“My White Best Friend (And Other Letters Left Unsaid)” at The Royal Court
The strength of the response to the re-emergence of the Black Lives Matter campaign has encouraged...
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Review
Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
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To Screen or Not to Screen: A Digital Experience at Mixer
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
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“Sisters” Act: The Hollow Feminism Of China’s Hottest New Show
For the most talked-about show of the summer, Mango TV’s Sisters Who Make Waves has an unusual...
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“Les Blancs” at The National Theatre
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to...
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“The Shopping Dead”: A New Theatrical Sensation on WhatsApp
“They’ve locked us in here and they’re going to wait for the virus to finish us off.”...
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Dance Performance About One of Egypt’s National Movement Founders Qassem Amin Released on YouTube
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
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For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
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“Jane Clegg” at Finborough Theatre
Edwardian dramatist St John Ervine was once, along with Arthur Wing Pinero, Henry Arthur Jones,...
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Watching “Hamilton” Today – Musical Drama Can Be Radical, Just Don’t Believe All The Hype
When Disney released a film version of the musical Hamilton on July 3, it was 11 years since...
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Review: More Important Halves, Teatar Mašina igre in Collaboration with Teatar & TD in Zagreb, Croatia
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
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“Sea Wall”: A Profound Performance By Andrew Scott
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
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“The Madness Of George III” at Nottingham Playhouse
Why do we love the royals so much? In his Introduction to the play text, published to coincide...
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“Continuity” at The Finborough Theatre
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
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Reasons To Be Cheerful, Theatre Royal Stratford East
If any musical can attempt to live up to this title in these troubled times, it must be this show...
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Caretaker: An Unnecessary Art Installation?
We are living, I have frequently been told, through weird times. Maybe. But do weird times...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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“Seven Days Later” at Sarajevo’s Narodno Pozorište
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
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Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
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