“#Feminist:” Finding The Right Key
City-based Rangasthalam Actors Studio turns the spotlight on International Women’s Day theme for...
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Theatre and Politics
GCTC’S “Bang Bang”: A Fast-Paced, Funny Satire
You think you have a handle on the messy business of appropriation? Then you haven’t seen Kat...
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“Reparations” at the Billie
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
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Reclaiming the Legend of Bhagat Singh
Piyush Mishra’s Gagan Damama Bajyo centers around the young freedom fighter’s ideology of...
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“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play.
Memory involves places, people, things and words–especially words. This abstract proposition...
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Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
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“Old Stock:” A Refugee Love Story and Debate Between Empathy and Voyeurism
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
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“Bun de Export:” A Personal Exploration of Romanian Migration
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
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Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
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“Oscar Wao” at Repertorio Español
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
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Translating Trojan Horses
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/mephisto-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
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Protiv Etogo: “Mayakovsky and Stalin”
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
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“Slave Play”: Jeremy O. Harris’s “Balcony”
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
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“A History Of Water In The Middle East” at The Royal Court
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
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“Found” at The Cell: Immersive Theatrical Experience
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
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“Games” at Soho Playhouse
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
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“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
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Back to Somewhere That’s Green: “Little Shop of Horrors” at Boston’s Lyric Stage Company
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
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