On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
Read MorePosted by Matt Hanson | 19th Jan 2021 | Review, Theatre and Dance, Transmedia, Turkey
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
Read MorePosted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
Read MorePosted by Megan McCormick | 16th Jan 2021 | Review, Theatre and Dance, United States of America
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
Read MorePosted by Hansol Oh | 13th Jan 2021 | Musical Theatre, Review, South Korea, Theatre and Science
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
Read MorePosted by Tonderai Chiyindiko | 12th Jan 2021 | Review, South Africa, Theatre and Dance
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
Read MorePosted by Aleks Sierz | 11th Jan 2021 | Review, Theatre and Politics, United Kingdom
Last week I watched Sarah Grochala’s award-winning short play, S-27, now streaming from the...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Megan McCormick | 31st Dec 2020 | Festivals, Musical Theatre, New York, Review, Transmedia, United States of America
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
Read MorePosted by Marjan Moosavi | 29th Dec 2020 | Afghanistan, Iran, Review
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
Read MorePosted by Alvina Ruprecht | 26th Dec 2020 | Barbados, Covid-19, Review
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Read MorePosted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Tonderai Chiyindiko | 22nd Dec 2020 | Devised Theatre, Review, South Africa
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
Read MorePosted by Tonderai Chiyindiko | 20th Dec 2020 | Dramaturgy, Review, South Africa
In Their Words, a staged reading which recently took place at the Tin Town Theatre in Johannesburg...
Read MorePosted by Alexander Fatouros | 19th Dec 2020 | Musical Theatre, Review, United States of America
Amid dramatic music overlay, the most authentic characters emerged. Kurt Uy, Christian Elán Ortiz and Rolanda Watts played a multitude of dramatis personae with great truth. Stuart Williams oscillated among Dr. Livesey, Pew, and Lookout with momentous fervor. As sword blades engaged and as the deep, booming and suspenseful orchestra music filled the air, the story played out in vibrant imagination.
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Tonderai Chiyindiko | 14th Dec 2020 | Review, South Africa, Theatre and Gender
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
Read MorePosted by Aleks Sierz | 13th Dec 2020 | Covid-19, Review, United Kingdom
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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