A Festival of Imported Importance: BIAF 2026 and the Provincialism of Prestige
There are at least two ways for an international arts festival to be provincial. The first is...
Read MorePosted by Emiliia Dementsova | 1st Oct 2026 | Azerbaijan, Essay, Festivals
There are at least two ways for an international arts festival to be provincial. The first is...
Read MorePosted by Philippa Wehle | 28th Sep 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Sep 2026 | Acting, Directing, Germany, Review
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read MorePosted by Ivanka Apostolova Baskar | 22nd Sep 2026 | Interview, Macedonia, Serbia, Theatre and Science
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
Read MorePosted by Daniel Meyer-Dinkgräfe | 22nd Sep 2026 | Directing, Germany, Review
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
Read MorePosted by Abigail Weil | 18th Sep 2026 | Estonia, Festivals, Review, United Kingdom, United States of America
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
Read MorePosted by Aleks Sierz | 18th Sep 2026 | London, Review, United Kingdom
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
Read MorePosted by Daniel Meyer-Dinkgräfe | 17th Sep 2026 | Acting, Directing, Germany, Review
On German TV, each channel has its set of regular crime drama. For example, there is the...
Read MorePosted by Abigail Weil | 16th Sep 2026 | Festivals, Review, United States of America
The year is 1993. The 24-hour news cycle is roughly a decade into its existence. The first...
Read MorePosted by Aleks Sierz | 15th Sep 2026 | Acting, Playwriting, Review, United Kingdom
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
Read MorePosted by Lisa Monde | 13th Sep 2026 | Interview, Musical Theatre, United States of America
The musical Les Misérables, written by composer Claude-Michel Schönberg and Alain Boublil...
Read MorePosted by Aleks Sierz | 8th Sep 2026 | Documentary Theatre, Playwriting, Review, United Kingdom
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
Read MorePosted by Aleks Sierz | 8th Sep 2026 | Adaptation, Review, Sweden, United Kingdom
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
Read MorePosted by Duška Radosavljević | 4th Sep 2026 | Festivals, Review, Theatre and Politics
Romeo Castelucci – primarily renowned for the singularity of his aesthetic vision developed over...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Sep 2026 | Acting, Directing, Germany, Review
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
Read MorePosted by Duška Radosavljević | 28th Aug 2026 | Edinburgh 2026, Essay, United Kingdom
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
Read MorePosted by Alexander Fatouros | 28th Aug 2026 | Interview, New York, Transmedia
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
Read MorePosted by Mert Dilek | 28th Aug 2026 | Edinburgh 2026, Festivals, Review, United Kingdom
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
Read MorePosted by Kuan-Ting Lin | 26th Aug 2026 | Interview, Playwriting, Taiwan, Transcultural Collaborations
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read MorePosted by Ivanka Apostolova Baskar | 26th Aug 2026 | Algeria, Interview, Macedonia, Theatre for Young Audiences
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
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