Our Streets, Our City: “Not For Sale” By Guadalís Del Carmen Premieres At UrbanTheater Company
One of the core components of the Latinx Theatre Commons Carnaval of New Latinx Work in July 2018...
Read MoreTrevor Boffone
“Oklahoma!” Is Still OK
I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
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Rogue Productions Bounces Back From Hurricane Harvey With “I Love You Because”
After a successful run of Matt & Ben in January 2017, Houston theatre company Rogue...
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New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children
When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...
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Afro-Latinx Theatre, Front And Center: An Interview With Guadalís Del Carmen
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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Jaclyn Backhaus’ “Men On Boats” (Re)Imagines History With Women Front And Center
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
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Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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Sin Muros: Creating a Space for Latinx Theatre in Houston
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
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Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
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Why Produce Karen Zacarías’ “Just Like Us”? Why now?
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
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Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
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A Life Of Footlights And Forehands: Nostalgia Takes The Court In “Balls” and “Battle Of the Sexes”
The Astrodome has always stirred up a sense of nostalgia in me. Growing up in New Orleans, we...
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Dallas Theater Center’s “Hair” Lets the Sunshine In
While I grew up around musical theatre, I certainly didn’t grow up around Hair. “Oh, What a...
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When We Arrive, Cuando lleguemos: Cara Mía’s “Deferred Action” In Houston
David Lozano and Lee Trull’s critically acclaimed play Deferred Action is coming to Talento...
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Rajiv Joseph’s “Describe the Night” Perseveres in the Wake of Hurricane Harvey
As the floodwaters of Hurricane Harvey poured into Houston’s Alley Theatre on August 27,...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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