“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read MorePosted by Teodora Medeleanu | 29th Jun 2024 | Review, Romania, TESZT 2024, Transmedia
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read MorePosted by Jozefina Komporaly and Katalin Demeter | 20th Jun 2024 | News, Romania, TESZT 2024
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 


Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | ||