Temperament And Innovation: The Performing Arts In A Devolved Wales
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
Read MoreTheatre and Politics
Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Art And Character, Or: I DO Care How We Go Down In History
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
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“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre‘s Don’t Read The...
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“Imperium” at The Gielgud Theatre
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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Martin McDonagh’s “The Lieutenant Of Inishmore” At The Noël Coward Theatre
Actor Aidan Turner, who plays the Cornish land-owner Poldark in the hit BBC series of that name,...
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Shopping, Coffee + A Spot Of Tragedy: Wasit Theatre Group Tackles The Toughest Topics On The Street of Iraq
Every Friday, locals in the city of Kut flock to what’s now known as “the Tigris street of...
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“Hopefully We Can Collaborate Soon” – On Reciprocity Between Artists and Curators
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
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“One For Sorrow” at The Royal Court
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling...
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