Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
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Ilinca Todoruţ
From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
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Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
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Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
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(LA)HORDE’s Flash Mob Revolution
The enthusiastic applause and standing ovations received by Room with a View from the large...
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Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
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On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
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“Eréndira”: Show Business As Usual
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
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Theatrical Tectonics: The Slowdown Entertainment of a José Rivera Play
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
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The “ETC Theatre Green Book” and Theatre-making During Climate Crisis
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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Broadway’s First Steps Into Live Streaming and Digital Documentation
For the first time in Broadway history, on June 30th 2016, a musical was live streamed: Roundabout...
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Digital Feelings Erupt in Theater
Theater, Yale’s journal of criticism and performance, launched its special issue on “Digital...
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