Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
H.G., A Well-Executed Theatre Installation
I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...
![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
“A Few Good Men” at the Pittsburgh Public Theater
Ah, if only we could take a trip back in time, to an era when the surfacing of facts that pointed...
Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
- Adaptation
- Devised Theatre
- Immersive Theatre
- Musical Theatre
- Translation
- Transmedia
- Transcultural Collaborations
- LGBTQ Theatre
- Theatre and Disability
- Theatre and Gender
- Theatre and Politics
“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
H.G., A Well-Executed Theatre Installation
I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...
Czech Centre London Presents: “Velvet Havel”
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
How I Produced My First Ever (Multilingual) School Play
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Belarusian Theatre and The Disability Question
The importance of including people with disabilities in active public life is a keenly discussed...
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital...
Back to Somewhere That’s Green: “Little Shop of Horrors” at Boston’s Lyric Stage Company
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-150x150.jpg)
LATEST FESTIVAL REPORT
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital...
SPOTLIGHT ON POLAND
SPOTLIGHT ON RUSSIA
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Vignesh Ratnam’s “Pattambi”
Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....
“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
In Memoriam Michael Lupu (1930-2019), Dramaturg of Another Dimension
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
The WaxFactory’s “Lulu XX”
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital...
ESSAYS
“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
INTERVIEWS
Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
REVIEWS
H.G., A Well-Executed Theatre Installation
I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...
READ ALL LATEST
H.G., A Well-Executed Theatre Installation
I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...
Read More
“A Few Good Men” at the Pittsburgh Public Theater
Ah, if only we could take a trip back in time, to an era when the surfacing of facts that pointed...
Read More
Back to Somewhere That’s Green: “Little Shop of Horrors” at Boston’s Lyric Stage Company
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read More
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read More
In Memoriam Michael Lupu (1930-2019), Dramaturg of Another Dimension
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
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BoomStick Theater’s “Toxic Avenger: The Musical” on Melrose
Founded in 2018, BoomStick Theater has focused its mission statement on providing a platform for...
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Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
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How I Produced My First Ever (Multilingual) School Play
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Read More
Czech Centre London Presents: “Velvet Havel”
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read More
“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read More
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital...
Read More
Michael Frayn’s “Noises Off” at the Garrick Theatre
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
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Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
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Coming-of-age in 2019: “Spring Awakening” at TUTS
Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...
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Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
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“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
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What Are You Already Doing In Your Organization Or Community (Related To Digital Technology And Theatre)?
No question about it, the use of digital technology is quite common in everyday theatre life all...
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“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
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Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
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Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha
In September 2019 new theatre season starts, promising not only new performances but some new...
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Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
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Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity
Once there were radically innovative playwrights; then came university courses about radically...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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“Venus vs Modernity”: Rethinking Sara Baartman
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
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Trains and Transcendence in “Passengers” at ArtsEmerson
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
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Lily Houghton and Kylie M. Brown on “Of the Woman,” World Premiere at Normal Ave
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
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Minding the Mind: Cerebral Rapper Baba Brinkman Occupies SoHo Playhouse, New York
Baba Brinkman’s Rap Guides in Repertory This Fall For starters, you might be skeptical that a...
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Historical Bio-Drama Coming to Visa Oshwal Centre in Kenya
Too Early For Birds, a theatrical series that brings stories from Kenyan history to the stage, is...
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Belarusian Theatre and The Disability Question
The importance of including people with disabilities in active public life is a keenly discussed...
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An Original Tokyo Musical Destined For Bigger Things
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
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Vignesh Ratnam’s “Pattambi”
Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....
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“A Play is a Poem” by Ethan Coen at Mark Taper Forum
“Das Boot – on a boat.” The Center Theatre Group presents a particularly...
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“Slave Play”: Can a Subaltern Consent?
Disclaimer: I was Jeremy’s teacher at Yale during the time he wrote Slave Play, so this isn’t a...
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Hollywood Onstage: Musicals Adapted From Movies
In a 2004 original musical about creating an original musical – cheekily titled [title of show] –...
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Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at The Royal Court Theatre
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
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The WaxFactory’s “Lulu XX”
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
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Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
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Lesley Storm’s “Black Chiffon” at the Park Theatre: 1940s Psychological Thriller Revived
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
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“Sunday” at Atlantic Theater Company
Hot off the heels of the success of Harry Potter and the Cursed Child, playwright Jack Thorne has...
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Glasses That Translate. How Is This Possible?
Writing about non verbal communication in his book Beaux Gestes; A Guide to French Body Talk, the...
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Stage Russia HD Expands Its Offerings with Fourth Season
Stage Russia HD — which brings high-quality filmed performances from the Russian stage to...
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Zimbabwe Produces a Visual And Performing Arts Syllabus for Junior School: Grades 3 to Grade 7
In 2015, I met with the late Stephen Chifunyise at the New Partnership for Africa’s Development...
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Milly Thomas on Her Off-Broadway Show “Dust” at New York Theatre Workshop
Milly Thomas is a writer and actor who hails from London. She is currently starring off-Broadway...
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How Does Commercial Theatre Fare In Delhi?
Grand sets, lavish costumes, technical extravaganza, celebrity actors, and pricey tickets —...
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Nora is Back: “A Doll’s House, Part 2” on The Catalan Stage
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
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“La Traviata”: The Last Masterpiece of Franco Zeffirelli, at the Arena Opera Festival
“Libiamo ne’ lieti calici . . .” is the most famous aria in La Traviata, by Giuseppe Verdi...
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