“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
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The Futility Of Mediated Communication: “Together” At Camden Underground
Exploring the common phenomenon of livestream communication in modern society, the performance...
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Russian Theater Companies Are Using Augmented Reality To Draw In The Crowds
Want to catch a glimpse of a play before splashing the cash on a ticket? Now you can…in 3D...
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Making Art Through Technology
“YES! Wow! I think we are finally entering the twenty-first century!” the troll roared, stomping...
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Stage Your City: Redundancy Vs Prototyping
This is a transcription of the project Stage Your City presentation during the Theatre Digital...
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“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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The Relationship Between Body And Screen In Studio Azzurro’s Performances Since The 1980s Until Today
Studio Azzurro is an Italian group that has been working with different performative languages...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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Empty Theaters And False Hopes: The Reality Of VR Film
VR film buffs are still trying to crack the code of blockbuster flicks, even now that the hype and...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Virtual Reality In Polish Theatre
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
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“A Dyke’s Guide To Fair Play” Offers A Queer Response To #MeToo (Montreal Fringe)
Montreal, Québec Willow Whitereviews Daughter Product’s production of A Dyke’s Guide To Fair...
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Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!
In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...
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“#Faustus” At Arts Court Theatre
The first shock that lands from #Faustus is the language. Against the backdrop of a visual barrage...
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“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
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Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
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