Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Review
Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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In Pleasant Company: “Girl Dolls”
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
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“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
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Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
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Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
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“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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Bound To Start Again, Again, Again…
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
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The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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