatres Are Evolving To Reconnect Us To Each Other And The Environment
Theatre is a dynamic art form that combines bodies, light, sound and materials into exciting live...
Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
INTERVIEWS
“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
REVIEWS
Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
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“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
Read More
Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read More
“Genocide 25”: A Rwandan Generation Learning About 94
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
Read More
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
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“Go Bang Your Tambourine” at The Finborough Theatre
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
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My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
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The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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“Macbeth” at Oregon Shakespeare Festival
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
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Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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2019 Kenya International Theatre Festival Call For Applications
The call opens on 1st May, 2019, and closes on 31st July, 2019
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Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
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Interview with Plasticiens Volants
In August and September, the street theater collective Plasticiens Volants (PV) return...
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“Black Hole”: Experiments with Female Representation
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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Edinburgh International Festival 2019: “Roots” at Church Hill Theatre
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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“An Enemy of the People” at Will Geer’s Theatricum Botanicum
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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Mapping Mumbai’s Alternative Performance Spaces
This week’s Girish Karnad tribute at Veda Factory — Hayavadana, reimagined by eight young...
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Arts Festival Reflects Nation’s Soul: National Arts Festival in Makhanda in South Africa
Ismail Mahomed, CEO of the Market Theatre Foundation, visited the National Arts Festival in...
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Sangeet Natak: Live and Kicking
Nehru Center’s Mahotsav is one of many efforts that continues to keep traditional...
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Popular Theater in Buenos Aires
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
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“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
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Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
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Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism
Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...
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Stephen Joel Chifunyise and his Legacy to Zimbabwean Theatre and Performance
Stephen Chifunyise’s death At about 1830hrs on Monday, 5 August 2019, Stephen Joel Chifunyise...
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“Formidable Creativity and Innovation”: South Africa’s National Arts Festival
The National Arts Festival, the largest Arts festival in Africa opened on 27th June running for...
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Avignon 2019: “Outside” – Between Testimony and Political Provocation
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
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“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
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Anirudh Nair’s Exploratory Theatrical Style
One of India’s emergent theatre-makers, and also a young veteran when it comes to acting legs, the...
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Seven Ways Fight Directing Made Me a Better Real Estate Agent: The Arts as Preparation for Business Success
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
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Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
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“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
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What to Expect at The 2019 Hindu Theatre Fest
Under the umbrella of The Hindu Theatre Fest that has become synonymous with August in Chennai, a...
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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
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Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being
Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...
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Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Avignon Festival 2019: “L’Amour Vainqueur”
What a delight, a relief and a sheer pleasure to sit through Olivier Py’s operetta for children...
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Son of Semele Ensemble and “Men on Boats”
Son of Semele Ensemble brings Jaclyn Backhaus’ Men on Boats to Los Angeles audiences with a highly...
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Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre
The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...
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“Uprootedness Is Not Always Negative”: Nalini Malani
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
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Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”
Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...
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