Chinese Theatre Abroad Archives

Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians

by Aleks Sierz | Jun 19, 2026 | London, Review, Theatre and Politics, United Kingdom | 0

The Finborough Theatre is one of the smallest in London, yet it has a great track record in...

Sadness And Mourning Dominate Theater Bremen’s “Hamlet”

by Daniel Meyer-Dinkgräfe | Jun 16, 2026 | Acting, Directing, Germany, Review | 0

The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...

Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)

by Maria Delgado | Jun 11, 2026 | Review, Spain | 0

Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...

Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong

by Daniel Meyer-Dinkgräfe | Jun 10, 2026 | Acting, Directing, Germany, Review | 0

When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...

The Precipitation Of Performance: Braddy And Burns On Beckett

by Paul Shields | Jun 6, 2026 | Acting, Essay, United States of America | 0

On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...

“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”

by Ivanka Apostolova Baskar | Jun 5, 2026 | Croatia, Interview, Macedonia, Playwriting | 0

An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...

Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)

by Maria Delgado | Jun 3, 2026 | Review, Spain | 0

In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...

Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”

by Daniel Meyer-Dinkgräfe | Jun 2, 2026 | Acting, Germany, Review | 0

Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...

In Pleasant Company: “Girl Dolls”

by Abigail Weil | May 30, 2026 | Musical Theatre, Review, United States of America | 0

American women of a certain vintage can be sorted into haves and have-nots based on possession of...

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen

by Duška Radosavljević | May 28, 2026 | Belgium, Denmark, Review, Theatre and Dance | 0

Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...

“Circle Mirror Transformation”

by Margaret Rose | May 27, 2026 | Acting, Italy, Review | 0

Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania

by Ivanka Apostolova Baskar | May 23, 2026 | Interview, Macedonia, Theatre and Art | 0

An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...

From A Basketball Athlete To A Political Dissident

by Azadeh Kangarani | May 22, 2026 | Belarus, Review, Theatre and Politics, United Kingdom | 0

Belarus Free Theatre, which currently operates in exile in London, recently presented its...

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker

by Daniel Meyer-Dinkgräfe | May 21, 2026 | Directing, Germany, Review | 0

The latest production in Dirk Böhling’s inaugural season as artistic director of the...

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice

by Lisa Monde | May 20, 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America | 0

Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...

Richard III at MITEM: When the Monster Is Not Alone

by Emiliia Dementsova | May 19, 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics | 0

There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...

Theatre – Creating Conditions For What Has Been Silenced To Emerge

by Ivanka Apostolova Baskar | May 16, 2026 | Brazil, Directing, Interview, Macedonia | 0

An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...

“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre

by Duška Radosavljević | May 16, 2026 | Denmark, Review, Sweden | 0

Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...

Chinese Theatre Abroad

Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians

Sadness And Mourning Dominate Theater Bremen’s “Hamlet”

Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)

Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong

The Precipitation Of Performance: Braddy And Burns On Beckett

“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”

Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)

Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”

In Pleasant Company: “Girl Dolls”

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen

“Circle Mirror Transformation”

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania

From A Basketball Athlete To A Political Dissident

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice

Richard III at MITEM: When the Monster Is Not Alone

Theatre – Creating Conditions For What Has Been Silenced To Emerge

“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre

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