Between Activity and Reflection
The Art Experience workshop at Ninasam, tried to grapple with that experience which is...
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Review
Reflections on “Passageways”
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
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“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re?
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
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Iasi Theatre Festival for Young Audiences: “153 Seconds,” A Documentary of Contemporary Tragedy
The exposed nerve of a reignited public tragedy hangs in the ether of Teatrul Luceafărul Iaşi. We...
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Ravers Under the Microscope: Dance Umbrella Festival Opens with Gisèle Vienne’s “Crowd” at Sadler’s Wells
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
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Interpreting an Abstract Idea
Contemporary steps and fusion music will cruise through body-energies with Bharatanatya, Kathak,...
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Richard Gadd’s “Baby Reindeer” at The Bush Theatre: An Obsessive Story About Obsession
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
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Eunkyung Jeong Elucidates Enlightenment in Her Autobiographical Installation
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read More![Alice Birch’s “[BLANK]” at the Donmar Warehouse](https://thetheatretimes.com/wp-content/uploads/2019/10/image-3-627x376.jpg)
Alice Birch’s “[BLANK]” at the Donmar Warehouse
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
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Arinzé Kene’s “Little Baby Jesus” at the Orange Tree Theatre: Lyrical, Energetic and Wise Coming-of-Age Drama
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
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Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
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Maxim Gorky’s “Vassa” at the Almeida Theatre
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/mephisto-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
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Protiv Etogo: “Mayakovsky and Stalin”
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
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“Slave Play”: Jeremy O. Harris’s “Balcony”
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
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“A History Of Water In The Middle East” at The Royal Court
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
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“Found” at The Cell: Immersive Theatrical Experience
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
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Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity
One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...
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How to Stage an Opera? Summer Munich Opera Festival as a Role Model
Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...
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“1984” at The Actors’ Gang
“He who controls the present controls the past, and he who controls the past controls the...
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