Bryce Lease

author

“German Autumn” At The Uppsala Stadsteater

Posted by Bryce Lease | 20th Sep 2023 | Review, Sweden

In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...

Read More

Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross

Posted by Bryce Lease | 17th Mar 2019 | Lithuania, Review, Theatre and Politics

Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...

Read More

Swedish Premieres: Upending Ibsen, Deconstructing Richard

Posted by Bryce Lease | 20th May 2018 | Review, Sweden

On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...

Read More

Krzysztof Warlikowski’s Queer Interventions

Posted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland

In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026

Recent Posts

“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest