Like Mother, Like Son: “Redemption Story” at A.R.T./NY
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
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Theatre and Film
Stage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
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A Theatre of Elsewhere
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
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“Fear Eats The Soul”: Love In The Grip of Hate
These two people are separated by history, geography, language, maths, and other school subjects...
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Craft of “Downton Abbey” and “Gilded Age” Director, Michael Engler
American television and film director Michael Engler is extraordinarily skilled at both comedies...
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“All Night Long” by Chantal Akerman
Dance, the maternal and the push and pull against the form. The feature length film Toute une nuit...
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“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment
“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...
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Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
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Why Costume Design Is a Snapshot of Hong Kong Life
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
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“Final Curtain Call:” Theatre, Home, and Determination
These past two years have proven how much of a home the theatre is, something many only realized...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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The Small-Time Reality TV Hit Reviving Chinese Theater’s Big Dreams
In Theater for Living, brutal honesty about the hardships of life onstage is winning over fans....
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Egypt launches 13th edition of the National Theatre Festival
Running until 4 January, The festival is hosting 29 performances on 14 stages across Cairo. Egypt...
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A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
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Every Character is a Responsibility: Kumud Mishra
The actor, who plays his first lead role as a circus artist in the recent film Ram Singh Charlie,...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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