New York’s Secret Theatre Brings an Experiential Horror-Thriller Play to India
Redemption Room, an experiential horror-thriller theatre performance by New York-based Secret...
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Devised Theatre
In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
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Sharm El-Sheikh International Theatre Festival for Youth: Beating the Pandemic
The festival’s fifth edition took place from November 16-20. Despite Covid-19 making even a...
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Review of Kwasha! Theatre Company’s “Peeling Shadows”
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia”
Gianni Rodari is a cult writer and, probably, one of the most influential in the Italian...
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Performing in Winter: Creating COVID-safe Super Venues and Sharing the Stage
You pass through a wide doorway to a large space with good air circulation. Inside, an usher...
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“Fission”: Entangling Science, Theatre and Mātauranga Māori.
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
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Performing Again: An Interview With Michael Vogel And Familie Flöz At Schiller Theatre
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
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Between Pride and Pain: National Day of Theatre Brings Many Memories to Egypt’s Artistic Community
Centenary celebrations of the National Theatre, marked with sad events such as the fires that...
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The Show Must Go On: How Cirque de Soleil Survived China’s Lockdown
Zhejiang, East China — Even by circus standards, the past 12 months have been a wild ride for...
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Hope Azeda And Her Art That Heals
“Theatre in Rwanda? Are you crazy? There’s no theatre in Rwanda,” said Hope Azeda’s...
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Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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Live-Stage Performances Are Taking Roads Less Traveled With Trucks And Virtual Reality
As the new reality of daily life amid a global pandemic settles in, many people are getting...
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Network of Artistic Theatre Activists Kerala (NATAK) Keeps Theatre Scene in Kerala Active Through Social Media
At the backyard of his home at Kattappana in Idukki district, GK Pannamkuzhy set up a pyre. It was...
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“#GestezChezVous” Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
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“Isolation” by the Unknown Pen
Writer and theatre director Amaan Ahmad’s idea of doing digital theatre live received a big...
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Teatr Brama’s “Ghost Dance”
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
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“VAST” Uses Physical Theatre to Drive Home the Point that Man Longs for Nature
A young boy from Nepal snatched away from his home in the Himalayas, now lives in a big slum in...
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“Welcome to My Underworld:” Collective Creation Compellingly Articulates the Need for Empathy
Dramaturged and directed by native Kingston and award-winning playwright Judith Thompson, the...
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