Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
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Theatre and Politics
If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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Excavations Begin to Unearth Theater at Turkey’s Ancient Savatra
Archaeological excavations have started at the ancient city of Savatra, located in the Karatay...
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“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
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Andrei Kureichik’s “Insulted. Belarus”: One Year On
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
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Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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Malayalam Theatre Heads to Clubhouse for New Forms of Storytelling
Clubhouse is taking over social media in a big way. The invitation-only, audio-only app is...
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Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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Can the World be Saved on Stage?
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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Theatre in the Time of Protest: “Glass Menagerie” at the Théâtre de l’Odéon
History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...
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Artists’ Entry: Lia Rodrigues
Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...
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“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
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