Worldwide
Everything In Programming Matters To Cultivate The Spectator`S Free Will
by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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Richard III at MITEM: When the Monster Is Not Alone
by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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In the City of al-Sayyab, Theatre Still Speaks
by Amir Al-Azraki | 19th Feb 2026 | Essay, Iraq, Theatre and Politics
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
by Daniel Meyer-Dinkgräfe | 25th Jun 2026 | Germany, Review, Theatre and Politics
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
by Daniel Meyer-Dinkgräfe | 16th Jun 2026 | Acting, Directing, Germany, Review
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Shell…Shocked?
by Matthew Foster | 23rd Jun 2026 | Review, Theatre and Gender, United States of America
4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
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In Pleasant Company: “Girl Dolls”
by Abigail Weil | 30th May 2026 | Musical Theatre, Review, United States of America
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Guilt And Resilience, And “The Fear Of 13”
by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
by Hilary Halba and Rua McCallum | 22nd Apr 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
Theatre – Creating Conditions For What Has Been Silenced To Emerge
by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
by Maria Delgado | 29th Mar 2026 | Argentina, Review
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