The Mechanics of Crafting Transitions
For ensemble pieces in theatre, where actors never once leave the stage, what becomes...
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Design
Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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U.S. Architects to Build Splendid New Theater in Russia’s Perm
Designers have revealed renderings of their project that is to grace the Urals. American studio...
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Haruna Lee’s “Suicide Forest”
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
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Druid Shakespeare: “Richard III” – The Voracious Void
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
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A Space Divided: GCTC’s “Cottagers and Indians” an Evocative Disavowal of White Privilege
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
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Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
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I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds
Scenic designer Sean Fanning recently designed a beautiful and provocative set for Jack Thorne’s...
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The WaxFactory’s “Lulu XX”
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
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Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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Theatres Are Evolving To Reconnect Us To Each Other And The Environment
Theatre is a dynamic art form that combines bodies, light, sound and materials into exciting live...
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PQ 2019: Paradise City
Today’s Prague Quadrennial adventures took me further away from the Exhibition Grounds than any...
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Backstage Costume Magic Of The Bolshoi’s Little Brother (Photos)
The Bolshoi Theater is known all over the world, whereas the Maly Theater, which is located...
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PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Stage Space of Contemporary Belarusian Scenography
Russian theatre historian Viktor Beryozkin said that while painter deals with canvas, paints, and...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre
Susan Tsu is an advocate for educating costume designers and devotes much of her time to her...
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Necromancers of the Public Domain: Art Both Free and Liberating
In 1919, following the devastation of the First World War, a movement arose to aid in the...
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Sonic Realm Theatricals In Belarusian Theatre
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
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