How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic
Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...
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Essay
“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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We Used Performing Arts to Map Out Gender Violence in Sierra Leone. What We Found
It’s been more than two years since Sierra Leone declared a state of emergency over sexual and...
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Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
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Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Get Down: A New Way to Rise. Professionalizing Urban Dances, From Street to Stage.
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
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Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
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Performing Shakespeare in the Era of COVID-19
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
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Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
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The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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