“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Aleks Sierz | 14th Mar 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read MorePosted by Teodora Medeleanu | 7th Mar 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MorePosted by Aleks Sierz | 6th Mar 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Margaret Rose | 1st Mar 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MorePosted by Maria Delgado | 27th Feb 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read MorePosted by Aleks Sierz | 26th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MorePosted by Mert Dilek | 19th Feb 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MorePosted by Maria Delgado | 15th Feb 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read MorePosted by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read MorePosted by Ariadne Mikou | 14th Feb 2024 | Italy, Review, Theatre and Dance, Theatre and Opera
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Maria Delgado | 8th Feb 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read MorePosted by Maria Delgado | 6th Feb 2024 | Review, Spain
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read MorePosted by Rhiannon Ling | 5th Feb 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read MorePosted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read MorePosted by Morgan Skolnik | 3rd Feb 2024 | New York, Review, Theatre and Disability, United States of America
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
Read MorePosted by Aleks Sierz | 31st Jan 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read MorePosted by Maria Delgado | 24th Jan 2024 | Chile, Review, Santiago a Mil 2024
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
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