
LATEST NEWS FROM AROUND THE WORLD


Renée Fleming’s Cities That Sing


How Urdu Theater Is Reaching Out to New Audiences



Memorial To Professor Maya Harbuzyuk

Egypt Joins Jordan’s Open-Space Theatre Festival




“All Of It” at the Royal Court

Robert Patrick, Playwright, Has Passed Away


Octavian Saiu, Professor of Theatre Studies and the President of the International Association of Theatre Leaders (IATL), in dialogue with Robert Lepage in the context of the presentation of his show, 887, at Craiova Shakespeare Festival.

Edinburgh Festivals, May Luck Be With You

Edinburgh Fringe 2023: Overview


Edinburgh Fringe 2023: #Danish Ed Fringe

Big In Belgium At The Edinburgh Fringe 2023




Tartuffe or the Hypocrite: Tartare of Tartuffe


“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

“The Book of Ruth”: Kaddish For Peaceful Life


“Report to an Academy”: To Be or Not to Be Human?

“Nora”: Present Continuous Hell


They Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Les Saisons de la Création, First Edition of the Tunisian National Theater Festival Ficks Off
by Vanessa Tomassini | Nov 6, 2023 | Festivals, Tunisia
The curtain rises on the first edition of the Tunisian National Theater Festival. “Les...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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The Echoes Of Lawino Reverberate In Uganda
by Trevor Mukholi | Aug 22, 2023 | Adaptation, Review, Uganda
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Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
by Maria Delgado | Jan 6, 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
by Emily Cordes | Jan 4, 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
by Sarah Austin | Oct 25, 2023 | Adaptation, Australia, Review
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.





