Monumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read MoreDaniel Meyer-Dinkgräfe was Lecturer and Senior Lecturer in Drama (University of Wales Aberystwyth, 1994-2007) and Professor of Drama at the University of Lincoln (2007-2017). He expanded his creative profile with a novel (2017), and as an audio book narrator (2018). Since August 2019 he has served as artistic director of piccolo teatro Haventheater in Bremerhaven, Germany and has been writing opera reviews for "Seen and Heard International" since early 2024. He is the author of Daniel Meyer-Dinkgräfe, "Boulevard Comedy Theatre in Germany," Newcastle: Cambridge Scholars Press, 2005.
Posted by Daniel Meyer-Dinkgräfe | 24th Aug 2026 | Acting, Directing, Review, Switzerland
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 17th Aug 2026 | Germany, Review, Translation
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 14th Jul 2026 | Acting, Directing, Germany, Review
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Jul 2026 | Acting, Directing, Germany, Review
For the last full production of his first season as artistic director of Packhaustheater in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 25th Jun 2026 | Germany, Review, Theatre and Politics
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
Read MorePosted by Daniel Meyer-Dinkgräfe | 16th Jun 2026 | Acting, Directing, Germany, Review
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Jun 2026 | Acting, Directing, Germany, Review
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jun 2026 | Acting, Germany, Review
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 21st May 2026 | Directing, Germany, Review
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th May 2026 | Directing, Germany, Review
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
Read MorePosted by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Apr 2026 | Adaptation, Germany, Review
David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Apr 2026 | Directing, Germany, Review
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Mar 2026 | Directing, Germany, Review, Theatre for Young Audiences
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
Read MorePosted by Daniel Meyer-Dinkgräfe | 13th Mar 2026 | Directing, Germany, Playwriting, Review
Plays about famous people have always held special attraction to dramatists, theatres and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th Mar 2026 | Directing, Germany, Review
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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