“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
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Theatre and Politics
“Young Barbarians”: Non-serious Seriousness and Hungarian Drive
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
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Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
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The Theatre We Want In 2040? We Used “Strategic Foresight” To Plan On The Prairies
Does it seem far-fetched to imagine a future where the government subsidizes theatres and theatre...
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“Report to an Academy”: To Be or Not to Be Human?
No matter how trends, themes, agendas and moods of society change, the focus of the study of art...
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“Further Than the Furthest Thing” at the Young Vic
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
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Exploring Palestinian Allyship in “Decolonizing Sarah”
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
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Ryan Calais Cameron’s “For Black Boys…” at the Apollo Theatre
Contemporary Black British theatre is admirably adamant about pushing its own boundaries and...
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“Love”—A Dissenting View
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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Theater, A Major Job Sector
That AI is poised to take over countless jobs, wipe out entire job sectors, is all over the news...
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“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
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With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
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Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
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