Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
Read MoreTheatre and Politics
“While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
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“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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“We Always Depend On Other People”–Dramaturge Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturge of the...
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“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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David Edgar’s “Trying It On” At The Royal Court
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
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The Modern Woman In “Artemisia’s Intent”
Is Artemisia only a tough diva not to be silenced? Her strong arms and balanced stance find a place in her studio. While there isn’t any room for escape, there is the possibility of reaching beyond the gossip of the day and the anguish of the past.
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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David Hare’s “I’m Not Running” At The National Theatre
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
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Arabic Storytelling In Bahrain’s Theater Festival
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
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Too Close To Home: Stefano Massini’s “Intractable Woman”
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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“Free EU Roaming”: Adapting Catalan Referendum Into A Play
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
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Dawn King’s “Foxfinder” At The Ambassadors Theatre
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
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Our Streets, Our City: “Not For Sale” By Guadalís Del Carmen Premieres At UrbanTheater Company
One of the core components of the Latinx Theatre Commons Carnaval of New Latinx Work in July 2018...
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Temperament And Innovation: The Performing Arts In A Devolved Wales
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
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Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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