Tartuffe or the Hypocrite: Tartare of Tartuffe

“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

“The Book of Ruth”: Kaddish For Peaceful Life



How Urdu Theater Is Reaching Out to New Audiences

68th Sterijino pozorje: A critical dialogue




Egypt Joins Jordan’s Open-Space Theatre Festival











The ENTRE Festival in Midwest Brazil


“Trade/Motorhead” at PROTOTYPE 2023 Festival

“Undine” at PROTOTYPE 2023 Festival

“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival

“note to a friend” at PROTOTYPE 2023 Festival

“Morning//Mourning” at PROTOTYPE 2023 Festival






“Flo & Joan,” Lund Comedy Festival
Highlights from the Mladi Levi Festival in Ljubljana
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End
by Aleks Sierz | Jan 1, 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
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“A Mirror” at Almeida Theatre
by Aleks Sierz | Sep 3, 2023 | Acting, London, Review, United Kingdom
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Arden of Faversham: A True Crime Thriller
by Clare Cioffero | Apr 10, 2023 | Acting, New York, Review, United States of America
Tartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
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“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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Interview With Ulviyya Heydarova
by Emiliia Dementsova | Aug 9, 2023 | Azerbaijan, Dramaturgy, Interview
Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
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“Hostel Lights” at the Baxter
by Megan Choritz | Sep 24, 2022 | Design, Review, South Africa, Theatre for Young Audiences
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The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”
by Maria Delgado | Dec 21, 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
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Coronada and the Bull Return to the Stage
by María Bastianes and Duncan Wheeler | Dec 18, 2023 | Playwriting, Review, Spain
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ESSAYS
Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
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Prison Shakespeare at Milan’s Young Offenders Institute
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age
INTERVIEWS
“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
by Emily Cordes | Jan 4, 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
REVIEWS
Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
by Maria Delgado | Jan 6, 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
READ ALL LATEST
Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
Read MoreMiguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
by Maria Delgado | Jan 6, 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
Read More“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
by Emily Cordes | Jan 4, 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read More“The Maids” by Genet: The Logic of the Paradox
by Lisa Monde | Jan 2, 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MoreJack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End
by Aleks Sierz | Jan 1, 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read MoreThe Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”
by Maria Delgado | Dec 21, 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
Read MoreGreat Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov
by Ivanka Apostolova Baskar | Dec 21, 2023 | Acting, Interview, Macedonia
Zdravko Stojmirov worked on many theater projects, TV series and short films. He participated in...
Read More“Vudú (3318) Blixen” or a Complex Naïve Way to Exorcise Pain
by Antonio Hernández Nieto | Dec 20, 2023 | Review, Spain, Theatre and Gender
There is nothing like going to a world premiere. Being one of the first to see something brand...
Read More“Macbeth” at the Donmar Warehouse
by Mert Dilek | Dec 20, 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MoreFringe Theatre at Ukraine Fringe: from a Bomb Shelter to a Festival
by David Livingstone | Dec 19, 2023 | Essay, Festivals, Ukraine
Readers may or may not be aware that the first edition of the Ukraine Fringe festival, sub-titled...
Read MoreCoronada and the Bull Return to the Stage
by María Bastianes and Duncan Wheeler | Dec 18, 2023 | Playwriting, Review, Spain
Francisco Nieva (1924-2016) ranks amongst the most respected Spanish playwrights of the second...
Read MoreDesiré Festival 2023: Poetics of Andraš Urban, Circus of Marko Mandić, God of Jernej Lorenci
by Emilija Kvočka | Dec 18, 2023 | Festivals, Review, Serbia
The international, regional festival of contemporary theatre Desiré, which takes place in Subotica...
Read MoreDavid Ireland’s “Ulster American” at the Riverside Studios
by Mert Dilek | Dec 17, 2023 | London, Review, Theatre and Politics, United Kingdom
An American actor, an English director, and a Northern Irish playwright walk into a house in...
Read MoreAnother World. Mihail Sebastian’s “A Star without a Name” at PM Theater
by Vassili Schedrin | Dec 13, 2023 | Featured, New York, Review, United States of America
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MoreTimelier Every Day: Kazimierska’s “Katie’s Tales”
by Rhiannon Ling | Dec 12, 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MoreHistory Experienced In VR
by Zip Scene Magazine | Dec 9, 2023 | Bosnia, Immersive Theatre, Interview
Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...
Read MoreThe play Metamorphosis reimagined the space beyond the proscenium
by Girish Shrivastava | Dec 8, 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read MoreRoxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
by Aleks Sierz | Dec 7, 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read More“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”
by Lisa Monde | Dec 7, 2023 | Interview, Musical Theatre, New York, United States of America
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
Read MoreA Theatre of Elsewhere
by S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
Read MorePrison Shakespeare at Milan’s Young Offenders Institute
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read MoreAI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MoreAkarsh Khurana’s Play “The F Word” Is A Darkly Comic And Relatable Dive Into Family Complexities
by Praveen Sudevan | Nov 30, 2023 | India, Interview, Playwriting
The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...
Read More“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read More“Interview with Ukrainian Actor Orest Pastukh”
by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read MoreSensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
by Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read More“The Interview,” Park Theatre
by Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read More“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
by Trevor Boffone | Nov 24, 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MoreReflections On Teaching Israel/Palestine in The Theatre Studies Classroom
by Sruti Bala and Rashna D. Nicholson | Nov 22, 2023 | Education, India, Theatre and Politics
What is the task of a humanities education? The following incident, which recently took place in...
Read MoreHyderabad This Weekend: Three plays with Different Storylines to Think and Entertain
by Neeraja Murthy | Nov 21, 2023 | Adaptation, Devised Theatre, India
An ensemble of around 18 actors takes the stage this weekend in Hyderabad to present three plays...
Read MoreThey Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read More“Antigones” Kosovo Theatre Showcase
by Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read MoreIn Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
by Rhiannon Ling | Nov 14, 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read More“The Shadow Garden” Kosovo Theatre Showcase
by Verity Healey | Nov 13, 2023 | Kosovo, Review, Theatre and Politics
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read More“The Interview” Review: A Blend of Fact and Speculation
by Victoria Chen | Nov 10, 2023 | Review, United Kingdom
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read MoreWicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
by Lisa Monde | Nov 9, 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read More“Negotiating Peace”, Kosovo Theatre Showcase 2023
by Verity Healey | Nov 8, 2023 | Kosovo, Review, Theatre and Politics
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read More“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read MoreLes Saisons de la Création, First Edition of the Tunisian National Theater Festival Ficks Off
by Vanessa Tomassini | Nov 6, 2023 | Festivals, Tunisia
The curtain rises on the first edition of the Tunisian National Theater Festival. “Les...
Read More“Boy Parts.” Soho Theatre
by Aleks Sierz | Nov 5, 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read More“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023
by Verity Healey | Nov 2, 2023 | Kosovo, Review, Theatre and Politics
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
Read MoreSheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
by Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read More“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse
by Maria Delgado | Oct 30, 2023 | Review, Spain
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
Read MoreThe Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero
by Maria Delgado | Oct 28, 2023 | Review, Spain
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
Read More“Blue Mist,” Royal Court
by Aleks Sierz | Oct 28, 2023 | London, Review, Theatre and Politics, United Kingdom
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British...
Read MoreFloating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid
by Maria Delgado | Oct 27, 2023 | Review, Spain
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
Read More“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
by Emilija Kvočka | Oct 26, 2023 | Festivals, Review, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read More“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
by Sarah Austin | Oct 25, 2023 | Adaptation, Australia, Review
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
Read MoreTartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
Read MoreJames Fritz’s The Flea at the Yard Theatre: History Play Gives a Queer Reading of the Cleveland Street Scandal of 1889
by Aleks Sierz | Oct 24, 2023 | London, Review, Theatre and Gender, United Kingdom
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
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Recent Posts
- Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre 7th January 2024
- Miguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times 6th January 2024
- “Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta. 4th January 2024
- “The Maids” by Genet: The Logic of the Paradox 2nd January 2024
- Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End 1st January 2024
- The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre” 21st December 2023
- Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov 21st December 2023
- “Vudú (3318) Blixen” or a Complex Naïve Way to Exorcise Pain 20th December 2023
- “Macbeth” at the Donmar Warehouse 20th December 2023
- Fringe Theatre at Ukraine Fringe: from a Bomb Shelter to a Festival 19th December 2023






































































































