From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MoreIlinca Todoruț teaches at the Faculty of Theater and Film within Babeș-Bolyai University in Romania. She earned her doctorate from Yale School of Drama, and published articles in journals such as Theater, Journal of Poverty, European Stages, and Theatre History Studies. She contributed to The Routledge Companion to Dramaturgy (2015), and authored Christoph Schlingensief’s Realist Theater (Routledge 2022).
Posted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MorePosted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read MorePosted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read MorePosted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read MorePosted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Read MorePosted by Ilinca Todoruţ | 13th Oct 2024 | Review, Romania, Theatre and Politics
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Ilinca Todoruţ | 12th Oct 2024 | Review, Romania
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
Read MorePosted by Ilinca Todoruţ | 11th Oct 2024 | Review, Romania
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
Read MorePosted by Ilinca Todoruţ | 9th Oct 2024 | Interview, Romania, Theatre and Politics
How is the German State Theatre different from other Romanian public theatres? Last year, when...
Read MorePosted by Ilinca Todoruţ | 20th Jul 2024 | Essay, Europe, Theatre and Science
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
Read MorePosted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
Read MorePosted by Ilinca Todoruţ | 3rd Aug 2016 | Interview, Transmedia
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
Read MorePosted by Ilinca Todoruţ | 17th Jul 2016 | News, Transmedia
For the first time in Broadway history, on June 30th 2016, a musical was live streamed: Roundabout...
Read MorePosted by Ilinca Todoruţ | 15th Jul 2016 | News, Transmedia
Theater, Yale’s journal of criticism and performance, launched its special issue on “Digital...
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