(LA)Phil/The Industry Flexes Fluxus With Cage’s “Europeras”
John Cage’s Europera 1 and Europera 2, (aka Europeras 1 & 2) was presented by The...
Read MoreLauren W. Deutsch is the producer/ / director of Pacific Rim Arts, her arts and cultural practice. Her work spans public producing events such as festivals and rituals to public broadcasting projects, with particular expertise in cross-cultural work through audience engagement and resource development. This has included the 1990 Los Angeles Festival, Peace at the DMZ (South Korea), Contemporary Japanese Short Stories and Contemporary Korean Short Stories (for National Public Radio's affiliate KCRW, Santa Monica CA). Most currently, she has been consulting on strategic planning and grant writing for a number of organizations, including Great Leap, Inc., Shakespeare Center of Los Angeles, Jazz Bakery, Ali Akbar College of Music, American Public Media's Marketplace and many nonprofits. She has been a content specialist for such clients as Los Angeles Philharmonic and Los Angeles Master Choral. Lauren has served on grants review committees for the City of Los Angeles Department of Cultural Affairs and the Los Angeles County Arts Commission. As a journalist, she is a long-time contributing editor of Kyoto Journal and member of its board of directors. Her work has also been published in Parabola, Korean Journal, Jewish Journal and other outlets. Her blogs (.blogspot.com) include Trads in Contempo Life, The Way of Tea in L.A. and Holy Beggar. She has also been a guest host on KCRW's The Politics of Culture. She is also enrolled as an editor at the Korean Literary Translation Institute. Lauren is an active member of the Docent Council at the Los Angeles County Museum of Art, vice president of the Community Advisory Board of KCETLink / Public Media Group of Southern California and a licensed instructor of Chado Urasenke, Japanese Tea Ceremony.
Posted by Lauren Deutsch | 19th Nov 2018 | Festivals, Los Angeles, Review, Theatre and Opera, United States of America
John Cage’s Europera 1 and Europera 2, (aka Europeras 1 & 2) was presented by The...
Read MorePosted by Lauren Deutsch | 27th Jul 2017 | Los Angeles, Review, Russia, Theatre and Art, United States of America
Marc Chagall’s theatrical designs (costumes and set designs) demonstrate his love of music and sheer joy in bringing to life the fantastical creatures that live in our imaginations.
Read MorePosted by Lauren Deutsch | 11th Jun 2017 | Adaptation, France, Transcultural Collaborations, United Kingdom
“An enemy is someone whose story you have not yet heard,” advised my dear friend Rabbi Arthur...
Read MorePosted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera
In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...
Read MorePosted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
Read MorePosted by Lauren Deutsch | 16th Mar 2017 | Hawaii, Participatory Theatre, Review, Russia, Theatre and Art, Transcultural Collaborations, United States of America
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
Read MorePosted by Lauren Deutsch | 10th Jan 2017 | Essay, South Korea
This essay by Lauren W. Deutsch describes in meticulous detail a few days in the life of renowned...
Read MorePosted by Lauren Deutsch | 22nd Dec 2016 | Immersive Theatre, Los Angeles, Participatory Theatre, Review, Theatre and Opera, Transmedia
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
Read MorePosted by Lauren Deutsch | 7th Dec 2016 | Essay, Japan, Musical Theatre, Theatre and Gender
Nothing’s clear-cut at Japan’s Takarazuka Revue, arguably one of the world’s largest all-female musical theatre groups. The women who portray male roles in the Revue’s repertoire must maintain a semblance of “maleness” off-stage as well, the “off” boundaries being far away from the theatre environs.
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