Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival
FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
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“Last Call” Brings Us Closer To Bernstein And Von Karajan
Plays about famous people have always held special attraction to dramatists, theatres and...
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“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
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The Piccolo Theatro’s “Miracle In Milan”
On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...
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“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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A Beer And A Mop
Jake Brasch’s The Reservoir tells the story of a charmingly self-deprecating, openly gay NYU...
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“Digital Access To The Performing Arts” Released Open Access
The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...
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Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
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Monster Mash
Ngozi Anyanwu’s The Monsters is a poignant and muscular two-hander about a Black brother and...
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Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
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Picasso’s “Barber” At The Spanish National Theatre
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
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Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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In the City of al-Sayyab, Theatre Still Speaks
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
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“Hamlet²” (“Amleto²”)
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
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The Trans Excellence of Faggotica
Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...
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“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
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NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
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Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
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“The Devil Wears Prada” and Other Musicals by Sir Elton John.
For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in...
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The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
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In Oldenburg’s “The Tempest,” Trusting The Text Pays Off
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
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Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
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Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
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“A Place Of Safety, A Journey In The Central Mediterranean”
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
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Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
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“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
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How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity”
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
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Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
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Under The Radar Fest: Testo
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
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What’s Eating You
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
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Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
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Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
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“Leili And Majnun:” An Ancient Love Story For Modern Times
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
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Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
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What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman
Golden Thread Productions and Z Space’s world premiere of Pilgrimage, written by Humaira...
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“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life
The power of education as a tool for emancipation and democratic thinking has been the subject of...
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Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba”
The House of Bernarda Alba has engendered no shortage of spin-offs — dance and film adaptations...
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“L’amor venia amb taxi” (Love Arrived By Taxi): La Cubana’s Affectionate Homage to the Catalan Amateur Theatre
La Cubana have been making theatre for over 45 years – stagings that have reimagined popular...
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Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
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