AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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Transmedia
“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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UNBOX ME! Live Theatre and the Virtual World.
UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...
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“Stumped.” Live Theatre In The Age Of Hybrid Realities.
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
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Digital Theatre Across Europe: Interview With Dr Katie Hawthorne
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
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The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard
A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
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metaLAB’s futureSTAGE: Sentient AI and the Arts
Embodying a portfolio of projects, metaLAB (at) Harvard is a think tank spotlighting the networked...
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“Anything & Everything” Gives Us a Glance Into the Lives Teenagers are Constructing Online
Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
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The Beast is Back: Radiotheatre’s Live Audio Play “King Kong”
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
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Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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