“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Design
Stage Space of Contemporary Belarusian Scenography
Russian theatre historian Viktor Beryozkin said that while painter deals with canvas, paints, and...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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Necromancers of the Public Domain: Art Both Free and Liberating
In 1919, following the devastation of the First World War, a movement arose to aid in the...
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Sonic Realm Theatricals In Belarusian Theatre
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
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The Immigrant Dragons – Part III: Creating A Dragon That Will Last 100 Years
Under a busy flyover where the Island Eastern Corridor becomes Chai Wan Road sits an unassuming...
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The Immigrant Dragons–Part II: On The Hunt For The Right Master
For 126 years, the small Australian city of Bendigo has embraced Chinese dragons. This year, their...
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A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre
This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...
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Less Is More Or Less Is Less: The Balancing Act Of Designing Big Musicals In Small Spaces
Joe Klug is a gifted scenic designer who has a passion for reimagining musicals, particularly in...
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Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
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The Expanding Notion Of Scenography And The Swiss Contribution To The 14th Prague Quadrennial
Scenography is generally considered an element of secondary importance in theatre since its main...
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The Painter: An Allegory, By Lighting Designer Cory Pattak
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
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Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
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A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display
It is always an excitement to anticipate a show if one sees the name Ming-hang...
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A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
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The Thumbnail Sketch Series: Sean Fanning and the Courage to Remain Incomplete
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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