
SPECIAL REPORT. THEATRE ARTISTS IN UKRAINE







Musical Theatre Actors of Ukraine in War


“The Addams Family” Musical: To Know What’s Real

Our Experiments: How Dakh Theatre Went Digital





How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
by Kate Dossett | Feb 1, 2023 | Essay, Theatre and Decolonization, Theatre and Politics, United Kingdom
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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“Three Sisters,” National Theatre
by Aleks Sierz | Jan 23, 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
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LATEST NEWS FROM AROUND THE WORLD


“Theatre Is King”: The 2023 Kenya Theatre Awards










Current Plans: Hong Kong’s Collaborative Art Space


Generation XIII – A Documentary Podcast

- Africa
- Asia
- Europe
- North America
- South America
- Oceania
“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
'We have approved some funds to our (Kenya Cultural Centre/Kenya National Theatre) very progressive CEO Mr. Mike Opundo, who will make sure that each winner here – each of the 37 winners here – will have a token of a hundred thousand shillings…We want to monetize your talents. We want you to feel that what you’re doing is right and is worth your while.’
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“Three Sisters,” National Theatre
by Aleks Sierz | Jan 23, 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
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“note to a friend” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 18, 2023 | Festivals, Japan, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Once Upon A (Korean) Time:” Review
by Clare Cioffero | Jan 3, 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
by Emiliia Dementsova | Mar 24, 2023 | Festivals, Hungary, News, Theatre and Politics
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
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Touching the Azerbaijani Theatre: From Ritual to Spontaneity
by Tarlan Rasulov | Mar 18, 2023 | Azerbaijan, Directing, Dramaturgy, Essay
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You Came to See the Obscene?—”2020: Obscene”
by Lisa Moravec | Mar 13, 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
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“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
by Emily Cordes | Mar 29, 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
by Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
by Helen Trenos | Jan 11, 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.






