Hansol Oh

regional managing editor

h.oh@thetheatretimes.com

Hansol Oh is a writer, translator, and a PhD candidate in Theatre and Performance at the CUNY Graduate Center. In her research project, she examines how labour is spectacularized in contemporary US American theatre in the context of neoliberalization. Her academic and critical essays have appeared in Theatre and Performance Design, Platform, Exeunt Magazine NYC, and The Musical, a Seoul-based Korean language musical magazine.

A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review

Posted by Hansol Oh | 13th Jan 2021 | Musical Theatre, Review, South Korea, Theatre and Science

Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Most Popular Posts

TheTheatreTimes is Five Years Old! by The Theatre Times 6th November 2021
“The Tragedy of Macbeth” at the Almeida Theatre by Mert Dilek 28th October 2021
Mikhail Baryshnikov: A Dancer Whose Flight to… by Valeria Paikova 8th February 2021
Online Acting Classes? Here Are the Pros and Cons by Katherine Cappellacci 22nd May 2021
Theatre in the Time of Protest: “Glass… by Lara Cox 18th June 2021
How COVID-19 Is Reshaping The Performing Arts by Simon Cartledge 10th April 2021
Re-Imagined Play Stirs Memories of “White… by Alexander Nderitu 19th November 2021
Ten Ableist Tropes to Jettison in 2021 by Melissa Hillman 28th January 2021
“The Last Trial” Musical: There Once Was… by Tanya Vasylkevych 3rd October 2021
“Where I Call Home”: Translating… by Charis Ainslie 14th November 2021

Recent Posts

“Rare Earth Mettle,” Royal Court 1st December 2021
Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations 1st December 2021
Women in Science in Theater – Transforma Theatre Paves a New Crossroads with Stunning Insight 1st December 2021
Rena Matsui Tackles Shakespeare in an All-Female “Julius Caesar” 30th November 2021
“Cruel Games”—A Soviet Play in Post-Soviet Realities 29th November 2021
Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen 28th November 2021
“By Heart”: Can One Poem Save the World? 27th November 2021
RE: Encuentro: Interview with “Paletas de Coco” Playwright Franky D. Gonzalez 26th November 2021
How I Met TheTheatreTimes.com 25th November 2021
“Arbeit”: Theatre as Work, Work as Theatre 24th November 2021

SEARCH OUR ARCHIVES

Pin It on Pinterest