Theatre and Dance

A Conversation with Composer Ilya Demutsky: “I’m Excited”

Posted by Sergey Elkin | 26th Mar 2019 | Interview, Russia, Russian Theatre - Featured, Theatre and Dance

Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina

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A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre

Posted by Zolima Citymag | 18th Mar 2019 | China, Design, Hong Kong, Theatre and Dance

This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...

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“New Piece I: Since She”: Tanztheater Wuppertal and The Legacy of Pina Bausch

Posted by Duška Radosavljević | 24th Feb 2019 | Germany, Review, Theatre and Dance

In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...

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The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience

Posted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America

Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...

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Towards A Poetics Of Imagination

Posted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance

On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...

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Matthew Bourne’s “Cinderella”–A Breathtaking Fairytale At War

Posted by Christine Deitner | 13th Feb 2019 | Los Angeles, Review, Theatre and Dance, United States of America

When he first created his Cinderella in 1997, Matthew Bourne couldn’t have predicted any...

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“Churning Waters”—Muffled Voices Flow

Posted by Gowri S | 11th Feb 2019 | India, Review, Theatre and Dance

A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...

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Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

Posted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America

ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...

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Cally Spooner: Between Language And Body

Posted by Kristof Van Baarle | 2nd Feb 2019 | Belgium, Essay, Theatre and Dance

Black box and white cube From February 3 till March 18, the Centre d’Art Contemporain in Geneva...

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My Life In Russia: Life Of Ballet Dancer Xander Parish

Posted by Yulia Shamporova | 4th Jan 2019 | News, Russia, Theatre and Dance

Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...

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Dance Of The Arts

Posted by Melanie Suchy | 12th Dec 2018 | Essay, Germany, Theatre and Dance

The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...

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Alonzo King Lines Ballet “Sutra” Unites The World

Posted by Alvina Ruprecht | 5th Dec 2018 | Canada, Review, Theatre and Dance

What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...

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Hong Kong Ballet’s “Giselle” at Hong Kong Cultural Centre

Posted by Clement Lee | 26th Nov 2018 | Hong Kong, Review, Theatre and Dance

With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...

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“OnlyHuman” At Danspace Project

Posted by Abigail Weil | 22nd Nov 2018 | New York, Review, Theatre and Dance, United States of America

In the celebratory cookbook Cake, Maira Kalman writes: “When we lived in Rome we had a party...

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Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass

Posted by Elisa Rocha | 18th Nov 2018 | Interview, Los Angeles, Theatre and Dance, Theatre and Disability, United States of America

Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...

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Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells

Posted by Katalin Trencsényi | 15th Nov 2018 | Festivals, Greece, Review, Theatre and Dance, United Kingdom

A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...

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Telling A Thai Tale: A Dance Dramaturg’s Take

Posted by Miranda Laurence | 11th Nov 2018 | Dramaturgy, Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...

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“Artificial Things”: An Introduction

Posted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom

Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...

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An Intricate Rumination On The Partnership Between Music And Dance

Posted by Miranda Laurence | 2nd Nov 2018 | Festivals, London, Review, Theatre and Dance, United Kingdom

Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...

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Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice

Posted by Maria Pia Pagani | 25th Oct 2018 | Design, Italy, News, Russia, Theatre and Dance

The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...

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Recent Posts

“Alys, Always” at The Bridge Theatre 26th March 2019
“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak! 26th March 2019
A Conversation with Composer Ilya Demutsky: “I’m Excited” 26th March 2019
A Feminist Documentary Play From Toronto: “Grace” 25th March 2019
“Secondhand” at the Örkény István Theater: Soviet Nostalgia 25th March 2019
Choy Ka Fai: Dr. Dance Trips The Light Fantastic 24th March 2019
“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA 24th March 2019
Using Art To Tackle Air Pollution: A Story From A Nairobi Slum 23rd March 2019
Financing Theatre: Public Funding And Freedom Of Art 23rd March 2019
Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki 23rd March 2019

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