Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza
The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...
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Review
Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
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“Europe” at The Donmar Warehouse
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read More![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-627x376.jpg)
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]
Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...
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Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
About this performance and its director also read Theatre of Inquiry: Matei Vișniec’s Richard III...
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Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”)
An imaginative, dynamic, and visually striking production Sus d’autres cieux continues the...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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“Twelfth Night” at Will Geer’s Theatricum Botanicum, Topanga Canyon, CA
Tucked in the middle of one of Los Angeles’ many canyons, Will Geer’s Theatricum Botanicum...
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“Made in Italy”: Tale of Generational an Italian-Canadian Migrant’s Life and Family
Playing in the intimate black box space of the Firehall Theatre at TIP, Farren Timoteo’s one-man...
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Hollywood Fringe Festival – “To Richard!”
Somewhere along a wooded trail in the middle of Connecticut, something wonderful happened –...
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Hollywood Fringe Festival – “¡YA BASTA!: TIME’S BEEN UP”
Theatre-goers who were willing to tread off the beaten path at Hollywood Fringe Festival were...
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Jack Thorne’s “The End of History” at the Royal Court: State of the Left
Last month, Andrzej Lukowski, London Time Out’s theater editor, wrote a well-argued piece in The...
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“Bitter Wheat” at Garrick Theatre
John Malkovich is back in town — and he’s starring in the most controversial play of the year....
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“Citysong” (The Abbey Theatre, Dublin) at Soho Theatre
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
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Hollywood Fringe Festival – “Saving Cain”
Questions of faith are filtered through a mother/son relationship in Saving Cain, written by Aaron...
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“American Saga: Gunshot Medley – Part I” at Electric Lodge, Venice CA
Rogue Machine and Collaborative Artists Bloc first presented their American Saga Gunshot Medley:...
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Ottawa Fringe: “Timmy The Dog Disappears” – A Martin Dockery AbsurdistSit-Com
Timmy, the Dog, Disappears is a dark absurdist Fringe sitcom about a family failing to stay normal...
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Ottawa Fringe: “Lights! Camera! Odd Jobs!” – An Alright Solo Show About Finding Good Action Jobs
LIGHTS! CAMERA! ODD JOBS? is a decent solo show from actor Andrew MacKinnon about his personal...
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Hollywood Fringe Festival – “Rewind – A New 80s Musical”
A successful record producer dies and finds himself in Purgatory where a disembodied voice gives...
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