SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Aleks Sierz | 24th Oct 2023 | London, Review, Theatre and Gender, United Kingdom
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
Read MorePosted by Rhiannon Ling | 22nd Oct 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MorePosted by Rhiannon Ling | 18th Oct 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MorePosted by Rhiannon Ling | 2nd Sep 2023 | LGBTQ Theatre, New York, Review, Theatre and Gender, United States of America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
Read MorePosted by Erika Hughes | 16th Aug 2023 | Adaptation, Review, Theatre and Gender, United Kingdom
Rock Follies was a groundbreaking television series about an all-female rock band that originally...
Read MorePosted by Rhiannon Ling | 24th Jul 2023 | New York, Review, Theatre and Gender, United States of America
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MorePosted by Aleks Sierz | 1st May 2023 | London, Review, Theatre and Gender, United Kingdom
We are watching history being made: after decades of being in the shadows, queer drama is now...
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
Read MorePosted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
Read MorePosted by Aleks Sierz | 21st Apr 2023 | London, Playwriting, Review, Theatre and Gender, United Kingdom
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
Read MorePosted by Aisha Malik | 20th Mar 2023 | Australia, Review, Theatre and Gender
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by The Theatre Times | 5th Mar 2023 | Education, News, Theatre and Gender, Theatre and Politics
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Prototype 2023, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
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