All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
IOTF 2021 DISCUSSION PANELS
Transmedia & Adaptation
Directing Under Covid
Bodies, Space, Performance
Multilingual Theatre
European Theatre Convention
Drama Schools Reimagine
SECTIONS
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
“Lerumo”: A Cautionary Tale
Lerumo, written and directed by Malaika Ntsoeu and featuring Malaika Motshabi Ntsoeu, Malefu...
Obscured Truths Come to Light in Hideki Noda’s “Fakespeare”
William Shakespeare is one of the world’s most influential playwrights, but his life continues to...
“Divina invención” Love by Lope de Vega and by Sergio Blanco
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
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Robbie McCauley, Groundbreaking Playwright and Performer Dies at 79
Robbie McCauley, a groundbreaking playwright and performer has died. She received an OBIE Award...
A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
Located in Southern Utah, the majestic Tuacahn Amphitheater has been the perfect summer treat for...
West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
ESSAYS
Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
INTERVIEWS
Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
Located in Southern Utah, the majestic Tuacahn Amphitheater has been the perfect summer treat for...
REVIEWS
“Divina invención” Love by Lope de Vega and by Sergio Blanco
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
READ ALL LATEST
“Divina invención” Love by Lope de Vega and by Sergio Blanco
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
Read More
Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Read More
Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
Read More
Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
Read More
Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
Located in Southern Utah, the majestic Tuacahn Amphitheater has been the perfect summer treat for...
Read More
9 New Names in Russian Ballet That You Should Know
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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After the Pandemic: the Music Day at the Conservatory “San Pietro a Majella” in Naples
Founded in 1985, the Music Day is an event held on June 21st every year, in order to celebrate the...
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Obscured Truths Come to Light in Hideki Noda’s “Fakespeare”
William Shakespeare is one of the world’s most influential playwrights, but his life continues to...
Read More
Malayalam Theatre Heads to Clubhouse for New Forms of Storytelling
Clubhouse is taking over social media in a big way. The invitation-only, audio-only app is...
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Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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The Need to Save the Oldest Sanskrit Theatre
With few practitioners and fewer resources, Koodiyattam faces an uncertain future. Of all the...
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The Need to Recycle Forms the Core of this Korean Non-Verbal Play
Junk Clown, a Korean play for children, brings the concept of recycling to the table through mime....
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“Walden” at The Harold Pinter Theatre
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
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About “Outside In”
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
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Ali Al-Zaidi: A Playwright Who Lives Through His Characters
Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...
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Can the World be Saved on Stage?
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021
On a pavement alongside a busy road, a line of people march one behind the other. The person at...
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About “Sweatbox” and “Blis-ta”
Although some theatres are tentatively reopening, the creative vigor of other companies is...
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“Harm” at The Bush Theatre
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
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Vikrant Koul Journeys From Stage to The Digital Space
The Hello Mini 3 actor reveals how audience’s applause helped him overcome stage fright. Actor...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read More
Get Down: A New Way to Rise. Professionalizing Urban Dances, From Street to Stage.
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
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Theatre in the Time of Protest: “Glass Menagerie” at the Théâtre de l’Odéon
History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Democratizing the Theatre-Making Process: “Six Characters in Search of An Author”
To re-open its season after the lifting of COVID-19-related restrictions, Paris’s Théâtre de la...
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Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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The Personal is Political: Theatre as Therapy in Madrid
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
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About “The Elephant in the Room”
Online performance, streamed instead of attended, has given theatre companies an immense amount of...
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After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre is located in the Forcella quarter of the ancient center of Naples. It...
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Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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“Najdziwniejszy Androgyn” (“The Strangest Androgyne”): Autism in Performance
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
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Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
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“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
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Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre
Can we be in two places at once? Can an event happen online and offline simultaneously? The...
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The Play “Demo” Recreates a Virtual Meet-up
The online performance depicts marriage rituals and interactions in the digital world with a touch...
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Performing Shakespeare in the Era of COVID-19
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
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How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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Fadjr Theater Festival Stages Plays Despite COVID-19
The 39th Fadjr International Theater Festival celebrated a wide range of performances, from staged...
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Designing for Tuacahn Amphitheater (A Three Part… 29th July 2021 
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Mikhail Baryshnikov: A Dancer Whose Flight to… 8th February 2021 
Online Acting Classes? Here Are the Pros and Cons 22nd May 2021 
All the TikTok’s a Digital Stage 31st July 2021 
Rabbits in the Circus of COVID Isolation: A Review… 22nd July 2021 
An Interview with Tim Minchin, Writer and Star of… 8th August 2020 
From Daily to Beckett: Godot in Wuhan. Wang Chong… 26th June 2021 
After the Pandemic: the Music Day at the… 26th July 2021 
Building Bridges: Interweaving Beckett – Brazil and Poland 3rd August 2021