“Jane Eyre” at the National Theatre
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
Read MorePosted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
Read MorePosted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
Read MorePosted by Jessica Rizzo | 1st Oct 2017 | Festivals, Philadelphia, Review, United States of America
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
Read MorePosted by Chan Sze-Wei | 20th Sep 2017 | Review, Singapore
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Rachel E. Diken | 17th Sep 2017 | New York, Review, Theatre and Politics, United States of America
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
Read MorePosted by Aleks Sierz | 11th Sep 2017 | London, Review, United Kingdom
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
Read MorePosted by Aleks Sierz | 5th Sep 2017 | India, London, Review, Theatre and Politics, United Kingdom
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
Read MorePosted by Aleks Sierz | 30th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
Read MorePosted by Aleks Sierz | 28th Aug 2017 | London, Review, Theatre and Politics, United Kingdom
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
Read MorePosted by Aleks Sierz | 13th Aug 2017 | London, Review, United Kingdom
The question that always needs to be asked of any example of science on stage, and there are now...
Read MorePosted by Aleks Sierz | 10th Aug 2017 | Review, Theatre and Politics, United Kingdom
The 1960s were “hilarious,” says one young character in this revival, starring Broadway icon...
Read MorePosted by Aleks Sierz | 9th Aug 2017 | Review, United Kingdom
Fleabag was such a massive hit, both on stage and on the box, that it is inevitable that anyone...
Read MorePosted by Alice Jones | 9th Aug 2017 | London, Review, United Kingdom
It was only a matter of time before Tom Hiddleston tackled the most famous role in all of theatre....
Read MorePosted by Jack Wernick | 7th Aug 2017 | New York, Review, United States of America
Acclaimed playwright Dominique Morisseau makes an auspicious Lincoln Center debut with her new...
Read MorePosted by Wu Haiyun | 5th Aug 2017 | China, Review, Theatre and Politics
A giant statue overlooks the stage, faceless yet easily recognizable as the Great Helmsman, Mao...
Read MorePosted by Jack Wernick | 31st Jul 2017 | New York, Review, Theatre and Age, United States of America
The Potomac Theatre Project (PTP) has descended on Atlantic Stage 2’s subterranean bunker of a...
Read MorePosted by Rachel E. Diken | 29th Jul 2017 | Review, Theatre and Gender, United States of America
To revive a play by Lynn Nottage is to revive nuance. Under the direction of Daniela Varon,...
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