3sisters at the Novi Sad Theatre
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
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Review
Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
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Checking The Boxes
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
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FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
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Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
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The Queen of Versailles Musical or the Funeral of the “American dream.”
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
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Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
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Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
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Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
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LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
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Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
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Barbarians in Midtown
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
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“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
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Bloody Ignorant Apes
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
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Taking A Hit
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
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“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
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Welcome To The Machine
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
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James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
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“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
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Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
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