Chinese Theatre Abroad Archives

Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]

by Ivanka Apostolova Baskar | Oct 26, 2026 | Greece, Interview, Playwriting | 0

To read PART I of this interview, go to this link. IAB: What role can translation play in...

Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part I]

by Ivanka Apostolova Baskar | Oct 26, 2026 | Greece, Interview, Playwriting | 0

An Interview with the Motivating and Deeply Creative Dr. Irene Moundraki, Dramaturg and Theatre...

Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]

by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science | 0

To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...

Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part I]

by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science | 0

An Interview with Ms. Saša Spačal (Ljubljana, Slovenia), a beautiful, wise and deeply inspiring...

From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator

by Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom | 0

The social, political, environmental, and economic changes of the twentieth century have generated...

“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I

by Lisa Monde | Oct 22, 2026 | Adaptation, Interview, Transmedia, United States of America | 0

Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...

Reflections On Running A Chamber Theatre (1)

by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing | 0

In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...

Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty

by Aleks Sierz | Oct 19, 2026 | Acting, Playwriting, Review, United Kingdom | 0

Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...

Death, Grief And Mourning In Performance And Comedy

by Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review | 0

Stereotypically, the fact that all life ends in death is the one thing all human beings have in...

“The Prime Of Miss Jean Brodie”

by Margaret Rose | Oct 18, 2026 | Adaptation, Review, Scotland | 0

On a recent trip to Scotland, I was fortunate to attend the opening night of The Prime of Miss...

When Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life

by Ivanka Apostolova Baskar | Oct 18, 2026 | Interview, Macedonia, Theatre and Art | 0

An interview with Prof. Tatjana Filipovska (Skopje, Republic of North Macedonia/UKIM Skopje), an...

Canned Spam: The 2026 Touring Production of “Monty Python’s Spamalot”

by Matthew McMahan | Oct 15, 2026 | Review, United Kingdom | 0

What is the shelf life of British sketch-company Monty Python? How to keep its bits, catchphrases...

BRKFST performs “STORMCLUTTER” at College of the Holy Cross

by Paul Shields | Oct 14, 2026 | Review, Theatre and Dance, United States of America | 0

The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...

International Cooperation Takes Time: Building Relationships Through Presence, Trust And Encounter

by Ivanka Apostolova Baskar | Oct 14, 2026 | Czech Republic, Festivals, Interview | 0

Hi Performancz: Visitors’ Programme, Ostrava 2026 PerformCzech is the Czech platform for the...

“Accidental Overheards” At Fringe Off Milano International Festival

by Margaret Rose | Oct 9, 2026 | Festivals, Italy, Review, United States of America | 0

Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...

(Married) Couples In German Theatre: Comedies By, With And About

by Daniel Meyer-Dinkgräfe | Oct 9, 2026 | Acting, Directing, Germany, Review | 0

Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...

“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre

by Duška Radosavljević | Oct 6, 2026 | Denmark, Review | 0

‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...

James Graham’s “The Standard of Living” at the Theatre Royal Haymarket: All-Embracing Account Of The Life And Career Of John Maynard Keynes

by Aleks Sierz | Oct 6, 2026 | London, Review, Theatre and Politics, United Kingdom | 0

Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...

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Chinese Theatre Abroad

Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part II]

Beyond Visibility – The Role Of Major Cultural Institutions In Helping Artists Find Their Place In The World [Part I]

Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]

“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I

Reflections On Running A Chamber Theatre (1)

Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty

Death, Grief And Mourning In Performance And Comedy

“The Prime Of Miss Jean Brodie”

When Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life

Canned Spam: The 2026 Touring Production of “Monty Python’s Spamalot”

BRKFST performs “STORMCLUTTER” at College of the Holy Cross

“Accidental Overheards” At Fringe Off Milano International Festival

(Married) Couples In German Theatre: Comedies By, With And About

“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre

James Graham’s “The Standard of Living” at the Theatre Royal Haymarket: All-Embracing Account Of The Life And Career Of John Maynard Keynes

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