Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Morgan Skolnik | 28th Oct 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
Read MorePosted by Sarah Austin | 27th Oct 2022 | Australia, Review, Theatre and Disability, Theatre for Young Audiences
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
Read MorePosted by Alexander Fatouros | 24th Oct 2022 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
Read MorePosted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
Read MorePosted by Jonathan Kalb | 14th Oct 2022 | New York, Review, Theatre and Opera, United States of America
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Sheila Chisholm | 5th Oct 2022 | Review, South Africa, Theatre and Dance
SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...
Read MorePosted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
Read MorePosted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
Read MorePosted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
Read MorePosted by Megan Choritz | 24th Sep 2022 | Design, Review, South Africa, Theatre for Young Audiences
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
Read MorePosted by Trevor Boffone | 23rd Sep 2022 | Musical Theatre, Review, United States of America
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
Read MorePosted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
Read MorePosted by Miriama Young | 20th Sep 2022 | Australia, Design, Musical Theatre, Review, Transmedia
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
Read MorePosted by Michelle Arrow | 19th Sep 2022 | Adaptation, Australia, Review, Theatre and Disability
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review
Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...
Read MorePosted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
Read MorePosted by Emilija Kvočka | 5th Sep 2022 | Design, Directing, Review, Serbia
Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...
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