Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
Read MorePosted by Christy Romer | 11th Feb 2021 | Design, Estonia, Interview, Theatre and Science
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
Read MorePosted by Colden Lamb | 10th Jan 2021 | Design, Interview, United States of America
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
Read MorePosted by Colden Lamb | 27th Dec 2020 | Design, Interview, United States of America
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
Read MorePosted by Michael Schweikardt | 1st Dec 2020 | Adaptation, Design, Transmedia
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
Read MorePosted by Michael Schweikardt | 10th Nov 2020 | Design, Review, Transmedia, United States of America
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
Read MorePosted by Colden Lamb | 7th Oct 2020 | Design, Interview, United States of America
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by Zolima Citymag | 15th Sep 2020 | Design, Hong Kong, Theatre and Art, Theatre and Politics
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
Read MorePosted by Matt Hanson | 28th Jul 2020 | Design, Review, Turkey
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
Read MorePosted by Zolima Citymag | 19th Jun 2020 | China, Design, Essay, Hong Kong
For generations, bamboo theatres have been a thread that ties together Hong Kong’s present and...
Read MorePosted by Nadine Berghausen | 10th May 2020 | Design, Germany, Interview
Germany has more theatres and concert halls than almost any other country in the world. From its...
Read MorePosted by Vikram Phukan | 1st Apr 2020 | Design, Essay, India
For ensemble pieces in theatre, where actors never once leave the stage, what becomes...
Read MorePosted by Tamás Jászay | 26th Mar 2020 | Design, Hungary, Interview
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
Read MorePosted by Russia Beyond | 18th Mar 2020 | Design, News, Russia
Designers have revealed renderings of their project that is to grace the Urals. American studio...
Read MorePosted by Abigail Weil | 6th Mar 2020 | Design, Japan, New York, Review, Transcultural Collaborations, United States of America
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Aisling Murphy | 14th Jan 2020 | Canada, Design, Review
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
Read MorePosted by Madeline Engelsman | 13th Jan 2020 | Design, Immersive Theatre, Interview, United States of America
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
Read MorePosted by Michael Schweikardt | 29th Nov 2019 | Design, Interview, Los Angeles, Theatre and Disability, United States of America
Scenic designer Sean Fanning recently designed a beautiful and provocative set for Jack Thorne’s...
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