“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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Dramaturgy
“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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Meeting The Public Is The Most Important Incentive For Those Who Do Theatre: An Interview With Walter Prete
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
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Interview With Ulviyya Heydarova
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
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Shakespeare’s First Folio Turns 400: What Would Be Lost Without the Collection? An Expert Speculates
It has been 400 years since the publication of the first collected edition of Shakespeare’s plays,...
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A Question of Diversity: In Conversation with Paulien Geerlings
Paulien Geerlings is the head dramaturg at Amsterdam’s The Toneelmakerij, a theatre company...
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“Lemons Lemons Lemons Lemons Lemons” Play – How Silence and Body Language Can Communicate as Much as Words
When we talk to each other, there’s what we say out loud, what we wish we could say, and what...
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Touching the Azerbaijani Theatre: From Ritual to Spontaneity
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
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Kennedy Center Dramaturgy Intensive 2022
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
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“The Handke Project,” Kosovo Theatre Showcase
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
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Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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Cape Town Theatre Company’s “A Picture of Dorian Gray” at Masque Theatre
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
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“Woyczek” at the National Theater of Hungary
Buchner’s “historically difficult explains modernity” in the performance of...
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Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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In Conversation with Regan Hicks: Part Two
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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In Conversation with Regan Hicks: Part One
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
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Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
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Comfort in the Unknown: SOCIETY’s “The Strangers Came Today”
How is theater like a support group? This question struck me upon entering The Strangers Came...
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LMDA Launches New Access Initiatives
I began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back...
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From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
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