The Precipitation Of Performance: Braddy And Burns On Beckett
On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...
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“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
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Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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In Pleasant Company: “Girl Dolls”
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
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“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania
An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
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Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
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Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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