“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
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Review
“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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What Schreck’s Endings Mean To Me
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
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“Top Girls” at The National Theatre
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
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“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream
Superstar Sally Field has come to town. With two academy awards and countless other accolades, the...
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Helen Edmundson’s “Small Island” At The National Theatre: Tribute To The Windrush Generation
Novelist Andrea Levy’s 2004 masterpiece, Small Island, is a tribute to the Windrush Generation,...
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Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
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Comedy In The Time Of #LokSabhaElections2019
As political humor becomes more accessible, so do the repercussions of having an opinion in the...
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“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
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Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues
Most new writing for the British stage is timid in subject matter, predictable in plotting and...
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“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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Susan Stein’s “Etty”
In 1942, responding to the announcement that people of Japanese ancestry on the American west...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Bowled Over: Suzan-Lori Parks’ “White Noise”
Suzan-Lori Parks has written a dark and disturbing allegory about the seemingly impossible dream...
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Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy”
I am not Margaret Mahy by Jane Waddell, based on Notes of a Bag Lady by Margaret Mahy, BATS...
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New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter”
Despite being dead for 400 years and having lived and worked on the far side of Planet Earth,...
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Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke”
Turbo bubble-tea brewing, participative economic discussions, and live, squirting orgasms were...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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