Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
Think of a film set where the audience gathered on the streets are not fully aware that they are...
Read MorePosted by Maria Delgado | 19th Jan 2024 | Chile, Review, Santiago a Mil 2024
Think of a film set where the audience gathered on the streets are not fully aware that they are...
Read MorePosted by Maria Delgado | 18th Jan 2024 | Chile, Review, Santiago a Mil 2024
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
Read MorePosted by Maria Delgado | 17th Jan 2024 | Chile, Review, Santiago a Mil 2024
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
Read MorePosted by Maria Delgado | 16th Jan 2024 | Chile, Festivals, Review, Santiago a Mil 2024
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
Read MorePosted by Jonathan Kalb | 7th Jan 2024 | Acting, Review, United States of America
There are lots of reasons Americans have always loved family-dustup plays and exalted them with...
Read MorePosted by Maria Delgado | 6th Jan 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
Read MorePosted by Aleks Sierz | 1st Jan 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read MorePosted by Maria Delgado | 21st Dec 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
Read MorePosted by Jonathan Kalb | 20th Dec 2023 | Musical Theatre, Review, United States of America
Buena Vista Social Club—a wonderfully infectious and sexy collection of golden-age Cuban music...
Read MorePosted by Antonio Hernández Nieto | 20th Dec 2023 | Review, Spain, Theatre and Gender
There is nothing like going to a world premiere. Being one of the first to see something brand...
Read MorePosted by Mert Dilek | 20th Dec 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MorePosted by María Bastianes and Duncan Wheeler | 18th Dec 2023 | Playwriting, Review, Spain
Francisco Nieva (1924-2016) ranks amongst the most respected Spanish playwrights of the second...
Read MorePosted by Emilija Kvočka | 18th Dec 2023 | Festivals, Review, Serbia
The international, regional festival of contemporary theatre Desiré, which takes place in Subotica...
Read MorePosted by Mert Dilek | 17th Dec 2023 | London, Review, Theatre and Politics, United Kingdom
An American actor, an English director, and a Northern Irish playwright walk into a house in...
Read MorePosted by Vassili Schedrin | 13th Dec 2023 | Featured, New York, Review, United States of America
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MorePosted by Girish Shrivastava | 8th Dec 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read MorePosted by Aleks Sierz | 7th Dec 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read MorePosted by Martin Blaszk | 29th Nov 2023 | Brazil, Poland, Review
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read More