“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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The Relationship Between Body And Screen In Studio Azzurro’s Performances Since The 1980s Until Today
Studio Azzurro is an Italian group that has been working with different performative languages...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Virtual Reality In Polish Theatre
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
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“A Dyke’s Guide To Fair Play” Offers A Queer Response To #MeToo (Montreal Fringe)
Montreal, Québec Willow Whitereviews Daughter Product’s production of A Dyke’s Guide To Fair...
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Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!
In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...
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“#Faustus” At Arts Court Theatre
The first shock that lands from #Faustus is the language. Against the backdrop of a visual barrage...
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“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
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Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
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“Assembled Identity”: World Premiere
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
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Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
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“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
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Musical Futures: Japanese Vocaloid Opera Arrives In Spain
Hatsune Miku, the most famous non-human pop singer in the world, will visit Spain for the first...
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“Anæsthesia Transopera” – Interactive Transmedia Opera
In 2016 the art & science collective Dæd Baitz (Agnieszka Jelewska, Michał Krawczak, Paweł...
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“Post-Apocalypsis”: The Ecology of Performance
The interactive installation Post-Apocalypsis was designed as part of the Polish pavilion at the...
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