Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
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Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
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“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”.
The interview took place on January 17, 2026. Maxim, do you remember your first...
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Bound To Start Again, Again, Again…
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
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The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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“Jen Xponential,” A Story Of Potential
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage...
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“Frankenstein (History Of Hate)”
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
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“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire.
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
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“Handle With Care” At Milan’s FOG Festival
In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
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Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
Read MoreDeveloping Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I
In her article “The Limits of Cross-cultural Dialogue: Pedagogy, Desire, and Absolution in the...
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