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A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach”

Posted by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review

Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....

Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen

Posted by Duška Radosavljević | 14th Apr 2026 | Denmark, Review

Already active across a number of north European theatre contexts – from her base in Lithuania to...

Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb

Posted by Aleks Sierz | 14th Apr 2026 | London, Playwriting, Review, United Kingdom

Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...

From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm

Posted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics

MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...

Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul

Posted by Daniel Meyer-Dinkgräfe | 10th Apr 2026 | Adaptation, Germany, Review

David Safier was born in Bremen in 1966. He trained as a journalist, worked as radio and TV...

Big Fatuous Giant

Posted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America

Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...

Dog-Gone

Posted by Jonathan Kalb | 9th Apr 2026 | Adaptation, New York, Review, United States of America

The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...

GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”

Posted by Ivanka Apostolova Baskar | 8th Apr 2026 | Denmark, Interview, Kazakhstan, Theatre and Dance

An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...

Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion

Posted by Aleks Sierz | 8th Apr 2026 | Adaptation, Review, United Kingdom

Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...

Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”

Posted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics

In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...

Lyle Kessler Receives Lifetime Achievement Award In Playwriting

Posted by Marcina Zaccaria | 7th Apr 2026 | Interview, New York, Playwriting

was a student of Lee Strasburg in his private class. I was directing around town, off-off Broadway, and in other areas in New York. I was invited to go to his Directors Unit at The Actors Studio for my first play that I was going to direct. I actually sat down and wrote a play, a one act play. When my play was acted at The Actors Studio, Cheryl Crawford brought in a financial man to hopefully give money to the Studio. He was so moved by the play that he gave $50,000 to the actual Studio. Lee Strasburg, who doesn’t show much emotion, was deeply moved by the play, and he encouraged me to really continue writing plays.