“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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Transmedia
Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard
A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
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metaLAB’s futureSTAGE: Sentient AI and the Arts
Embodying a portfolio of projects, metaLAB (at) Harvard is a think tank spotlighting the networked...
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“Anything & Everything” Gives Us a Glance Into the Lives Teenagers are Constructing Online
Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
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The Beast is Back: Radiotheatre’s Live Audio Play “King Kong”
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
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Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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Honesty and Experience: Interview with Deirdre V. Lyons, Actress, VR-Actress and Producer
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
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Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
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Under the Water – The Journey between Taipei and Copenhagen
“We began with looking for the differences between us, but at some point we came to realize that...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
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A Manifesto for the Future Stage: Performance Is a Human Right
The futureStage Manifesto was written by the futreStage Research Group at Harvard metaLAB.* It...
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Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
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A New Kind of Stage Photography – Or Should We Call It by Another Name?
When the COVID-19 pandemic reached Brazil, I was in the city of São Paulo, covering an...
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