Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival
I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...
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Essay
Playwriting Awards in Taiwan: Recognition and Reality
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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The Beginnings of Theatre in Iraq
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
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Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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Regional Producing Theatres In England. Leeds Playhouse: A Case Study
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
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It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
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Acting As Social Practice: Theater As A Tool To Initiate Dialogue In A Hyperdiverse Immigration Society
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
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A Stinging Critique of the American Dream Underlies “The Queen of Versailles”
Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...
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The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
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The “ETC Theatre Green Book” and Theatre-making During Climate Crisis
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
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Make Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration results in an increasing number of children across Europe growing...
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Neurodivergent New Play Series Resumes Schedule for 2024
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
Read MorePhillip Luswata: A Career Onstage and Behind the Scene
Phillip Luswata – “the one from Uganda” The first time I learned about Phillip Luswata was on a black and white TV. Then, he was a guest on the South African evening daily soap, Egoli: Place of Gold. His cameo had received such...
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