David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview
Dedicated to the composer’s 25th Broadway anniversary David Yazbek burst onto Broadway a...
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The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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Tim Crouch’s “The Tempest” at The Globe
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
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The 2026 International Ibsen Award: A Reflection On The Winner By The Committee
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
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Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
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Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
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From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
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New York City Fringe Begins April 1
It is ridiculous to think that it’s not enough to curate a Festival. I would stack up our good to bad ratio against any network season, any Hollywood studio, any program season. It’s impossible to look at a script six months out and know what you’re going to have on stage. It’s just not possible. I’ve helped curate too many Festivals to know that what we read has nothing to do with what ends up on stage, so this method is has been tested since 2007, and we have some amazing shows come through here.
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To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya
What does it mean to be honest with your partner? This is the premise that governs Salomé...
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Waking Up in the Spotlight with “The Unusual Chauncey Faust”
If you’ve ever felt like you were just playing a part in your own life—waiting for a big break or...
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Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation
An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...
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“Figures In Extinction:” A Dance Trilogy Report
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
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When It Comes For Us: “Prophet Song”
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
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Fassbinder Takes The Stage At The Schaubühne
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
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Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...
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Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival
FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
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“Last Call” Brings Us Closer To Bernstein And Von Karajan
Plays about famous people have always held special attraction to dramatists, theatres and...
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“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
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The Piccolo Theatro’s “Miracle In Milan”
On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...
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