“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MorePosted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MorePosted by Emiliia Dementsova | 13th May 2026 | Hungary, Review
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
Read MorePosted by Duška Radosavljević | 13th May 2026 | Poland, Review, Sweden, Ukraine
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
Read MorePosted by Emiliia Dementsova | 12th May 2026 | Festivals, Hungary, Review, Serbia
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Read MorePosted by Emiliia Dementsova | 8th May 2026 | Festivals, Hungary, Review, Theatre and Disability
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th May 2026 | Directing, Germany, Review
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
Read MorePosted by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Zoë Hewitt | 2nd May 2026 | Review, Theatre and Dance, United Kingdom
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
Read MorePosted by Verity Healey | 1st May 2026 | Review, Theatre and Politics, United Kingdom
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
Read MorePosted by Teodora Medeleanu | 27th Apr 2026 | Review, Theatre and Gender, United States of America
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
Read MorePosted by Aleks Sierz | 25th Apr 2026 | Devised Theatre, Review, United Kingdom, United States of America
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
Read MorePosted by Teodora Medeleanu | 24th Apr 2026 | Musical Theatre, Review, United States of America
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage...
Read MorePosted by Margaret Rose | 23rd Apr 2026 | Adaptation, Festivals, Italy, Review
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
Read MorePosted by Zoë Hewitt | 22nd Apr 2026 | Review, Theatre and Dance, United Kingdom
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
Read MorePosted by Margaret Rose | 22nd Apr 2026 | Belgium, Festivals, Italy, Review
In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
Read MorePosted by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
Read MorePosted by Duška Radosavljević | 14th Apr 2026 | Denmark, Review
Already active across a number of north European theatre contexts – from her base in Lithuania to...
Read MorePosted by Aleks Sierz | 14th Apr 2026 | London, Playwriting, Review, United Kingdom
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Apr 2026 | Adaptation, Germany, Review
David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...
Read MorePosted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America
Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026 
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