Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
Read MorePosted by Aleks Sierz | 19th Oct 2026 | Acting, Playwriting, Review, United Kingdom
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
Read MorePosted by Daniel Meyer-Dinkgräfe | 19th Oct 2026 | Directing, Germany, Review
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
Read MorePosted by Paul Shields | 14th Oct 2026 | Review, Theatre and Dance, United States of America
The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...
Read MorePosted by Margaret Rose | 9th Oct 2026 | Festivals, Italy, Review, United States of America
Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...
Read MorePosted by Daniel Meyer-Dinkgräfe | 9th Oct 2026 | Acting, Directing, Germany, Review
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
Read MorePosted by Duška Radosavljević | 6th Oct 2026 | Denmark, Review
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
Read MorePosted by Aleks Sierz | 6th Oct 2026 | London, Review, Theatre and Politics, United Kingdom
Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...
Read MorePosted by Philippa Wehle | 28th Sep 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Sep 2026 | Acting, Directing, Germany, Review
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 22nd Sep 2026 | Directing, Germany, Review
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
Read MorePosted by Abigail Weil | 18th Sep 2026 | Estonia, Festivals, Review, United Kingdom, United States of America
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
Read MorePosted by Aleks Sierz | 18th Sep 2026 | London, Review, United Kingdom
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
Read MorePosted by Daniel Meyer-Dinkgräfe | 17th Sep 2026 | Acting, Directing, Germany, Review
On German TV, each channel has its set of regular crime drama. For example, there is the...
Read MorePosted by Abigail Weil | 16th Sep 2026 | Festivals, Review, United States of America
The year is 1993. The 24-hour news cycle is roughly a decade into its existence. The first...
Read MorePosted by Aleks Sierz | 15th Sep 2026 | Acting, Playwriting, Review, United Kingdom
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
Read MorePosted by Aleks Sierz | 8th Sep 2026 | Documentary Theatre, Playwriting, Review, United Kingdom
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
Read MorePosted by Aleks Sierz | 8th Sep 2026 | Adaptation, Review, Sweden, United Kingdom
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
Read MorePosted by Duška Radosavljević | 4th Sep 2026 | Festivals, Review, Theatre and Politics
Romeo Castelucci – primarily renowned for the singularity of his aesthetic vision developed over...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Sep 2026 | Acting, Directing, Germany, Review
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
Read MorePosted by Mert Dilek | 28th Aug 2026 | Edinburgh 2026, Festivals, Review, United Kingdom
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
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