Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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Transmedia
Honesty and Experience: Interview with Deirdre V. Lyons, Actress, VR-Actress and Producer
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
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Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
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Under the Water – The Journey between Taipei and Copenhagen
“We began with looking for the differences between us, but at some point we came to realize that...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
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A Manifesto for the Future Stage: Performance Is a Human Right
The futureStage Manifesto was written by the futreStage Research Group at Harvard metaLAB.* It...
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Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
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A New Kind of Stage Photography – Or Should We Call It by Another Name?
When the COVID-19 pandemic reached Brazil, I was in the city of São Paulo, covering an...
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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Divas Are Forever: Marina Abramović’s “7 Deaths of Maria Callas”
Does a diva ever really die? It’s a fitting question from the reigning queen of endurance art,...
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“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates
Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...
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Beckett 2020
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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