Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read MorePosted by Jessica Rizzo | 3rd May 2017 | New York, Review, United States of America
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Aleks Sierz | 30th Apr 2017 | Review, United Kingdom
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
Read MorePosted by Zolima Citymag | 30th Apr 2017 | China, Hong Kong, Review, Theatre and Opera
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
Read MorePosted by Rachel E. Diken | 29th Apr 2017 | New York, Review, United States of America
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Jessica Rizzo | 26th Apr 2017 | New York, Review, United States of America
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read MorePosted by Aleks Sierz | 24th Apr 2017 | Review, Theatre and Politics, United Kingdom
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, United Kingdom
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
Read MorePosted by Margaret Drummond | 17th Apr 2017 | Review, Romania
What do we mean by “home?” This is the central question posed by Romanian playwright...
Read MorePosted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Aleks Sierz | 4th Apr 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Andreea Chirita | 31st Mar 2017 | China, Poland, Polish Theatre Abroad, Review, Transcultural Collaborations
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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