Worldwide
Miangaly Theatre Company: Defining the Stage in Madagascar
by Lalatiana Andréa Rasamoelina | 3rd Jul 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Obari Gomba’s Grit and the Politics of Vendetta
by Ugochukwu Anad! | 9th May 2024 | Nigeria, Review, Theatre and Politics
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | 4th Apr 2024 | Acting, Essay, Uganda
Jordan Cheng: The Genial Striver Of Hong Kong Musical Theatre
by Molly Grogan | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
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Miss Julie: Amy Ng Brings A “Problem Play” To Hong Kong
by Molly Grogan | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
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New Buds on a Fertile Island: New Play Development in Taiwan, Part 1
by Kuan-Ting Lin | 11th Jul 2024 | Dramaturgy, News, Playwriting, Taiwan
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52nd Venice Theatre Biennale (15-30 June). Tim Crouch’s “Truth’s A Dog Must To Kennel”
by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
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“Invisible Lands,” Bodies, Gods, and… People
by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
“Cats”: The Jellicle Ball is near Purrfect
by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
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Medea as a Border-Body [Part I]
by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
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Medea as a Border-Body [Part II]
by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
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Water for Elephants: a Musical or a Circus Drama?
by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | 2nd May 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
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