Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Jun 2026 | Acting, Directing, Germany, Review
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
Read MorePosted by Paul Shields | 6th Jun 2026 | Acting, Essay, United States of America
On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...
Read MorePosted by Ivanka Apostolova Baskar | 5th Jun 2026 | Croatia, Interview, Macedonia, Playwriting
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
Read MorePosted by Maria Delgado | 3rd Jun 2026 | Review, Spain
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jun 2026 | Acting, Germany, Review
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
Read MorePosted by Abigail Weil | 30th May 2026 | Musical Theatre, Review, United States of America
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
Read MorePosted by Duška Radosavljević | 28th May 2026 | Belgium, Denmark, Review, Theatre and Dance
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Read MorePosted by Margaret Rose | 27th May 2026 | Acting, Italy, Review
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
Read MorePosted by Ivanka Apostolova Baskar | 23rd May 2026 | Interview, Macedonia, Theatre and Art
An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
Read MorePosted by Azadeh Kangarani | 22nd May 2026 | Belarus, Review, Theatre and Politics, United Kingdom
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
Read MorePosted by Daniel Meyer-Dinkgräfe | 21st May 2026 | Directing, Germany, Review
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MorePosted by Lisa Monde | 20th May 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
Read MorePosted by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MorePosted by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
Read MorePosted by Duška Radosavljević | 16th May 2026 | Denmark, Review, Sweden
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
Read MorePosted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MorePosted by Emiliia Dementsova | 13th May 2026 | Hungary, Review
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
Read MorePosted by Duška Radosavljević | 13th May 2026 | Poland, Review, Sweden, Ukraine
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
Read MorePosted by Emiliia Dementsova | 12th May 2026 | Festivals, Hungary, Review, Serbia
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Read MorePosted by Emiliia Dementsova | 8th May 2026 | Festivals, Hungary, Review, Theatre and Disability
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026