A Magical “Tempest” In Stratford-Upon-Avon
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
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Review
Venice Theatre Biennale 2026 – “Memorandum”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Venice Theatre Biennale 2026 – A Japanese “Othello”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Shell…Shocked?
4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
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Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
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Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
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Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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In Pleasant Company: “Girl Dolls”
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
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“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
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Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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