Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
Read MorePosted by Rhiannon Ling | 28th Apr 2024 | Festivals, Review, United States of America
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
Read MorePosted by Tawanda Mupatsi | 23rd Apr 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MorePosted by Maria Delgado | 12th Apr 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
Read MorePosted by Margaret Rose | 7th Apr 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MorePosted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain, Theatre and Opera
There are a number of firsts in the new Teatro Real production triple bill that brings together...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read MorePosted by Tawanda Mupatsi | 22nd Mar 2024 | Review, Theatre and Science, Zimbabwe
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
Read MorePosted by Maria Delgado | 22nd Mar 2024 | Directing, Review, Spain
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read MorePosted by David O'Donnell | 21st Mar 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Read MorePosted by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read MorePosted by Alexander Fatouros | 21st Mar 2024 | Acting, Interview, New York, Theatre and Film, United States of America
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Aleks Sierz | 14th Mar 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
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