The ENTRE Festival in Midwest Brazil


“Trade/Motorhead” at PROTOTYPE 2023 Festival

“Undine” at PROTOTYPE 2023 Festival

“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival

“note to a friend” at PROTOTYPE 2023 Festival

“Morning//Mourning” at PROTOTYPE 2023 Festival








“Flo & Joan,” Lund Comedy Festival



Highlights from the Mladi Levi Festival in Ljubljana







Győr Is Once Again the Capital of Dance










Sin Muros: Interview with Lupe Mendez

Sin Muros: Interview with Playwright Adrienne Dawes









Review: “UnTuned” (Golvareh)
- Acting
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- Dramaturgy
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- Playwriting
“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
'We have approved some funds to our (Kenya Cultural Centre/Kenya National Theatre) very progressive CEO Mr. Mike Opundo, who will make sure that each winner here – each of the 37 winners here – will have a token of a hundred thousand shillings…We want to monetize your talents. We want you to feel that what you’re doing is right and is worth your while.’
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“Al Capone the musical” à la Francaise
by Lisa Monde | Jan 31, 2023 | Acting, France, Musical Theatre, Review
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“The Poltergeist,” Arcola Theatre
by Aleks Sierz | Nov 22, 2022 | Acting, London, Review, United Kingdom
Touching the Azerbaijani Theatre: From Ritual to Spontaneity
by Tarlan Rasulov | Mar 18, 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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You Came to See the Obscene?—”2020: Obscene”
by Lisa Moravec | Mar 13, 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
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Sitting Down with Emerging Artist Thalia Ranjbar
by Morgan Skolnik | Feb 27, 2023 | Directing, Interview, New York, United States of America
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Touching the Azerbaijani Theatre: From Ritual to Spontaneity
by Tarlan Rasulov | Mar 18, 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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Kennedy Center Dramaturgy Intensive 2022
by Lydia Cochran | Jan 14, 2023 | Dramaturgy, Essay, United States of America
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“The Handke Project,” Kosovo Theatre Showcase
by Verity Healey | Nov 13, 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
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“Hostel Lights” at the Baxter
by Megan Choritz | Sep 24, 2022 | Design, Review, South Africa, Theatre for Young Audiences
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Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
by The Theatre Times | Nov 16, 2022 | Education, Management, News, Producing, Worldwide
The International Association of Theatre Leaders (IATL) would like to invite you to The...
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Exit interview: Dubravka Vrgoč
by Christy Romer | Feb 14, 2022 | Croatia, Directing, Interview, Management
Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight
by Aleks Sierz | Mar 13, 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
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Friendship And Its Discontents: Juan Mayorga’s “Amistad”
by Maria Delgado | Mar 1, 2023 | Playwriting, Review, Spain
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“Once Upon A (Korean) Time:” Review
by Clare Cioffero | Jan 3, 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
ESSAYS
Touching the Azerbaijani Theatre: From Ritual to Spontaneity
by Tarlan Rasulov | Mar 18, 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
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INTERVIEWS
“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
by Emily Cordes | Mar 29, 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
REVIEWS
The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
by Rhiannon Ling | Mar 23, 2023 | Adaptation, New York, Review, United States of America
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
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You Came to See the Obscene?—”2020: Obscene”
by Lisa Moravec | Mar 13, 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
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READ ALL LATEST
“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
by Emily Cordes | Mar 29, 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
Read MoreWith Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
by Emiliia Dementsova | Mar 24, 2023 | Festivals, Hungary, News, Theatre and Politics
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
Read MoreThe Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
by Rhiannon Ling | Mar 23, 2023 | Adaptation, New York, Review, United States of America
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
Read MoreInterview: The “Best Time to Be Alive” and The Reclamation of Identity
by Melissa Denzer | Mar 20, 2023 | Interview, Musical Theatre, New York, United States of America
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
Read MoreTouching the Azerbaijani Theatre: From Ritual to Spontaneity
by Tarlan Rasulov | Mar 18, 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read More“Theatre Is King”: The 2023 Kenya Theatre Awards
by Alexander Nderitu | Mar 17, 2023 | Acting, Kenya, News
‘We have approved some funds to our (Kenya Cultural Centre/Kenya National Theatre) very progressive CEO Mr. Mike Opundo, who will make sure that each winner here – each of the 37 winners here – will have a token of a hundred thousand shillings…We want to monetize your talents. We want you to feel that what you’re doing is right and is worth your while.’
Read MoreBroadway Bodies: An Interview with Ryan Donovan
by Trevor Boffone | Mar 15, 2023 | Interview, Musical Theatre, United States of America
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
Read MoreYou Came to See the Obscene?—”2020: Obscene”
by Lisa Moravec | Mar 13, 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MoreBjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight
by Aleks Sierz | Mar 13, 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
Read MoreArt and Tech Imaginings of Kat Mustatea
by Alexander Fatouros | Mar 10, 2023 | Interview, New York, Theatre and Art, Transmedia, United States of America
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
Read MoreRemembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”
by Maria Delgado | Mar 8, 2023 | Education, Review, Spain, Theatre and Politics
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
Read MoreSpeaking from Outside: Interview with Olga Voronkova
by Allison Newey and Kasia Lech | Mar 7, 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MoreMatilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age
by Aleks Sierz | Mar 6, 2023 | London, Playwriting, Review, United Kingdom
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
Read MoreBreaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro
by Natalia García-Casarrubios | Mar 5, 2023 | Festivals, Interview, Producing, Spain
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
Read MorePrototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”
by Clare Cioffero | Mar 2, 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
It has been so challenging to write these reviews of three recent works presented as part of the...
Read MoreFriendship And Its Discontents: Juan Mayorga’s “Amistad”
by Maria Delgado | Mar 1, 2023 | Playwriting, Review, Spain
Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...
Read MoreSitting Down with Emerging Artist Thalia Ranjbar
by Morgan Skolnik | Feb 27, 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MoreBrecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
by Rhiannon Ling | Feb 22, 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MoreThe Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
Read MoreThe House Where Phantom Lived—Part I: The Majestic Theatre, New York
by Lisa Monde | Feb 17, 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
Read MoreLaura Horton’s “Breathless” at the Soho Theatre: Slender but Heartfelt Account of Hoarding
by Aleks Sierz | Feb 16, 2023 | LGBTQ Theatre, London, Playwriting, Review, United Kingdom
The female monologue is a well-established contemporary theatre form, but often the content is...
Read MoreJosep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”
by Maria Delgado | Feb 15, 2023 | Directing, Review, Spain
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MoreÀlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
Read MoreThe Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
by S.E. Gontarski | Feb 13, 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
by Rhiannon Ling | Feb 13, 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MoreENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
by Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
Read MoreTheatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
by Ivam Cabral and Marcio Aquiles | Feb 9, 2023 | Brazil, Education, Essay, Poland, Theatre and Politics, Transcultural Collaborations
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
Read MoreThe ENTRE Festival in Midwest Brazil
by Luis Guilherme Barbosa dos Santos, Mariana Tagliari, Onira de Ávila Pinheiro Tancrede, Robson Corrêa de Camargo, and Ronei Vieira Nogueira | Feb 7, 2023 | Applied Theatre, Brazil, Education, Essay, Festivals, Poland, Transcultural Collaborations
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
Read MoreThe Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
by Rodolfo García Vázquez | Feb 6, 2023 | Brazil, Covid-19, Essay, Poland, Theatre and Science, Transcultural Collaborations
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
Read MoreWilly Hudson’s “Welcome Home” at the Soho Theatre: Messy Queer Sci-Fi Show
by Aleks Sierz | Feb 5, 2023 | LGBTQ Theatre, Review, Theatre and Religion, United Kingdom
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
Read More“La Cupa” of Mimmo Borrelli: A Lunar Fable Turning to be the Most Powerful and Poetic Theatrical Event of 2022 in Naples
by Sabrina Sabatino | Feb 3, 2023 | Festivals, Italy, Musical Theatre, Review
Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign...
Read MoreHow British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
by Kate Dossett | Feb 1, 2023 | Essay, Theatre and Decolonization, Theatre and Politics, United Kingdom
In an age of so-called “cancel culture” it’s important to remember that for much of British...
Read More“Al Capone the musical” à la Francaise
by Lisa Monde | Jan 31, 2023 | Acting, France, Musical Theatre, Review
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
Read MoreWhen Nobel Met Booker: Dario Fo, Barry Unsworth, and One Shambolic Italian Summer
by Richard Newsome | Jan 28, 2023 | Devised Theatre, Directing, Essay, Finland, Italy, Translation
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
Read MoreA Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
by Josephine Burton | Jan 27, 2023 | Essay, London, Theatre and Politics, Ukraine, United Kingdom
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
Read MoreTrap Door Theatre’s “Princess Ivona”: Piercing yet Healing
by Susanna Sun | Jan 26, 2023 | Directing, Review, United States of America
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
Read More“Trade/Motorhead” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 23, 2023 | Festivals, New York, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read More“Three Sisters,” National Theatre
by Aleks Sierz | Jan 23, 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
Read More“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
by Toni Hildebrandt and Zainabu Jallo | Jan 22, 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read More“Undine” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 21, 2023 | Festivals, New York, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read More“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 20, 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MoreToronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read More“note to a friend” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 18, 2023 | Festivals, Japan, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read More“Morning//Mourning” at PROTOTYPE 2023 Festival
by Jingyi Zhang | Jan 17, 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MoreThree-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors
by Saraswathy Nagarajan | Jan 16, 2023 | Festivals, India, News, Theatre and Gender
A day in the museum turns out to be an unforgettable journey across time and regions for six...
Read MoreMarching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
by Vera Bonder | Jan 15, 2023 | Festivals, Netherlands, Participatory Theatre, Review, Theatre and Dance, Theatre and Politics
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read MoreKennedy Center Dramaturgy Intensive 2022
by Lydia Cochran | Jan 14, 2023 | Dramaturgy, Essay, United States of America
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read More“The Fall” at Soho Playhouse
by Clare Cioffero | Jan 12, 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
Read MoreNew Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
by Helen Trenos | Jan 11, 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read More“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
Read More
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Most Popular Posts
Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022 Broadway Bodies: An Interview with Ryan Donovan by Trevor Boffone 15th March 2023 The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023 Art and Tech Imaginings of Kat Mustatea by Alexander Fatouros 10th March 2023 Interview: The “Best Time to Be Alive”… by Melissa Denzer 20th March 2023 Remembering A Silenced Teacher: Xavier Bobés And… by Maria Delgado 8th March 2023 “Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023 “Woman, Life, Freedom: Theatre and Protest in… by The Theatre Times 5th March 2023 Breaking Down Barriers through Cultural Policies: A… by Natalia García-Casarrubios 5th March 2023 Refugees in Berlin (Excerpts From a Sort of Berlin Diary) by Dmitry Troyanovsky 11th November 2022
Recent Posts
- “TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say? 29th March 2023
- With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary 24th March 2023
- The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember 23rd March 2023
- Interview: The “Best Time to Be Alive” and The Reclamation of Identity 20th March 2023
- Touching the Azerbaijani Theatre: From Ritual to Spontaneity 18th March 2023
- “Theatre Is King”: The 2023 Kenya Theatre Awards 17th March 2023
- Broadway Bodies: An Interview with Ryan Donovan 15th March 2023
- You Came to See the Obscene?—”2020: Obscene” 13th March 2023
- Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight 13th March 2023
- Art and Tech Imaginings of Kat Mustatea 10th March 2023
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