Mayakovsky At Carriageworks: A Telegram From An Alien Future
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read MorePosted by Mark Steven | 31st Jul 2014 | Australia, Review, Theatre and Politics
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MorePosted by Robin Ashenden | 25th Jun 2014 | Review, Russian Theatre Abroad, United Kingdom
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by Robin Ashenden | 11th Jun 2014 | Review, Ukraine
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
Read MorePosted by Molly Flynn | 27th May 2014 | Documentary Theatre, Review, Theatre and Politics, Ukraine
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
Read MorePosted by Robin Ashenden | 15th May 2014 | Hungary, Review
Ignition Stage, a small professional theatre company from Manchester, have taken upon themselves...
Read MorePosted by Iryna Chuzhynova | 20th Apr 2014 | Review, Theatre and Politics, Ukraine
During the several months of protests in Kyiv Maidan a group of young dramatists who call...
Read MorePosted by Claire Hansen | 31st Mar 2014 | Australia, Directing, Review
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...
Read MorePosted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability
This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...
Read MorePosted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
Read MorePosted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review
British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...
Read MorePosted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review
Historically, geographically, culturally – there are many points of comparison between Australia...
Read MorePosted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...
Read MorePosted by Dara Weinberg | 28th Jan 2014 | Essay, Poland, Review
The group of visual artists and actors who comprise the surrealist dance-theater Teatr...
Read MorePosted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
Read MorePosted by Amanda Card | 20th Jan 2014 | Festivals, Review, Sydney, Transcultural Collaborations
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...
Read MorePosted by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...
Read MorePosted by Helena Grehan and Peter Eckersall | 20th Nov 2013 | Australia, Review, Theatre and Disability
Super Discount – currently playing at Melbourne’s Malthouse Theatre – is the latest work by...
Read MorePosted by Tatiana Rubleva | 2nd Nov 2013 | Review, Russia, Theatre and Dance
Anglo-Russian dance sensation marries ice-skating and theater in their production of Nutcracker on...
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