Bryce Lease

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“German Autumn” At The Uppsala Stadsteater

Posted by Bryce Lease | 20th Sep 2023 | Review, Sweden

In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...

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Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross

Posted by Bryce Lease | 17th Mar 2019 | Lithuania, Review, Theatre and Politics

Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...

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Swedish Premieres: Upending Ibsen, Deconstructing Richard

Posted by Bryce Lease | 20th May 2018 | Review, Sweden

On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...

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Krzysztof Warlikowski’s Queer Interventions

Posted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland

In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...

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A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

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