Prison Shakespeare at Milan’s Young Offenders Institute
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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Essay
Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Eugene Ma Wants to Shake Up Hong Kong Theater
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
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On China’s Broadway, IP Is King — For Now
The pandemic was unusually kind to China’s musical theater scene, but an obsession with...
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Léonora Miano On “What Must be Said”
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
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Drag Queens in Musical Theatre
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
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A Dramaturgy Of Desire
What is the transformative potential of party performances? Since venues reopened after the –...
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Shakespeare’s First Folio Turns 400: What Would Be Lost Without the Collection? An Expert Speculates
It has been 400 years since the publication of the first collected edition of Shakespeare’s plays,...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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“All Night Long” by Chantal Akerman
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
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Touching the Azerbaijani Theatre: From Ritual to Spontaneity
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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When Nobel Met Booker: Dario Fo, Barry Unsworth, and One Shambolic Italian Summer
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
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A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
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