History Play. “All My Sons” By Arthur Miller At The Lyric Stage Company Of Boston
As I was reading this early play of Arthur Miller’s before attending the performance I was...
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Directing
Theatre Doesn’t Work Miracles And It Shouldn’t Try Replace Social Services, Lawyers, Schools, Or Politics
An interview with a deeply thoughtful European theatre director Valbona Xibri (Albania/Italy). ...
Read More![Addressing Trauma In And Through “Arendt: Denken In Finsteren Zeiten” [EN: “Arendt: Thinking In Sinister Times”] By Rhea Leman](https://thetheatretimes.com/wp-content/uploads/2026/10/Arendt-HH-627x376.jpg?crop=1)
Addressing Trauma In And Through “Arendt: Denken In Finsteren Zeiten” [EN: “Arendt: Thinking In Sinister Times”] By Rhea Leman
Hannah Arendt (1906 – 1975) was one of the most important thinkers of the 20th century. She...
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Reflections On Running A Chamber Theatre (1)
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
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Death, Grief And Mourning In Performance And Comedy
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
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(Married) Couples In German Theatre: Comedies By, With And About
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
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Staatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret”
It has been a long-established tradition for many theatres in Germany to place their seasons and...
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German Summer Festival Theatre (4): An Open-Air “Midsummer Night’s Dream” By The Bremer Shakespeare Company
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
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Crime On The German Stage (1): Comedy
On German TV, each channel has its set of regular crime drama. For example, there is the...
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German Summer Festival Theatre (3): An Open Air “The Cherry Orchard”
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
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Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
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A Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 2
(Read the first part of the interview here.) Chen: In your plays, or the ways you answer...
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A Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 1
(Read the second part of the interview here.) Outside the bright, modern meeting room on the 10th...
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Harsh And Relentless Social Criticism In Kosky’s Production Of Brecht’s “Threepenny Opera” At The Berliner Ensemble
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
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“Don’t Look Now”: Directing Theatre About the Climate Crisis
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
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A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen
For the last full production of his first season as artistic director of Packhaustheater in...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
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Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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