The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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Review
“Tarantula” at the Southwark Playhouse
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
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Battery Dance Festival+: Canadian Voices in Dance
In August 2020, Battery Dance shifted its annual Battery Dance Festival to a virtual format. The Festival is a storied free public dance festival commanding a large audience each year. Shifting to the virtual format has allowed Battery Dance to expand offerings and last month saw the birth of Battery Dance Festival+: Canadian Voices in […]
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“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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“The Door You Never Saw Before: A Choosical Musical” at The Geffen
It’s been a decade of a year, and The Geffen Playhouse (or Geffen Stayhouse as they have been...
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“Lerumo”: A Cautionary Tale
Lerumo, written and directed by Malaika Ntsoeu and featuring Malaika Motshabi Ntsoeu, Malefu...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
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New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
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Unchartered Territory: Dancers in Isolation, the Eryc Taylor Dance Company
In five years, in ten years, in twenty, we will remember what it felt like to live through the...
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Adishakti Theatre Arts’ Latest Musical Turns the Lens on Sexual Assault and Power Politics at the Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
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Dancing the Emotions of the Professional Kitchen
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
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Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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