“Macbeth” at Oregon Shakespeare Festival
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
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Review
Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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“Black Hole”: Experiments with Female Representation
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
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Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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Edinburgh International Festival 2019: “Roots” at Church Hill Theatre
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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“An Enemy of the People” at Will Geer’s Theatricum Botanicum
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
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“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
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Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
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Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism
Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...
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Avignon 2019: “Outside” – Between Testimony and Political Provocation
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
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“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
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Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
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“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
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What to Expect at The 2019 Hindu Theatre Fest
Under the umbrella of The Hindu Theatre Fest that has become synonymous with August in Chennai, a...
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Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being
Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...
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Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
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