“Ja Goryl, Ty Człowiek:” Understanding Koko
“PÚPÄTKO” from the Slovak Ján Palárik Theatre
“Drapando:” Scratching For A Connection
“My Mother’s Funeral”
“The Popess” Visits The Edinburgh Fringe Festival
Edinburgh Festival Fringe 2024 Overview
“L’Addition,” S’il Vous Plait
“The Amazing Doctor She Medicine Show”
Climate Change Shakespeare. “A Midsummer’s Tempest”
Bologna To Edinburgh Non-Stop
“Freak Out!” A Heady Cocktail About Climate Change
“In Two Minds.” Female Led Irish Storytelling
“Penthesilea” After Von Kleist. Let’s Rock
“Hamstrung.” Yorick’s Untold Story
“The Outrun”
Euroregional Theatre Festival Timișoara 2024
https://thetheatretimes.com/latest-post/sections/festivals/teszt-2024/“Invisible Lands,” Bodies, Gods, and… People
“Pericles” – An Odyssey from Timișoara
“Youth Without God;” Unkind, Realistic Reminder
LATEST NEWS FROM AROUND THE WORLD
A Theatre Festival Where Nature Was the Co-actor
Becoming a Citizen Dramaturg
She Arts Festival Launches In Cairo
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
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Shakespeare In Iraq: An Interview With Dr. Samir Talib
by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
by Maria Delgado | Nov 11, 2024 | Review, Spain
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
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Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
by Maria Delgado | Nov 10, 2024 | Review, Spain
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“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
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The Many Monsters of Ars Nova’s “The Beastiary”
by Morgan Skolnik | Nov 7, 2024 | New York, Puppetry, Review, United States of America
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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Trans Joy in The Christine Jorgensen Show
by Morgan Skolnik | Oct 25, 2024 | LGBTQ+ Theatre, New York, Review, United States of America
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Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
“In The Name Of Profit” At Fringe Milano Off
“My Mother’s Funeral”
“L’Addition,” S’il Vous Plait
“The Amazing Doctor She Medicine Show”
Climate Change Shakespeare. “A Midsummer’s Tempest”
Bologna To Edinburgh Non-Stop
“Freak Out!” A Heady Cocktail About Climate Change
“In Two Minds.” Female Led Irish Storytelling
“Penthesilea” After Von Kleist. Let’s Rock
“Hamstrung.” Yorick’s Untold Story
Isabella Rossellini at Rubix Festival in Montenegro
“The Outrun”
CPH Stage Festival 2024
“Bérénice” at Milan’s FOG Festival
Milan’s FOG Festival
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
She Arts Festival Launches In Cairo
“The Book of Ruth”: Kaddish For Peaceful Life
How Urdu Theater Is Reaching Out to New Audiences
68th Sterijino pozorje: A critical dialogue
Egypt Joins Jordan’s Open-Space Theatre Festival
- Acting
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- Dramaturgy
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“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
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Isabella Rossellini at Rubix Festival in Montenegro
by Emilija Kvočka | Aug 14, 2024 | Acting, Festivals, Montenegro, Review
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How Padmavati Rao Embraces Life Through Theatre And Activism
by Charumathi Supraja | Jun 23, 2024 | Acting, India, Review
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Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
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The Comeuppance, Almeida Theatre
by Aleks Sierz | Apr 18, 2024 | Acting, Review, United Kingdom
“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
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Netherworld or Right Now?
by Marcina Zaccaria | Jun 17, 2024 | Directing, New York, Review, United States of America
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A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
by Jenna Lourenco | Aug 23, 2024 | Boston, Dramaturgy, Essay, Musical Theatre, United States of America, Worldwide
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
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The Bounds, Royal Court
by Aleks Sierz | Jul 4, 2024 | Dramaturgy, Review, United Kingdom
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Regional Producing Theatres In England. Leeds Playhouse: A Case Study
by Dave Stannard | Oct 22, 2024 | Essay, Management, United Kingdom
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
by Aleks Sierz | Nov 1, 2024 | London, Playwriting, Review, United Kingdom
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan
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ESSAYS
Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
by Paul Shields | Oct 26, 2024 | Essay, Review, United States of America
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Report From The Underground: A New Iranian Theatre
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
INTERVIEWS
Shakespeare In Iraq: An Interview With Dr. Samir Talib
by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
REVIEWS
Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
by Maria Delgado | Nov 11, 2024 | Review, Spain
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
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Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
by Maria Delgado | Nov 10, 2024 | Review, Spain
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The Many Monsters of Ars Nova’s “The Beastiary”
by Morgan Skolnik | Nov 7, 2024 | New York, Puppetry, Review, United States of America
READ ALL LATEST
Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
by Maria Delgado | Nov 11, 2024 | Review, Spain
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
Read MoreChela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
by Maria Delgado | Nov 10, 2024 | Review, Spain
Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this...
