“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre‘s Don’t Read The...
Read MoreTheatre and Politics
“Imperium” at The Gielgud Theatre
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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Martin McDonagh’s “The Lieutenant Of Inishmore” At The Noël Coward Theatre
Actor Aidan Turner, who plays the Cornish land-owner Poldark in the hit BBC series of that name,...
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Shopping, Coffee + A Spot Of Tragedy: Wasit Theatre Group Tackles The Toughest Topics On The Street of Iraq
Every Friday, locals in the city of Kut flock to what’s now known as “the Tigris street of...
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“Hopefully We Can Collaborate Soon” – On Reciprocity Between Artists and Curators
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
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“One For Sorrow” at The Royal Court
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling...
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Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
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“The Strange Death Of John Doe” at The Hampstead Theatre
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
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Review: “Innocence Lost: A Play About Steven Truscott” At Soulpepper Theatre Company
The Story: On a very warm evening June 9, 1959, in Clinton, Ontario, fourteen-year-old Steven...
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Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
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Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
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Shastra Santan: Unleashing The Ravages Of War
Shastra Santan by Prof. Ashok Sagar Bhagat brings to fore how strife makes human beings cruel and...
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Hooligan Communism: Why Did The Bolsheviks Ban Their Very First Propaganda Performance?
Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...
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Following The #MeToo Movement In Korean Theatre
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
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A Cyclical Tragedy: Poetry, Humor, Theatre, And Neoliberalism In Argentina
Remar, An Improper Destination, written and directed by Mariano Saba, premiered at the Sportivo...
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Ella Hickson’s “The Writer” at The Almeida Theatre
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child murderer...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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