Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
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Essay
The Theater of Metaverse
Introduction It seems that the mission of the father of arts, “theatre”, as well as...
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Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival
I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...
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Playwriting Awards in Taiwan: Recognition and Reality
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
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Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Regional Producing Theatres In England. Leeds Playhouse: A Case Study
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
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It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
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Acting As Social Practice: Theater As A Tool To Initiate Dialogue In A Hyperdiverse Immigration Society
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
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A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
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The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
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The “ETC Theatre Green Book” and Theatre-making During Climate Crisis
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
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Make Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration result in an increasing number of children across Europe growing...
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