Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Emilija Kvočka | 18th Mar 2025 | Directing, Review, Serbia
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
Read MorePosted by Margaret Rose | 10th Mar 2025 | Directing, Italy, Review
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
Read MorePosted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom
How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...
Read MorePosted by Margaret Rose | 5th Mar 2025 | Italy, Review, Theatre and Science
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
Read MorePosted by Geraldine Brodie | 3rd Mar 2025 | Germany, Review, Theatre and Gender
Interpretations in cultures and languages external to Spain have been integral to the survival of...
Read MorePosted by Margaret Rose | 2nd Mar 2025 | Italy, Review, Theatre and Politics
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MorePosted by Jonathan Kalb | 13th Feb 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MorePosted by Aleks Sierz | 10th Feb 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MorePosted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MorePosted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MorePosted by Margaret Rose | 4th Feb 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MorePosted by Berna Ataoğlu | 4th Feb 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read MorePosted by Maria Delgado | 3rd Feb 2025 | France, Review, Theatre and Opera
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read MorePosted by Margaret Rose | 24th Jan 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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