A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Margaret Rose | 8th May 2025 | Italy, Review, Theatre and Politics
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MorePosted by Vassili Schedrin | 2nd May 2025 | Dramaturgy, Review, Russia, United States of America
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Berna Ataoğlu | 25th Apr 2025 | Canada, Review, Theatre and Gender
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
Read MorePosted by Kyungjin Jo | 24th Apr 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read MorePosted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read MorePosted by Margaret Rose | 16th Apr 2025 | Italy, Review, Theatre and Disability
At Milan’s Franco Parenti theatre, Shards of Chaotic Memory in Multicoloured Ink (Schegge di...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read MorePosted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
Read MorePosted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MorePosted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MorePosted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
Read MorePosted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom
One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...
Read MorePosted by Emilija Kvočka | 18th Mar 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Margaret Rose | 10th Mar 2025 | Directing, Italy, Review
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
Read MorePosted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
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