“Quai Ouest” in Hong Kong: Extended Emotions in a Dark Warehouse
After queuing outside the Cattle Depot Theatre, in the harsh yellow street light and hot weather...
Read MorePosted by Whit Emerson | 25th Aug 2017 | Hong Kong, Transcultural Collaborations
After queuing outside the Cattle Depot Theatre, in the harsh yellow street light and hot weather...
Read MorePosted by Whit Emerson | 9th Aug 2017 | Hong Kong, Translation, United States of America
American Travis Preston directed this production of Sam Shepard’s Buried Child for the Hong Kong...
Read MorePosted by Whit Emerson | 10th Jul 2017 | Adaptation, China, Hong Kong, Review, Theatre and Opera, Transcultural Collaborations
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
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Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026 
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