“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
Read MorePosted by Margarita Vargas | 14th Sep 2016 | Mexico, Review
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
Read MorePosted by Deepa Alexander - TheHindu.com | 14th Sep 2016 | India, Review
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
Read MorePosted by Carl Lavery | 13th Sep 2016 | Review, Scotland, United Kingdom
Set in the leafy grounds of Holmwood House in Glasgow’s Southside, Simon Starling and Graham...
Read MorePosted by Ahram Online | 12th Sep 2016 | Egypt, Review, Theatre and Politics
The Last Supper, a play by Ahmed El-Attar, which magnifies the absurdity of modern upper-class...
Read MorePosted by Swati Daftuar - The Hindu.com | 10th Sep 2016 | India, Musical Theatre, Producing, Review
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
Read MorePosted by Ahram Online | 9th Sep 2016 | Egypt, Review, Theatre and Politics
The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...
Read MorePosted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
Read MorePosted by Kata Karah | 8th Sep 2016 | Belarus, Review
Incinerating the line between performance and real life, Belarus Free Theatre’s Burning Doors...
Read MorePosted by José Eduardo Silva | 5th Sep 2016 | Portugal, Review
On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...
Read MorePosted by Vanessa Tomlinson | 5th Sep 2016 | Australia, Review
David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...
Read MorePosted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
Read MorePosted by Margarita Vargas | 25th Aug 2016 | Mexico, Review
En las montañas azules (In the Blue Mountains) Showing at the Foro Shakespeare in Mexico from June...
Read MorePosted by Ketaki Datta | 24th Aug 2016 | India, Review
The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...
Read MorePosted by Marjan Moosavi | 24th Aug 2016 | Iran, Review, Theatre and Politics
A Moment of Silence written and directed by award-winning Iranian artist Mohammad Yaghoubi was...
Read MorePosted by Margarita Vargas | 23rd Aug 2016 | Mexico, Review
Remedios for Leonora, by Estela Leñero, is showing at the Círculo Teatral in Condesa. México, from...
Read MorePosted by Nobuko Tanaka | 23rd Aug 2016 | Interview, Japan, Review, Theatre and Opera
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
Read MorePosted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age
Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...
Read MorePosted by Jessica Rizzo | 22nd Aug 2016 | New York, Review, Theatre and Gender, United States of America
Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...
Read MorePosted by Sir Anril Pineda Tiatco | 21st Aug 2016 | Philippines, Review
REVELATIONS – the theme of Dulaang Unibersidad ng Pilipinas’ 41st season is brought to life...
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