“A Pupil” At Park Theatre
How do you judge artistic excellence? Is there such a thing as an objectively brilliant musician,...
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Zadie Smith’s “White Teeth” at The Kiln Theatre
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
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Peking Opera At The British Library: The Triumph Of Xieyi
As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...
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Off The Stage And Into Your Home
“The Stage in the Drawing-Room” is the title of a 19th-century instruction manual by Henry Dakin...
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The Druid “Godot”
To those who feel overexposed to Waiting For Godot—which includes many theater snobs—no...
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Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
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Dead Centre’s “Chekhov’s First Play”
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
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“While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
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“Daniel’s Husband” At Westside Theatre
A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...
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“Oedipus Schmoedipus” at HKREP Black Box Theatre
Hong Kong Repertory Theatre (HKREP) has been presenting the biannual International Black Box...
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“Sound Of The Beast” Slams Brutality, Inequality, And Racism
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
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“Silence” At The NAC: The Romantic Life Of A Couple Behind The Invention Of The Telephone
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
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A Greek Tragedy For Two Actors
Euripides’ Ion – Director: Ioli Andreadi – “Alfa Idea” Theatre – Athens Staging...
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C For “Cliffhanger” In Academic Murder At The O.L.T
Cliffhanger by James Yaffe in Ottawa Little Theatre. As the plot of Cliffhanger unfolds gently, it...
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“Company” Review, Gielgud Theatre: “You Can’t Imagine It Being Staged Any Other Way Again”
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
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“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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Nina Raine’s “Stories” at The National Theatre
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
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Theatre Review: Xameleon Theatre’s “The Little Prince”–”A Play For Young And Old”
First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...
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A New Take On “An Enemy Of The People” Fizzes With Contemporary Relevance
The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...
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debbie tucker green’s “ear for eye” At The Royal Court
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....
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