South Australia’s Limestone Coast Was Formed from the Bones of Dead Fish. “Cathedral” Brings the Story of These Caves to the Stage
Review: Cathedral, directed by Shannon Rush for the State Theatre Company of South Australia...
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Design
Why Costume Design Is a Snapshot of Hong Kong Life
This story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
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The First Cabaret Theater in the Slavic World: An Interview with Lafayette
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
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Dmitry Krymov Plumbs the Depths of Memory (part 2)
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
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Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
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“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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Renowned Egyptian Costume Designer Naiema Agamy Dies on Monday
Award-winning Egyptian designer Naiema Agamy, who worked over decades with the best-known...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal
For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
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Out of the Darkness: A “Visit” with Lighting Designer Japhy Weideman
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
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Maintaining Whoville: Interview with Designers Chris Rynne and Shelly Williams
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
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Shoebox Musicals: A Story of TikTok, The Pandemic, “Ratatouille The Musical”, And The Wizard Conquering Them All
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
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Of Wizards and Trolls: “Russian Troll Farm: A Workplace Comedy”
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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The Best of All Possible Costumes: An Interview with Costume Designer Judith Dolan
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
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Designing “Soldiergirls”: When Truth is More Compelling than Fiction
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
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Disrupting The Flow: Artist Mark Chung Reflects On An Ailing Hong Kong
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
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An Interview with Tim Minchin, Writer and Star of the New Australian Television Series: “Upright”
Upright, a new Australian television drama, co-written by and starring the multitalented Tim...
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