Read MoreShakespeare In Iraq: An Interview With Dr. Samir Talib
by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
Read MoreThe Many Monsters of Ars Nova’s “The Beastiary”
by Morgan Skolnik | Nov 7, 2024 | New York, Puppetry, Review, United States of America
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
Read More“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
by Morgan Skolnik | Nov 5, 2024 | Musical Theatre, New York, Review, United States of America
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
Read MoreChé Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show
by Aleks Sierz | Nov 1, 2024 | London, Playwriting, Review, United Kingdom
Fringe venues perform a vital role on the ecology of London theatre. While many shows at these...
Read More“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
by Deniz Bașar | Oct 31, 2024 | Review, Theatre and Politics, Turkey
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read More“1981” directed by Tomi Janežič at Novi Sad Theatre
by Emilija Kvočka | Oct 30, 2024 | Acting, Directing, Review, Serbia
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
Read MoreDirector Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
by Paul Shields | Oct 26, 2024 | Essay, Review, United States of America
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
Read MoreTrans Joy in The Christine Jorgensen Show
by Morgan Skolnik | Oct 25, 2024 | LGBTQ+ Theatre, New York, Review, United States of America
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
Read More“Tattooer” At Atelier Shunpusha: “Tattooer” Reworks Tanizaki’s Japanese Tale Of Desire And Power With Subtlety And Verve
by Mika Eglinton | Oct 23, 2024 | Japan, Review, Theatre and Gender, United Kingdom
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
Read MoreRegional Producing Theatres In England. Leeds Playhouse: A Case Study
by Dave Stannard | Oct 22, 2024 | Essay, Management, United Kingdom
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
Read MoreDeep Thoughts on Deep History at The Public Theater
by Morgan Skolnik | Oct 22, 2024 | New York, Review, Theatre and Science, United States of America
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
Read More“In The Name Of Profit” At Fringe Milano Off
by Margaret Rose | Oct 20, 2024 | Festivals, Italy, Review
The city of Milan hosts two annual Fringe events, the first in June, and the second, in late...
Read MoreRobert Icke’s Oedipus at Wyndham’s Theatre: Lots Of Stunning Acting Compensates For Some Questionable Writing
by Aleks Sierz | Oct 20, 2024 | Adaptation, London, Review, United Kingdom
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
Read MoreTrauma In Translation: Stratford’s Milestone Salesman In China
by Barbara Gabriel | Oct 19, 2024 | Canada, China, Review, Theatre and Politics
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read MoreElectrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
by David O'Donnell | Oct 15, 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read More“Paisatges Compartits (Shared Landscapes)”, A Pleasant Day of Theatrical Land Art
by Antonio Hernández Nieto | Oct 15, 2024 | Festivals, Review, Spain
The meeting point is in l’Animal a l’esquena, Malpelo dance company rehearsals site....
Read MoreLa Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
by Ilinca Todoruţ | Oct 13, 2024 | Review, Romania, Theatre and Politics
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read More“Eréndira”: Show Business As Usual
by Ilinca Todoruţ | Oct 12, 2024 | Review, Romania
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
Read MoreTheatrical Tectonics: The Slowdown Entertainment of a José Rivera Play
by Ilinca Todoruţ | Oct 11, 2024 | Review, Romania
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
Read More“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
by Klaudia Święcicka (Klaudiusz Święcicki) | Oct 10, 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MoreOn State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
by Ilinca Todoruţ | Oct 9, 2024 | Interview, Romania, Theatre and Politics
How is the German State Theatre different from other Romanian public theatres? Last year, when...
Read MoreMeet ONG Keng Sen, the Artistic Director of Singapore’s T:>Works and Keynote Speaker at the 2024 Singapore Literature Festival in NYC
by Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
Read MoreMozart! The Gem of European Musical Theatre
by Lisa Monde | Oct 8, 2024 | Austria, Interview, Musical Theatre
Dedicated to the 25th anniversary of the musical Mozart! Contains fragments of the exclusive...
