Hannah Reilly’s “Roleplay” at Soho Theatre: New Play About Sex-Positivity On The Internet Is Sadly Superficial And Banal
I’ve lost count of how many new female monologues have been called the “next Fleabag”. Really. But...
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![Addressing Trauma In And Through “Arendt: Denken In Finsteren Zeiten” [EN: “Arendt: Thinking In Sinister Times”] By Rhea Leman](https://thetheatretimes.com/wp-content/uploads/2026/10/Arendt-HH-627x376.jpg?crop=1)
Addressing Trauma In And Through “Arendt: Denken In Finsteren Zeiten” [EN: “Arendt: Thinking In Sinister Times”] By Rhea Leman
Hannah Arendt (1906 – 1975) was one of the most important thinkers of the 20th century. She...
Read More![Enduring Friendships, Troubled Family Relationships, And History’s Tragedies, Avignon 2026 [Part II]](https://thetheatretimes.com/wp-content/uploads/2026/10/10-627x376.jpg?crop=1)
Enduring Friendships, Troubled Family Relationships, And History’s Tragedies, Avignon 2026 [Part II]
To read PART I of this interview, go to this link. Un procès – après l’ennemi du...
Read More![Enduring Friendships, Troubled Family Relationships, And History’s Tragedies, Avignon 2026 [Part I]](https://thetheatretimes.com/wp-content/uploads/2026/10/2-1-627x376.jpg?crop=1)
Enduring Friendships, Troubled Family Relationships, And History’s Tragedies, Avignon 2026 [Part I]
The 80th Avignon Festival, held from July 4 to 26, was especially exciting this year. Throughout...
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When Plays Travel Afar Across Languages and Cultures – The First Taiwan International Play Reading Festival
If we view playwriting as a literary form, what distinguishes it from others is its reliance on...
Read More![Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]](https://thetheatretimes.com/wp-content/uploads/2026/10/2-Photo-Credit-by-Showcase-NTG-Athens-627x376.png?crop=1)
Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]
To read PART I of this interview, go to this link. IAB: What role can translation play in...
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Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part I]
An Interview with the Motivating and Deeply Creative Dr. Irene Moundraki, Dramaturg and Theatre...
Read More![Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]](https://thetheatretimes.com/wp-content/uploads/2026/10/1-Sasa-Spacal-by-Spela-Urbanc-627x376.jpg?crop=1)
Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
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Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part I]
An Interview with Ms. Saša Spačal (Ljubljana, Slovenia), a beautiful, wise and deeply inspiring...
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From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator
The social, political, environmental, and economic changes of the twentieth century have generated...
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“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I
Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...
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Reflections On Running A Chamber Theatre (1)
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
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Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
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Death, Grief And Mourning In Performance And Comedy
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
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“The Prime Of Miss Jean Brodie”
On a recent trip to Scotland, I was fortunate to attend the opening night of The Prime of Miss...
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When Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life
An interview with Prof. Tatjana Filipovska (Skopje, Republic of North Macedonia/UKIM Skopje), an...
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Canned Spam: The 2026 Touring Production of “Monty Python’s Spamalot”
What is the shelf life of British sketch-company Monty Python? How to keep its bits, catchphrases...
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BRKFST performs “STORMCLUTTER” at College of the Holy Cross
The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...
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International Cooperation Takes Time: Building Relationships Through Presence, Trust And Encounter
Hi Performancz: Visitors’ Programme, Ostrava 2026 PerformCzech is the Czech platform for the...
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“Accidental Overheards” At Fringe Off Milano International Festival
Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...
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(Married) Couples In German Theatre: Comedies By, With And About
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
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“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
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James Graham’s “The Standard of Living” at the Theatre Royal Haymarket: All-Embracing Account Of The Life And Career Of John Maynard Keynes
Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...
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A Festival of Imported Importance: BIAF 2026 and the Provincialism of Prestige
There are at least two ways for an international arts festival to be provincial. The first is...
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Following The Herd
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
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Staatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret”
It has been a long-established tradition for many theatres in Germany to place their seasons and...
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Artistic Production Belongs To The Changing World Of Things
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
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German Summer Festival Theatre (4): An Open-Air “Midsummer Night’s Dream” By The Bremer Shakespeare Company
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
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Julia Masli, Please Let Me In Your Cult
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
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Michaela Coel’s “Chewing Gum Dreams” at Theatre 503: Revival Of 2012 Contemporary Classic Is Terrific
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
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Crime On The German Stage (1): Comedy
On German TV, each channel has its set of regular crime drama. For example, there is the...
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“Kramer/Fauci” at the Philadelphia Fringe Festival
The year is 1993. The 24-hour news cycle is roughly a decade into its existence. The first...
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Ntozake Shange’s “for colored girls who have considered suicide / when the rainbow is enuf” at The Yard Theatre: Legendary 1970s Choreopoem Finally Arrives In London
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
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Les Misérables: “…a bombshell in the musical theatre industry”. An exclusive interview with Claude-Michel Schönberg and Jean-Pierre Van Der Spuy
The musical Les Misérables, written by composer Claude-Michel Schönberg and Alain Boublil...
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Rosalind Adler and Lea Sellers’s “Holy Fool” at Park Theatre: The Life Of Shostakovich Gets The Bio-Drama Treatment
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
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Benedict Andrews’s “Electra/Persona” at the National Theatre: This Study In Ambiguity And Contradiction Is Pointless As Well As Gripping
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
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German Summer Festival Theatre (3): An Open Air “The Cherry Orchard”
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
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In the Mind’s Eye: Collective Imagination at the Edinburgh Fringe 2026
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
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Beyond the Velvet Ropes: Inside Lincoln Center’s Next Act
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
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From Bacon to Bananas: Edinburgh Festival Fringe 2026 in 24 Shows
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
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A Fish Swimming Across Tanks: An Interview with Taiwanese Playwright Yu-Hsuan Chou
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
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Most Importantly, The Child Should Experience How Theatre Can Make Kindness, Patience, Courage And Curiosity Matter
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
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Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
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Confidence Is A Rollercoaster – Don’t Ever Pay Money To Become Famous
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
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Dancing With Bob: Visual Arts And Dance In Dialogue With Each Other
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
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“The Story of the Stone”: A Chinese Classic as an Epic Musical Awes Korean Audience
The Chinese musical The Story of the Stone was staged at the 600-seat ARKO (Arts Council Korea)...
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Laughing in Transit: Humor and Absurdism in Arab Canadian Theatre
Arab Canadian theatre is frequently discussed through the language of war, displacement, exile,...
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“Low German” Theatre in Bremerhaven: “The Physicists” by Dürrenmatt
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
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Iraqi Theatre in Canada: Exile Beyond Arrival
Iraqi theatre did not remain in Iraq. Over the past several decades, Iraqi playwrights, actors,...
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Alan Ayckbourn’s “How the Other Half Loves” at the Old Vic: Technically Brilliant if Rather Overlong and Old-Fashioned West End Farce
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
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