“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read Moreby Azadeh Kangarani | Jul 24, 2024 | Review, Transcultural Collaborations, United States of America | 0
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read Moreby The Theatre Times | Jul 22, 2024 | News, United States of America | 0
by Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics | 0
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read Moreby Lisa Monde | Jul 21, 2024 | France, Interview, Musical Theatre, Review | 0
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
Read Moreby Ilinca Todoruţ | Jul 20, 2024 | Essay, Europe, Theatre and Science | 0
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
Read Moreby Molly Grogan | Jul 19, 2024 | Hong Kong, Interview, Musical Theatre | 0
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read Moreby Margaret Rose | Jul 18, 2024 | Dramaturgy, Festivals, Italy, Review | 0
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read Moreby Molly Grogan | Jul 17, 2024 | Hong Kong, Review, Theatre and Politics | 0
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read Moreby Kasia Lech | Jul 15, 2024 | Education, Essay, Poland, Theatre and Politics | 0
How do we train students to work within rapidly changing landscapes and for a theatre of the...
Read Moreby Morgan Skolnik | Jul 13, 2024 | LGBTQ+ Theatre, New York, Review, United States of America | 0
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read Moreby Kuan-Ting Lin | Jul 11, 2024 | Dramaturgy, News, Playwriting, Taiwan | 0
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read Moreby The Prologue Center for New Plays | Jul 11, 2024 | News, Playwriting, Taiwan | 0
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read Moreby Deniz Bașar | Jul 10, 2024 | Review, Theatre and Politics, United States of America | 0
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read Moreby Deniz Bașar | Jul 10, 2024 | Review, Theatre and Politics, United States of America | 0
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read Moreby John Freedman | Jul 9, 2024 | Interview, Theatre and Politics, Ukraine | 0
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read Moreby John Freedman | Jul 9, 2024 | Interview, Theatre and Politics, Ukraine | 0
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read Moreby Andrew Agress | Jul 8, 2024 | Interview, New York, United States of America | 0
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read Moreby Teodora Medeleanu | Jul 7, 2024 | Review, Romania, TESZT 2024, Transmedia | 0
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
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