Read MoreMark Rosenblatt’s Giant at the Royal Court: Provocative Drama About Anti-Semitism Is A Superb Play Of Ideas
by Aleks Sierz | Oct 7, 2024 | Books, Review, Theatre and Politics, United Kingdom
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
Read MoreThe Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
by Morgan Skolnik | Oct 2, 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92
by Milad Azarm | Oct 1, 2024 | Iran, News, Theatre and Gender
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
Read MoreReport From The Underground: A New Iranian Theatre
by Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
For many Iranians, the contemporary history of the country is divided into before and after...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read MoreOn The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I]
by Wojciech Baluch | Sep 23, 2024 | Poland, Review, Theatre and Decolonization
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
by Hayel Ali Al-Mathabi | Sep 18, 2024 | Interview, Romania, Transcultural Collaborations, Transmedia
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
by Hayel Ali Al-Mathabi | Sep 18, 2024 | Interview, Romania, Transcultural Collaborations, Transmedia
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
Read MoreTimberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
by Aleks Sierz | Sep 12, 2024 | Review, Theatre and Politics, United Kingdom
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
Read MoreRepresentation Of Women In Iraqi Theatre: An Interview With Playwright And Director Dr. Awatif Naeem
by Amir Al-Azraki | Sep 11, 2024 | Interview, Iraq, Theatre and Gender
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
Read MoreIt Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
by Kasia Lech | Sep 7, 2024 | Czech Republic, Essay, New Theatre for Children Festival, Wrocław 2024, Norway, Poland, Slovakia, Theatre for Young Audiences, United Kingdom
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Read More“Dziwna Wiosna”: About Cruelty Without Brutality or a War Story for the Young Children
by Zuzanna Madurska and Jacky Lie-A-Njoek | Sep 7, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences, Ukraine
In Poland, the war is no longer just the national memory and has been present in our everyday life...
Read MoreTom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama
by Aleks Sierz | Sep 6, 2024 | London, Review, Theatre and Politics, United Kingdom
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePerformance That Every Man Should See, And No Child Should
by Tessa Coenen and Zuzanna Madurska | Sep 6, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
Introduction Gdzie Jest Tata? (Where is Daddy?) as seen at the New Theatre for Children Festival...
Read MorePost-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
by Yizhou Zhang | Sep 5, 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read More“Ja Goryl, Ty Człowiek:” Understanding Koko
by Tessa Coenen | Sep 4, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The story about Koko the gorilla who learns sign language has been well documented in scientific...
Read More“My Mother’s Funeral”
by Margaret Rose | Sep 4, 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
Read More“PÚPÄTKO” from the Slovak Ján Palárik Theatre
by Zuzanna Madurska | Sep 2, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Slovakia
Creating theatre for the very young – one that can hold their attention, stimulate the right...
Read More“Drapando:” Scratching For A Connection
by Maria Karaś, Jacky Lie-An-Joek and Tessa Coenen | Sep 2, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The play Drapando, czyli Atak Zamszałego Starucha (Drapando, or the attack of the mossy old man)...
Read More“Púpätko” at the 7th New Theatre for Children Festival
by Meeke van Raak | Sep 1, 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Slovakia
Púpätko is a beautiful show where sensory play meets nature. The show, aimed at children of 6...
Read More“The Popess” Visits The Edinburgh Fringe Festival
by Margaret Rose | Aug 31, 2024 | Edinburgh 2024, Italy, Review, United Kingdom
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
Read More“Malvolio’s Fantasy.” A Glitzy Retelling Of Twelfth Night
by Margaret Rose | Aug 31, 2024 | Adaptation, Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MoreContemporary Transnationalism Theatre in China: Theatre Review of “Apple Tree” directed by Feng Lu
by Xunnan Li | Aug 30, 2024 | China, Review, Theatre and Politics
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
Read MoreEdinburgh Festival Fringe 2024 Overview
by Duška Radosavljević | Aug 29, 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
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- Director Laura Jones’ Career-Long Exploration… by Paul Shields 26th October 2024
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Recent Posts
- Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross” 11th November 2024
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- Shakespeare In Iraq: An Interview With Dr. Samir Talib 9th November 2024
- The Many Monsters of Ars Nova’s “The Beastiary” 7th November 2024
- “Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque 5th November 2024
- Ché Walker’s Burnt-Up Love at the Finborough Theatre: Crime and Redemption In A Shining Gem Of A Show 1st November 2024
- “Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness 31st October 2024
- “1981” directed by Tomi Janežič at Novi Sad Theatre 30th October 2024
- Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot” 26th October 2024
- Trans Joy in The Christine Jorgensen Show 25th October 2024