What Can I Say?
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Maria Delgado | 8th Feb 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read MorePosted by Maria Delgado | 6th Feb 2024 | Review, Spain
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read MorePosted by Rhiannon Ling | 5th Feb 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read MorePosted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read MorePosted by Morgan Skolnik | 3rd Feb 2024 | New York, Review, Theatre and Disability, United States of America
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
Read MorePosted by Aleks Sierz | 31st Jan 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read MorePosted by Jonathan Kalb | 31st Jan 2024 | Review, Theatre and Politics, United States of America
Joshua Harmon’s Prayer for the French Republic is a very good play about anti-Semitism that left...
Read MorePosted by Maria Delgado | 24th Jan 2024 | Chile, Review, Santiago a Mil 2024
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
Read MorePosted by Antonio Hernández Nieto | 23rd Jan 2024 | Playwriting, Review, Spain
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
Read MorePosted by Maria Delgado | 23rd Jan 2024 | Chile, Review, Santiago a Mil 2024
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
Read MorePosted by Maria Delgado | 20th Jan 2024 | Chile, Review, Santiago a Mil 2024
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
Read MorePosted by Maria Delgado | 19th Jan 2024 | Chile, Review, Santiago a Mil 2024
Think of a film set where the audience gathered on the streets are not fully aware that they are...
Read MorePosted by Maria Delgado | 18th Jan 2024 | Chile, Review, Santiago a Mil 2024
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
Read MorePosted by Maria Delgado | 17th Jan 2024 | Chile, Review, Santiago a Mil 2024
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
Read MorePosted by Maria Delgado | 16th Jan 2024 | Chile, Festivals, Review, Santiago a Mil 2024
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
Read MorePosted by Jonathan Kalb | 7th Jan 2024 | Acting, Review, United States of America
There are lots of reasons Americans have always loved family-dustup plays and exalted them with...
Read MorePosted by Maria Delgado | 6th Jan 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
Read MorePosted by Aleks Sierz | 1st Jan 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
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