Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
Read MorePosted by Zoë Hewitt | 2nd May 2026 | Review, Theatre and Dance, United Kingdom
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
Read MorePosted by Verity Healey | 1st May 2026 | Review, Theatre and Politics, United Kingdom
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
Read MorePosted by Teodora Medeleanu | 27th Apr 2026 | Review, Theatre and Gender, United States of America
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
Read MorePosted by Aleks Sierz | 25th Apr 2026 | Devised Theatre, Review, United Kingdom, United States of America
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Read MorePosted by Teodora Medeleanu | 24th Apr 2026 | Musical Theatre, Review, United States of America
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage...
Read MorePosted by Margaret Rose | 23rd Apr 2026 | Adaptation, Festivals, Italy, Review
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
Read MorePosted by Zoë Hewitt | 22nd Apr 2026 | Review, Theatre and Dance, United Kingdom
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
Read MorePosted by Margaret Rose | 22nd Apr 2026 | Belgium, Festivals, Italy, Review
In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
Read MorePosted by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
Read MorePosted by Duška Radosavljević | 14th Apr 2026 | Denmark, Review
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read MorePosted by Aleks Sierz | 14th Apr 2026 | London, Playwriting, Review, United Kingdom
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Apr 2026 | Adaptation, Germany, Review
David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
Read MorePosted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America
Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...
Read MorePosted by Jonathan Kalb | 9th Apr 2026 | Adaptation, New York, Review, United States of America
The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...
Read MorePosted by Aleks Sierz | 8th Apr 2026 | Adaptation, Review, United Kingdom
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Apr 2026 | Directing, Germany, Review
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read MorePosted by Duška Radosavljević | 1st Apr 2026 | London, Review, United Kingdom
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Maria Delgado | 29th Mar 2026 | Argentina, Review
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
Read MorePosted by Maria Delgado | 26th Mar 2026 | Review, Spain
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
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