“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
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Chinese Theatre Abroad
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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Timberlake Wertenbaker’s “Our Country’s Good” at the Lyric Hammersmith: Slightly Updated Classic Grounded by an Awkward Production
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
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Representation Of Women In Iraqi Theatre: An Interview With Playwright And Director Dr. Awatif Naeem
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
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It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
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“Dziwna Wiosna”: About Cruelty Without Brutality or a War Story for the Young Children
In Poland, the war is no longer just the national memory and has been present in our everyday life...
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Tom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
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Performance That Every Man Should See, And No Child Should
Introduction Gdzie Jest Tata? (Where is Daddy?) as seen at the New Theatre for Children Festival...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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“Ja Goryl, Ty Człowiek:” Understanding Koko
The story about Koko the gorilla who learns sign language has been well documented in scientific...
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“My Mother’s Funeral”
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
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“PÚPÄTKO” from the Slovak Ján Palárik Theatre
Creating theatre for the very young – one that can hold their attention, stimulate the right...
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“Drapando:” Scratching For A Connection
The play Drapando, czyli Atak Zamszałego Starucha (Drapando, or the attack of the mossy old man)...
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“Púpätko” at the 7th New Theatre for Children Festival
Púpätko is a beautiful show where sensory play meets nature. The show, aimed at children of 6...
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“The Popess” Visits The Edinburgh Fringe Festival
New plays can derive from many sources: a vivid imagination, novels, diaries, real-life episodes,...
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“Malvolio’s Fantasy.” A Glitzy Retelling Of Twelfth Night
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
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Contemporary Transnationalism Theatre in China: Theatre Review of “Apple Tree” directed by Feng Lu
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
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Edinburgh Festival Fringe 2024 Overview
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
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LATEST FROM POLAND
- It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024
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![„Nie Mów Nikomu” [Do Not Tell Anyone], dir. by Adam Ziajski, Scena Robocza, Poznań, Photo by Maciej Zakrzewski](https://thetheatretimes.com/wp-content/uploads/2017/12/Nie-Mow-Nikomu-Picture-2.jpg)
