“El día del Watusi” (The Day of the Watusi): Iván Morales stages Francisco Casavella’s cult novel on Barcelona in transition
El día del Watusi (The Day of the Watusi) gets a second outing at the Teatre Lliure. First seen in...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
El día del Watusi (The Day of the Watusi) gets a second outing at the Teatre Lliure. First seen in...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
There is no shortage of plays on the subject of mid-life crisis, from Alan Charles’ Midlife Crisis...
Read MorePosted by Lorena Meeser | 12th Dec 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MorePosted by Daniel Meyer-Dinkgräfe | 12th Dec 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MorePosted by Margaret Rose | 10th Dec 2025 | Italy, Review, Theatre and Gender
In late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
Read MorePosted by Vassili Schedrin | 7th Dec 2025 | Adaptation, Review, United States of America
Dostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Verity Healey | 2nd Dec 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Seda Ilter | 23rd Nov 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MorePosted by Margaret Rose | 23rd Nov 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read MorePosted by Jonathan Kalb | 20th Nov 2025 | Adaptation, Review, United States of America
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read MorePosted by Morgan Skolnik | 17th Nov 2025 | New York, Puppetry, Review
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MorePosted by Jonathan Kalb | 16th Nov 2025 | Review, Theatre and Politics, United States of America
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MorePosted by Jonathan Kalb | 15th Nov 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by Emilija Kvočka | 7th Nov 2025 | Adaptation, Review, Serbia
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read MorePosted by Aleks Sierz | 2nd Nov 2025 | London, Review, Theatre and Politics, United Kingdom
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read MorePosted by Jonathan Kalb | 1st Nov 2025 | Review, Theatre and Politics, United States of America
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MorePosted by Teodora Medeleanu | 31st Oct 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
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