Katherine Cappellacci

regional managing editor

k.cappellacci@thetheatretimes.com

Katherine Cappellacci is an actor, singer, and writer based in Toronto, Canada. She's been acting professionally since she was a teenager, and acquired her Bachelor of Fine Arts in Acting from Ryerson University. Since graduation, Katherine has been working in theatres across Ontario. She is an aspiring playwright and loves to play guitar. Aside from theatre, Katherine is extremely passionate about outdoor adventure and traveling. She hopes to bring attention to Toronto's vibrant theatre scene.

Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions

Posted by Katherine Cappellacci | 19th Jan 2023 | Canada, Covid-19, Directing, Interview, Producing

When I thought about why I wanted to write this article, a simple, almost childlike thought came...

Read More

Online Acting Classes? Here Are the Pros and Cons

Posted by Katherine Cappellacci | 22nd May 2021 | Acting, Canada, Covid-19, News

If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...

Read More

Don’t Worry, Guy: Toronto’s Indie Theatre Community Stays Resilient

Posted by Katherine Cappellacci | 19th Feb 2021 | Canada, Covid-19, Festivals, News

On February 20th at 7pm, Sebastian Biasucci’s family will be in their kitchen eating dinner. One...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Advertisement

Advertisement

Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” by Rhiannon Ling 30th May 2023
The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’… by Emilija Kvočka 31st May 2023
Theater, A Major Job Sector by Heather Waters 2nd April 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
“The Arabian Nights” in Taiwan: Deserted… by Kuan-Ting Lin 12th May 2023
Robert Patrick, Playwright, Has Passed Away by Magie Dominic 19th May 2023
The Brazilian Experience with Different Forms of… by Rodolfo García Vázquez 6th February 2023

Recent Posts

Léonora Miano On “What Must be Said” 5th June 2023
Danny Robins’s 2:22 A Ghost Story At The Apollo Theatre: Populist Shocker Is Pretty Chill Free 5th June 2023
“KPOP” On Broadway: A Multisensory Feast of HEUNG 4th June 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival 31st May 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” 30th May 2023
Robert Patrick, Playwright, Has Passed Away 19th May 2023
“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream 12th May 2023
Drag Queens in Musical Theatre 8th May 2023
“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre 3rd May 2023
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking 1st May 2023

SEARCH OUR ARCHIVES

Pin It on Pinterest