“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Donald Brown | 8th Mar 2022 | LGBTQ Theatre, Review, United States of America
This Bitter Earth is another good choice of an intimate, well-scripted play for TheaterWorks by Artistic Director Rob Ruggiero, letting audiences experience a meaningful take on the issues of our day as filtered through dramatic situations.
Read MorePosted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MorePosted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read MorePosted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender
Across the western Balkans women are raising their voices against violence following a series of...
Read MorePosted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
Read MorePosted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Megan C. McCormick | 11th Feb 2022 | New York, Review, Theatre and Opera, United States of America
I was instantly transported into the world of the play as soon as I walked into the theater. A mismatch assortment of upholstered chairs made up the small audience, butting right up against the floor space that acted as the stage. The ceiling was draped with long pieces of billowing fabric, and multicolored, multi-shaped seating dotted the stage, from a hanging chair adorned with large colorful balls along a back pillar to a large, velvety poof.
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Claire French | 7th Feb 2022 | Australia, Devised Theatre, Review
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Antonio Hernández | 27th Jan 2022 | Festivals, Review, Spain
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
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