Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Accessibility: Pushing the Boundaries of Theatre Performance
Have you ever been nervous about going to the theatre? Maybe you’re unfamiliar with theatre...
Bringing the Actor to the Brink of This Immense Abyss: An Interview with Christiane Jatahy
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
ESSAYS
Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
INTERVIEWS
Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part II: The Present
The annual ATHE (Associations for Theatre in Higher Education) conference took place in Orlando,...
REVIEWS
Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to forego the...
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
“Dr. Hoffmann’s Sanatorium”: Delving Deep into the Weird World of Kafka
The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...
“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
A Space Divided: GCTC’s “Cottagers and Indians” an Evocative Disavowal of White Privilege
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Tadashi Suzuki’s “Cyrano de Bergerac”: East and West Under the Umbrella
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
- Adaptation
- Devised Theatre
- Immersive Theatre
- Musical Theatre
- Translation
- Transmedia
- Transcultural Collaborations
- LGBTQ Theatre
- Theatre and Disability
- Theatre and Gender
- Theatre and Politics
Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to forego the...
Teatr Brama’s “Ghost Dance”
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
Denying A Harsh Reality in “The History of Violence”
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Augmented Reality or Augmented Space?
Architectural mapping, façade projection, 3D projection videomapping, display surfaces,...
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
Accessibility: Pushing the Boundaries of Theatre Performance
Have you ever been nervous about going to the theatre? Maybe you’re unfamiliar with theatre...
Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
LATEST FESTIVAL REPORT
“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
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Accessibility: Pushing the Boundaries of Theatre Performance
Have you ever been nervous about going to the theatre? Maybe you’re unfamiliar with theatre...
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Big Bolshoi: How the Theatre Got Its Name
The Moscow-located Bolshoi theatre quite literally translates to “Big” Theatre. And...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Read More
Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to forego the...
Read More
Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
Read More
“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read More
Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part II: The Present
The annual ATHE (Associations for Theatre in Higher Education) conference took place in Orlando,...
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Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
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“Cyrano De Bergerac” at The Playhouse Theatre
Actor James McAvoy is much in demand: in the BBC’s His Dark Materials he is busy saving a parallel...
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A Space Divided: GCTC’s “Cottagers and Indians” an Evocative Disavowal of White Privilege
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
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“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
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Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
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Groundbreaking Festival of Indigenous Theatre at the National Arts Centre in Ottawa: Inaugural Season
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
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Rachel Pickup on Her Role in “London Assurance” at NYC’s Irish Repertory Theatre
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
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“Touching the Void” at The Duke of York’s Theatre
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
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Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
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An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
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“A Kind of People” at The Royal Court
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
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“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
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Top-Searched Musicals in Africa
Methodology The most-searched-for musicals in Kenya, online, are High School Musical, The Lion...
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Enter Ghost: China’s Growing Obsession With Immersive Plays
Mythic Stories of Fanling Township is the latest production to tap into Chinese theatergoers’...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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The Democracy of a Whale Ship (and then a Vaudeville)
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
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“Casablanca:” We’ll Always Have the Radio!!!
Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...
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“The Arrival” at The Bush Theatre
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
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The Year That Musicals took on Japanese Stages
As the curtain falls on 2019’s theater scene in Japan, a continuing rise in the popularity of...
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Egypt’s Play “Collar and Bracelet” Wins Best Performance at Carthage Theatre Days, Tunisia
Egyptian play Collar and Bracelet, directed by Nasser Abdel-Moneim, won the best performance at...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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“Rhinoceros” by Eugène Ionesco: A Novella
Rhinoceros (1959) is one of Eugène Ionesco’s best-known plays, one of the plays with which the...
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“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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“Macondo” in New York: Russian Theatre Brings Márquez’s Epic to Life
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
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Teatr Brama’s “Ghost Dance”
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
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Re-visiting Sartre with a Pacific Twist: “Uma Lava” by Victor Rodger
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
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“Bella Ciao” and The Revolutionary Iraqi Theatre Group
A group of young volunteers in northern Iraq produced the slick Bella Ciao music video because...
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Interview: President of Alexandria Theatre Festival on Bridging Gaps Between Academia and Theatre Practitioners
Alaa Abdel Aziz, president of the Alexandria Arab Theatre Festival for Specialised Institutes and...
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“Shakespeare’s Will” at Quantum Theatre, Pittsburgh PA, USA
When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...
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My Ability to Dance and Sing Has Played a Big Role in My Career – Dalma
She is daring, adroit and has amazing stage presence. Whenever she is part of the cast, she gets...
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Bringing the Actor to the Brink of This Immense Abyss: An Interview with Christiane Jatahy
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
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“Orpheus and Eurydice:” A Bold Reimagining Through Circus and Opera
Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of...
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“OpeRamayana:” A New Approach to Teaching the Next Generation of Theatre-goers
Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...
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Stop the World, I Want to Get Off! In “Exit Strategies,” One Woman Leaves and Leaves Again
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
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Bringing a Greek Tragedy to 21st-Century Japan
What is it about stories from the ancient world that attracts contemporary dramatists? One person...
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Nostalgia on Parade: “White Christmas” on Tour in Boston
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
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Sven Ratzke In “Where Are We Now?” At La MaMa
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
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Terra Incognita Festival in Saint Petersburg, Russia
It’s in our laugh and in our tears And in the pulsation of our veins Change! We are longing...
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Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
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“Dr. Hoffmann’s Sanatorium”: Delving Deep into the Weird World of Kafka
The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...
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The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
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