How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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Essay
Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s
African American drama, theater and performance has a rich and complex history. Only recently,...
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Five Myths About Shakespeare’s Contribution to the English Language
Shakespeare’s language is widely considered to represent the pinnacle of English. But that status...
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With the Hope to Make Telugu Theater a Sustainable Career Option
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
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Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
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“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART I
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
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From the Moscow Stage to Monroe and De Niro: How the Method Defined 20th-Century Acting
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
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Interactive Map: “Theatre and Decolonization” at “The Theatre Times”
Over the years, our contributors have been addressing the topic of decolonization in theatre and...
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Why Costume Design Is a Snapshot of Hong Kong Life
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
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As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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Ecocide is Everywhere in Serbia, but Eco-Theatre Remains on the Fringes
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
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About the futureStage Manifesto
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
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Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
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Why Weren’t Women Allowed to Act in Shakespeare’s Plays?
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
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Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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The Pandemic Nearly Killed Theatre — The Creative Way It Fought Back Could Leave It Stronger
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
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Editorial for International Online Theatre Festival (IOTF)
Having been trained as a theater actor and director, I have been engaged with many kinds of...
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