Cross-Border Collaboration
We were wrapping rehearsal for the reading of my play Seeing Maya, a Tel Aviv love story, at the...
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Harsh And Relentless Social Criticism In Kosky’s Production Of Brecht’s “Threepenny Opera” At The Berliner Ensemble
In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
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Beautiful Detours: An Interview with Taiwanese Playwright Cheng-Chun Lee
Cheng-Chun Lee was an underperforming student in his high school composition classes. It was...
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Boundary Problems
For the second time in two years, a flashy, big-budget Romeo and Juliet has opened in New York...
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“Don’t Look Now”: Directing Theatre About the Climate Crisis
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
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“Sinfonia”: Stories from Harrogate
Sinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
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Writing On An Empty Stage: An Interview with Taiwanese Playwright Chien-Cheng Chen
Taiwanese playwright Chien-Cheng Chen is set to release A Chronicle of Consciousness, his second...
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A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen
For the last full production of his first season as artistic director of Packhaustheater in...
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“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
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A Magical “Tempest” In Stratford-Upon-Avon
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
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Venice Theatre Biennale 2026 – “Memorandum”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Venice Theatre Biennale 2026 – A Japanese “Othello”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Performing Between Six Languages: An Interview With Anissa Naji
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
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“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text”
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
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Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Shell…Shocked?
4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
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Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
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