Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MoreEmiliia is a creative writer, theatre critic, editor and lecturer. She holds a PhD in Theatre Studies from the Faculty of Arts at Lomonosov Moscow State University, where she wrote her dissertation on contemporary auteur and neo-auteur theatre. She is a poet, playwright, cultural columnist and researcher. Emiliia is a member of the International Association of Theatre Critics. She has contributed to Critical Stages, European Stages, The Hollywood Reporter, Arti dello Spettacolo / Performing Arts, Teatro, Novaya Gazeta, Discours.io, Theatre World and other publications. She has authored more than 500 publications on theatre and cinema. She is the author of the course Profession: Theatergoer at the Central House of Journalists. Emiliia is the recipient of several professional and literary awards, including first prizes in the Golden Pen, Native Speech, International Tyutchev Prize and Yousmi Web-Journalism Awards in the category “Best Review Among Professionals”. She also received a Diploma of the International Press Club award Challenge – XXI Century for a series of theatre reviews. She is the winner of the international literary competition Across Chekhov, organized by the International Guild of Writers, in the Essay category. She has served as a judge for the theatre festival laboratory Scene of Action and for young screenwriters’ pitching sessions. She is the author of the solo performance Without Intermission, combining theatre, art reading and lecture. Emiliia has participated in and spoken at more than 50 conferences and forums, including Theatre – An Era of Changes, YOULEAD, YouthVoice, The Modern European Theatre, and WORD><STAGE: Stage Words: Inter-semiotic and Inter-linguistic Translation of Dramaturgic, Literary and Theatre Theory Texts at the Department of Modern Languages, Literatures and Cultures, University of Bologna. She is a scholar of the Oxford Fund and a recipient of an Italian government grant for foreign citizens. She was also a grantee and participant of the project With and From One Another: Exchange of Cultural Actors at Ludwig Maximilian University of Munich, and a scholar of the international innovation forum Interra. Emiliia is a co-author of several books, including Almanac of Modern Writers, 100 Contemporaries About Yuri Lyubimov and others. She is the author and presenter of the Cultural Environment program on Radio Journalist. She has served as a jury member of the Polish film festival Wisła, and as a selector for the Kyoto Prize in Arts and Philosophy and the European Theatre Award. She is also a member of a literary volunteer program supporting blind and visually impaired people through audiobook recordings.
Posted by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MorePosted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Read MorePosted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
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One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
Read MorePosted by Emiliia Dementsova | 18th Oct 2023 | Georgia, Review, Theatre Olympics 2023
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Read MorePosted by Emiliia Dementsova | 17th Oct 2023 | Czech Republic, Festivals, Review, Theatre and Politics, Theatre Olympics 2023
This is the story of the Big Bang. Not the explosion that gave birth to the universe. But an...
Read MorePosted by Emiliia Dementsova | 11th Oct 2023 | Adaptation, Festivals, Germany, Review, Theatre and Film, Theatre Olympics 2023
These two people are separated by history, geography, language, maths, and other school subjects...
Read MorePosted by Emiliia Dementsova | 9th Oct 2023 | Festivals, Romania, Theatre Olympics 2023
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
Read MorePosted by Emiliia Dementsova | 8th Oct 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
Read MorePosted by Emiliia Dementsova | 27th Sep 2023 | Festivals, Hungary, News
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
Read MorePosted by Emiliia Dementsova | 9th Aug 2023 | Azerbaijan, Dramaturgy, Interview
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
Read MorePosted by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
Read MorePosted by Emiliia Dementsova | 26th Apr 2023 | Adaptation, Greece, Review, Theatre and Politics, Theatre Olympics 2023
No matter how trends, themes, agendas and moods of society change, the focus of the study of art...
Read MorePosted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
Read MorePosted by Emiliia Dementsova | 24th Mar 2023 | Festivals, Hungary, News, Theatre and Politics, Theatre Olympics 2023
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
Read MorePosted by Emiliia Dementsova | 20th Dec 2022 | Azerbaijan, Festivals, News, Review, Theatre Olympics 2023
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
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