Chinese Theatre Abroad Archives

In Pleasant Company: “Girl Dolls”

by Abigail Weil | May 30, 2026 | Musical Theatre, Review, United States of America | 0

American women of a certain vintage can be sorted into haves and have-nots based on possession of...

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen

by Duška Radosavljević | May 28, 2026 | Belgium, Denmark, Review, Theatre and Dance | 0

Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...

“Circle Mirror Transformation”

by Margaret Rose | May 27, 2026 | Acting, Italy, Review | 0

Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania

by Ivanka Apostolova Baskar | May 23, 2026 | Interview, Macedonia, Theatre and Art | 0

An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...

From A Basketball Athlete To A Political Dissident

by Azadeh Kangarani | May 22, 2026 | Belarus, Review, Theatre and Politics, United Kingdom | 0

Belarus Free Theatre, which currently operates in exile in London, recently presented its...

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker

by Daniel Meyer-Dinkgräfe | May 21, 2026 | Directing, Germany, Review | 0

The latest production in Dirk Böhling’s inaugural season as artistic director of the...

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice

by Lisa Monde | May 20, 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America | 0

Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...

Richard III at MITEM: When the Monster Is Not Alone

by Emiliia Dementsova | May 19, 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics | 0

There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...

Theatre – Creating Conditions For What Has Been Silenced To Emerge

by Ivanka Apostolova Baskar | May 16, 2026 | Brazil, Directing, Interview, Macedonia | 0

An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...

“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre

by Duška Radosavljević | May 16, 2026 | Denmark, Review, Sweden | 0

Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...

“The Cherry Orchard”: The Comedy Of Ruins

by Emiliia Dementsova | May 15, 2026 | Hungary, Poland, Review | 0

Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...

“Broken Melody” at MITEM: A Music That Finds Its Way Home

by Emiliia Dementsova | May 13, 2026 | Hungary, Review | 0

There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...

“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre

by Duška Radosavljević | May 13, 2026 | Poland, Review, Sweden, Ukraine | 0

Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage

by Emiliia Dementsova | May 12, 2026 | Festivals, Hungary, Review, Serbia | 0

Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...

Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?

by Emiliia Dementsova | May 8, 2026 | Festivals, Hungary, Review, Theatre and Disability | 0

Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...

At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On

by Daniel Meyer-Dinkgräfe | May 5, 2026 | Directing, Germany, Review | 0

Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....

Guilt And Resilience, And “The Fear Of 13”

by Teodora Medeleanu | May 3, 2026 | Acting, Adaptation, New York, Review, United States of America | 0

What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...

Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine

by Zoë Hewitt | May 2, 2026 | Review, Theatre and Dance, United Kingdom | 0

There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...

Chinese Theatre Abroad

In Pleasant Company: “Girl Dolls”

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen

“Circle Mirror Transformation”

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania

From A Basketball Athlete To A Political Dissident

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice

Richard III at MITEM: When the Monster Is Not Alone

Theatre – Creating Conditions For What Has Been Silenced To Emerge

“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre

“The Cherry Orchard”: The Comedy Of Ruins

“Broken Melody” at MITEM: A Music That Finds Its Way Home

“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage

Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?

At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On

Guilt And Resilience, And “The Fear Of 13”

Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine

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