“Baghdaddy” at the Royal Court
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by Aleks Sierz | 17th Dec 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by T.R. Sudha | 13th Dec 2022 | Acting, India, Review
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
Read MorePosted by Verity Healey | 11th Dec 2022 | Kosovo, LGBTQ Theatre, Review
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
Read MorePosted by Aleks Sierz | 10th Dec 2022 | Israel, London, Review, Theatre and Politics, United Kingdom
Julia Pascal is a resourceful theatre-maker who is unafraid of being controversial. Her interest...
Read MorePosted by Niro Kandasamy | 9th Dec 2022 | Australia, Review, Theatre and Politics
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
Read MorePosted by Jonathan Kalb | 9th Dec 2022 | New York, Review, Theatre and Decolonization, Theatre and Politics, United States of America
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
Read MorePosted by Mert Dilek | 8th Dec 2022 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
Read MorePosted by Penelope Crossley | 7th Dec 2022 | Australia, Review, Theatre and Politics
Review: RBG: Of Many, One, directed by Priscilla Jackman, Sydney Theatre Company Writing a play...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Aleks Sierz | 30th Nov 2022 | Acting, London, Playwriting, Review, United Kingdom
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read MorePosted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
Read MorePosted by Aleks Sierz | 22nd Nov 2022 | Acting, London, Review, United Kingdom
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
Read MorePosted by Aleks Sierz | 19th Nov 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need food banks...
Read MorePosted by Morgan Skolnik | 18th Nov 2022 | Documentary Theatre, New York, Review, Theatre and Religion, United States of America
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Aleks Sierz | 12th Nov 2022 | Canada, Dramaturgy, Review, Theatre and Science, United Kingdom
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read MorePosted by Emilija Kvočka | 3rd Nov 2022 | Adaptation, Dramaturgy, Hungary, Review
Buchner’s “historically difficult explains modernity” in the performance of...
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