Covid-19 Archives - The Theatre Times

Kennedy Center Dramaturgy Intensive 2021 Retrospective

Posted by Suzi Elnaggar | 13th Jan 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America

In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...

Theatre Audience Etiquette and Norms Have Always Shifted with the Times

Posted by Kelsey Jacobson and Kelsey Blair | 9th Dec 2021 | Covid-19, Essay

Face masks, plexiglass dividers, proof of vaccine and photo ID and strict seating assignments:...

Outside Theatre: Why It Mustn’t Stop After the Pandemic

Posted by Steve Waters | 4th Dec 2021 | Covid-19, Essay, United Kingdom

Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...

“The Blue Piano/The Blue Guitar”: Review

Posted by Beverley Brommert | 23rd Nov 2021 | Covid-19, Immersive Theatre, Review, South Africa

THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...

“Lockup/Lockdown” with PDU: Review

Posted by Karen Rutter | 11th Nov 2021 | Covid-19, Review, South Africa, Theatre and Politics

I’ve totally enjoyed the many faces of Pieter-Dirk Uys over the years – from his most famous...

COVID—Brevis, Ars—Longa

Posted by Emiliia Dementsova | 7th Nov 2021 | Adaptation, Covid-19, Review, Russia

It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...

Friday Essay: A World of Pain – Australian Theatre in Crisis

Posted by Gillian Arrighi and Clare Irvine | 18th Oct 2021 | Australia, Covid-19, Theatre and Politics

Australia’s performing arts sector has long been recognized as an ecosystem. It is a community of...

Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need

Posted by Shilpa Nair Anand | 4th Oct 2021 | Covid-19, India, News

The Thrissur-based collective has been organizing performances in the homes of artists and...

How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic

Posted by Oki Rahadianto Sutopo, Annisa R Beta, Arian Utomo, Gregorius Ragil Wibawanto, and Novi Kurnia | 14th Sep 2021 | Covid-19, Essay, Indonesia

Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...

28th Aspendos Opera Ballet Fest to Start with Murat IV Opera

Posted by Anadolu Agency | 13th Sep 2021 | Covid-19, Festivals, News, Theatre and Dance, Theatre and Opera, Turkey

The 28th iteration of the International Aspendos Opera and Ballet Festival will kick off with the...

“Hamlet”: A Play That Speaks to Pandemics Past and Present

Posted by Elizabeth Schafer | 3rd Aug 2021 | Covid-19, Review, United Kingdom

I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

Posted by Lliane Loots | 2nd Aug 2021 | Covid-19, Festivals, Interview, South Africa, Theatre and Dance

Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...

All the TikTok’s a Digital Stage

Posted by Trevor Boffone | 31st Jul 2021 | Covid-19, Essay, Transmedia, United States of America

In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...

Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”

Posted by Niloofar Mohtadi | 22nd Jul 2021 | Covid-19, Iran, Participatory Theatre, Review, United States of America

The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview

This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview

Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...

After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples

Posted by Maria Pia Pagani | 13th Jun 2021 | Covid-19, Italy, Review

The Trianon Viviani Theatre is located in the Forcella quarter of the ancient center of Naples. It...

Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference

Posted by Paul Sermon | 28th May 2021 | Covid-19, Essay, Transmedia, United Kingdom

On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...

By Putting Tensions on Stage, Colleges Aim to Change Campus Culture

Posted by Rebecca Koenig | 8th May 2021 | Covid-19, Education, News, United States of America

The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...

Kennedy Center New Play Dramaturgy Intensive Adapts to Meet the Moment

Posted by Daniel Mesta | 20th Apr 2021 | Covid-19, Dramaturgy, Essay, United States of America

At the time of the writing of this article, the historic events of January 6th, January 20th, and...

Covid-19

Kennedy Center Dramaturgy Intensive 2021 Retrospective

Theatre Audience Etiquette and Norms Have Always Shifted with the Times

Outside Theatre: Why It Mustn’t Stop After the Pandemic

“The Blue Piano/The Blue Guitar”: Review

“Lockup/Lockdown” with PDU: Review

COVID—Brevis, Ars—Longa

Friday Essay: A World of Pain – Australian Theatre in Crisis

Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need

How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic

28th Aspendos Opera Ballet Fest to Start with Murat IV Opera

“Hamlet”: A Play That Speaks to Pandemics Past and Present

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

All the TikTok’s a Digital Stage

Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.

After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples

Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference

Kennedy Center New Play Dramaturgy Intensive Adapts to Meet the Moment

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