Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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Review
Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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“When The World Turns” is a Profoundly Moving Theatrical Experience for Children with Complex Disabilities
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
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“Sesame Street: The Musical” Electrifies
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
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“Ravenscourt,” Hampstead Theatre
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
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The 90-Minute MacGuffin: “Four Saints in Three Acts”
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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Review: Jazzart Dance Theatre’s “Survive”
SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...
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“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
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“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
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“Hostel Lights” at the Baxter
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
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An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
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“Who Killed My Father,” Young Vic
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”
Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...
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“Flo & Joan,” Lund Comedy Festival
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
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“When God Kicks You In The Womb,” The Artist is Born
Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...
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