Dog-Gone
The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...
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Review
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
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Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
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The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
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Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
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Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
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To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya
What does it mean to be honest with your partner? This is the premise that governs Salomé...
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Waking Up in the Spotlight with “The Unusual Chauncey Faust”
If you’ve ever felt like you were just playing a part in your own life—waiting for a big break or...
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When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
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Fassbinder Takes The Stage At The Schaubühne
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
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Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival
FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
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“Last Call” Brings Us Closer To Bernstein And Von Karajan
Plays about famous people have always held special attraction to dramatists, theatres and...
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The Piccolo Theatro’s “Miracle In Milan”
On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...
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“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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A Beer And A Mop
Jake Brasch’s The Reservoir tells the story of a charmingly self-deprecating, openly gay NYU...
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Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
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Monster Mash
Ngozi Anyanwu’s The Monsters is a poignant and muscular two-hander about a Black brother and...
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Picasso’s “Barber” At The Spanish National Theatre
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
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