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Everything In Programming Matters To Cultivate The Spectator`S Free Will
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
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