Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
Read MorePosted by Aleks Sierz | 20th Feb 2026 | Playwriting, Review, Theatre and Politics, Ukraine, United Kingdom
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
Read MorePosted by Aleks Sierz | 19th Feb 2026 | Acting, Directing, Review, United Kingdom
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
Read MorePosted by Margaret Rose | 17th Feb 2026 | Adaptation, Italy, Review
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
Read MorePosted by Morgan Skolnik | 13th Feb 2026 | LGBTQ+ Theatre, New York, Review
Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...
Read MorePosted by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America
In January, the NYC Under the Radar Festival presented some of the most innovative and...
Read MorePosted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Margaret Rose | 6th Feb 2026 | Directing, Italy, Review
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
Read MorePosted by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
Read MorePosted by Jonathan Kalb | 4th Feb 2026 | Playwriting, Review, United States of America
At the risk of sounding smug, let me say: I have been yowling, since the early days of the...
Read MorePosted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
Read MorePosted by Margaret Rose | 3rd Feb 2026 | Italy, Review, Theatre and Politics
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
Read MorePosted by Margaret Rose | 27th Jan 2026 | Acting, Italy, Review
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
Read MorePosted by Morgan Skolnik | 27th Jan 2026 | Review, United States of America
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Morgan Skolnik | 23rd Jan 2026 | New York, Review, Theatre and Gender, United States of America
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
Read MorePosted by Jonathan Kalb | 20th Jan 2026 | Acting, Review, United States of America
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Aleks Sierz | 8th Jan 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
Read MorePosted by Susanna Sun | 4th Jan 2026 | Review, Theatre and Politics, United States of America
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
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Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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