“The Hope Theory:” A Recipe For Believing In Your Dreams
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MorePosted by Azadeh Kangarani | 24th Jul 2024 | Review, Transcultural Collaborations, United States of America
“Don’t take freedom for granted!” This saying is what Helder Guimarães heard...
Read MorePosted by The Theatre Times | 22nd Jul 2024 | News, United States of America
Posted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Lisa Monde | 21st Jul 2024 | France, Interview, Musical Theatre, Review
In 1979 the very first French iconic rock opera – Starmania, created by Michel Berger...
Read MorePosted by Ilinca Todoruţ | 20th Jul 2024 | Essay, Europe, Theatre and Science
The European Theatre Convention (ETC) in collaboration with Renew Culture officially launched in...
Read MorePosted by Molly Grogan | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Molly Grogan | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MorePosted by Kasia Lech | 15th Jul 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
Read MorePosted by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Kuan-Ting Lin | 11th Jul 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read MorePosted by The Prologue Center for New Plays | 11th Jul 2024 | News, Playwriting, Taiwan
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read MorePosted by Andrew Agress | 8th Jul 2024 | Interview, New York, United States of America
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MorePosted by Lalatiana Andréa Rasamoelina | 3rd Jul 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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