Theatre Review: Odéon–Théâtre De L’Europe’s “Phaedra(s)” With Isabel Huppert At The Barbican
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
Read MorePosted by Olenka Hamilton | 16th May 2016 | Adaptation, France, Poland, Review
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
Read MorePosted by Paul Kihara Kariuki | 9th May 2016 | Kenya, Review, Theatre and Politics
The playwright explores issues that plague Kenya today and he does that with a compassionate eye...
Read MorePosted by Huw Griffiths | 2nd May 2016 | Australia, Review, Theatre and Politics
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
Read MorePosted by Iquo Diana Abasi | 3rd Apr 2016 | Nigeria, Review, Theatre and Gender
March 8th is celebrated world over as the UN International Women’s Day, and over the years, the...
Read MoreThursday, March 24, 2016, was International Day for the Elimination of Racial Discrimination. To...
Read MorePosted by The Theatre Times | 30th Mar 2016 | Egypt, Review
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MorePosted by Camelia Ciobanu | 30th Mar 2016 | Review, Romania
The first 100% Romanian play in London–created by Romanians for the Romanian community–had its...
Read MorePosted by Olenka Hamilton | 28th Mar 2016 | Poland, Review
The Tailor Of Inverness, a Dogstar production which premiered at Chats Palace in Hackney last...
Read MorePosted by Ashley Barnwell | 28th Mar 2016 | Adaptation, Australia, Review, Theatre and Politics
Neil Armfield’s new stage adaptation of Kate Grenville’s 2005 novel The Secret River invites us to...
Read MorePosted by Julia Secklehner | 22nd Mar 2016 | Review, Romania
The provocative title Eastern European For Dummies, an “interactive immigration piece”...
Read MorePosted by Judith Fagelson | 10th Mar 2016 | Bulgaria, Review
The gadulka’s role in a Bulgarian folk orchestra might be compared the viola’s in a Western...
Read MorePosted by Kata Karah | 9th Mar 2016 | Hungary, Review
The assassination of Archduke Franz Ferdinand by a group of naïve Bosnian students triggered World...
Read MoreTheatre in Nigeria was reborn on Workers` day – Sunday, May 1st when Comedy maestro Ali Baba,...
Read MorePosted by Matthew Lockitt | 3rd Mar 2016 | Australia, Musical Theatre, Review
Original Australian musical theatre seems to be a relatively well-kept secret. The existing...
Read MorePosted by Nobuko Tanaka | 27th Feb 2016 | Adaptation, Japan, Review
In 2014, rising playwright and director Kenichi Tani translated Harold Pinter’s Old Times for an...
Read MorePosted by Nobuko Tanaka | 25th Feb 2016 | Japan, Playwriting, Review
“At last, the masterpiece Yakiniku Dragon (Korean Barbecue Dragon) is going to be staged again!”...
Read MorePosted by Nobuko Tanaka | 25th Jan 2016 | Japan, Review, Theatre and Dance
“Many people have a preconception about butoh — that it is performed by dancers whose bodies...
Read MorePosted by Alana Lentin | 22nd Jan 2016 | Australia, Devised Theatre, Review
Before even entering the Drama Theatre at the Sydney Opera House on the opening night of All The...
Read MorePosted by Nobuko Tanaka | 16th Jan 2016 | Acting, Japan, Review
Tokyo was bathed in warm sunshine in the run-up to 2016, and when Takehiro Hira meets me at a...
Read MorePosted by John Freedman | 24th Nov 2015 | Directing, Review, Russia
After a 24 year hiatus, Russian director Kama Ginkas has again stepped into one of the most famous...
Read More