Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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Russian Theatre Abroad
Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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“The Cherry Orchard,” Portland Experimental Theatre Ensemble
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
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“Black Dove” – Chekhov in Mexico
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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“Macondo” in New York: Russian Theatre Brings Márquez’s Epic to Life
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
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“Shukshin’s Stories” by The Theatre of Nations at The Barbican
This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
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Stage Russia HD Expands Its Offerings with Fourth Season
Stage Russia HD — which brings high-quality filmed performances from the Russian stage to...
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“Three Sisters.” Maly Drama Theatre of St Petersburg. Vaudeville Theatre
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
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Chekhov’s “Three Sisters” at the Almeida Theatre
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
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Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
It was long overdue for a British audience to be given the opportunity to see another work by the...
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Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
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“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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“Measure For Measure”: Shakespeare’s #MeToo Moment
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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