Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
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Transmedia
This Fairy-Tale Adaptation is a Multi-Sensory Experience.
Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...
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ReMOTE: Hip-Hop Dance Meets Gaming Technology at the 2019 Kuandu Arts Festival
Returning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
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“All That Remains” At Etcetera Theatre Camden: An Emotional Journey
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
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HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
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Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
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“Uprootedness Is Not Always Negative”: Nalini Malani
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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The History Of Virtual Reality And Its Role In Theatre
Virtual reality has been a trending topic for quite a while. Headsets and cardboards for...
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In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
We are republishing this article from 2012 to remember Boguslaw Schaeffer who died today….He...
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What Theatres Expect From Digitality And What Digitality Expects From Theatres
Technology is pervasive in today’s society. Code = culture. Algorithms define our way of life. In...
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PQ 2019: An A+ B-Movie
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
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PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
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STO Union’s Nadia Ross Charting Her Own Disruptive Course North Of Wakefield
An abandoned high school in the village of Farrellton, Que., just north of Wakefield, seems an...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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Prague Quadrennial 2019: Imagination, Transformation, Memory
This summer, a wonderful artistic tradition will return to the city of Prague, as the Czech...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Video Games As Extensions Of Theater
In Somewhere, players set out for Kayamgadh, a mythical city of storytellers in colonial India. In...
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Intermediality In The Advanced Dramatic Readings In Belarusian Theatre
Belarusian theatre is not well-known abroad because of a certain cultural isolation. Several local...
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“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider
Andrew Schneider, a Milwaukee native, is an OBIE Award-winning, Drama Desk-nominated performer,...
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