“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MorePosted by Azadeh Kangarani | 24th Jul 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MorePosted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Lisa Monde | 21st Jul 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Molly Grogan | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MorePosted by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read MorePosted by Teodora Medeleanu | 29th Jun 2024 | Review, Romania, TESZT 2024, Transmedia
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read MorePosted by Amelia Parenteau | 25th Jun 2024 | Review, Theatre and Gender, United States of America
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
Read MorePosted by Azadeh Kangarani | 21st Jun 2024 | Review, Theatre and Science, United States of America
In a world devastated by the apocalypse, where water has become the new currency of human...
Read MorePosted by Duška Radosavljević | 18th Jun 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read MorePosted by Marcina Zaccaria | 17th Jun 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read MorePosted by Maria Delgado | 16th Jun 2024 | Review, Spain
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
Read MorePosted by Emilija Kvočka | 16th Jun 2024 | Festivals, Review, Serbia
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read MorePosted by Aleks Sierz | 10th Jun 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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