Worldwide
“Haywire:” An Unsettling Account On Mental Health Issues
by Tawanda Mupatsi | 22nd Mar 2024 | Review, Theatre and Science, Zimbabwe
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
-
-
-
-
God Is Alive, Magic Is Afoot
by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age?
by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
-
Find Your Voice, Loud and Clear: Musical “Il Tenore” Review
by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
-
-
Is There a Right Way to Make Chinese Opera?
by Guo Chenzi | 16th Dec 2023 | China, Essay
-
The play Metamorphosis reimagined the space beyond the proscenium
by Girish Shrivastava | 8th Dec 2023 | India, Review
Milan’s FOG Festival
by Margaret Rose | 7th Apr 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
-
-
-
-
“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy
by Maria Delgado | 22nd Mar 2024 | Directing, Review, Spain
The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea
by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
-
-
-
In Poor Voice
by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
-
Theater, Addiction, and Responsibility
by Jonathan Kalb | 1st Mar 2024 | Musical Theatre, Review, United States of America
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | 21st Mar 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Like Us On Facebook
Most Popular Posts
- Re-imagining the City through Performance:… by David O'Donnell 21st March 2024
- “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023
- Towards New Theatre in Europe: What Roles Can… by Kasia Lech 8th April 2024
- “I Killed My Mother/It Wasn’t My Fault.”… by Teodora Medeleanu 25th March 2024
- Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
- The Silent Service of Women: Cayenne… by Rhiannon Ling 2nd April 2024
- “That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin by David O'Donnell 19th April 2024
- Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
- Wicked the Musical Celebrates Its 20th Anniversary… by Lisa Monde 9th November 2023
- Design Writing: Five Views of Sarah Ruhl’s… by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos 24th January 2024
Recent Posts
- Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024 28th April 2024
- “Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging 23rd April 2024
- “That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin 19th April 2024
- Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) 12th April 2024
- Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) 9th April 2024
- Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)? 8th April 2024
- Milan’s FOG Festival 7th April 2024
- Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding 4th April 2024
- The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea 2nd April 2024
- “Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical 31st March 2024