Shakespeare’s “The Tempest” Explores Colonialism, Resistance and Liberation
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
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Essay
“Augustine’s Dream:” A Work in Development
Augustine’s Dream was presented in July 2019 at the Providence Fringe by AnomalousCo. An...
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Shadow Theatre: Performance and the Imaginary in Contemporary Egypt
An essay by Nora Amin that traces the presence of shadow theatre within the modern and...
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Living Skill At Work
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
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Leila Waddell: Hidden Women of History
Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Translating Trojan Horses
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
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Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
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Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
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Dance in the Extreme Southwest of Europe
You can also read this article in Portuguese. The trajectory of Portuguese dance mirrors the...
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“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
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Belarusian Theatre and The Disability Question
The importance of including people with disabilities in active public life is a keenly discussed...
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Edinburgh Fringe 2019: Aditi Mittal, Sumit Anand and Devang Tewari On Their Journey to Edinburgh
For years, the Edinburgh Fringe Festival, those three performance-packed weeks in August, has been...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Popular Theater in Buenos Aires
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
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Seven Ways Fight Directing Made Me a Better Real Estate Agent: The Arts as Preparation for Business Success
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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