Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
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Transmedia
Italian Resilience Against COVID-19: The Balcony Performance
In Italy, in the hard times due to the national sanitary alert for COVID-19, everyday life is...
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Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer
This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...
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VR as a Narcissistic Medium
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
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Performativity and Worldmaking: An Interview with Chiel M. Kattenbelt
This interview was made within the framework of the exploratory research project rethinking...
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“Poet in Da Corner” at The Royal Court
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
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VR-adaptations: Faithfulness and Interactions
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
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“Lady With a Hat:” Interview with Maša Ogrizek
Maša Ogrizek (1973), a university graduate in Sociology of Culture and a philosopher, has been...
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Augmented Reality or Augmented Space?
Architectural mapping, façade projection, 3D projection videomapping, display surfaces,...
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Time to Listen: Go For a Walk With Sounds Made By Migrant Domestic Workers
I’m not apologizing: this is going to take time. Visit a website. Choose an image: of a bag of...
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Cosmos, Without Us
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
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Color, Collaboration, Community: teamLab’s New Family-Friendly Art Installation
Sorak Gemilang Entertainment (SGE) brings a world-class exhibition by art collective teamLab to...
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Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
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This Fairy-Tale Adaptation is a Multi-Sensory Experience.
Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...
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ReMOTE: Hip-Hop Dance Meets Gaming Technology at the 2019 Kuandu Arts Festival
Returning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
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“All That Remains” At Etcetera Theatre Camden: An Emotional Journey
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
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HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
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Silent Voices’ “Niqabi Ninja”: A Technical Triumph
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
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“Uprootedness Is Not Always Negative”: Nalini Malani
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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