From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
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Theatre and Politics
“Legend of The Waitress & The Robber” – A Korean American Cross Cultural Collaboration Makes it to New York City
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
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“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Egyptian Playwright Rasha Abd Elmonem: A Passion for Theatre
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
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“Children of A Clockwork Orange” at the Youth Theatre, Novi Sad
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
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Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
In a country at war, theatres continue to work… “(They) are so simple to offer war...
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“King Lori – Instagration” at The Theatre ODA
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
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As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
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“The Brothers Karamazov” at The Zagreb Youth Theater
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
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“Heroes of the Fourth Turning”: How Theatre Can Serve as a Mode of Inquiry into Right Wing Ideas
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
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“Bloody Difficult Women” at The Riverside Studios
Although the current government has blundered through both Brexit and the pandemic, and is now...
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In Tonderai Munyevu’s “Mugabe, My Dad & Me,” The Personal Becomes the Political
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
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“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
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Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
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Independent Theatre in Romania: “You Can’t Change the System from the Inside”
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
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“Moreno,” Theatre503
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
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Ecocide is Everywhere in Serbia, but Eco-Theatre Remains on the Fringes
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
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The Power of Reflection in “Portrait Avedon-Baldwin, Entretiens imaginaires” at the Théâtre du Rond Point, Paris
One of France’s greatest prides is the network of African American artists who, in the...
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