Bombastic Intimacies: Sophie McIntosh’s “cityscrape”
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
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Theatre and Gender
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking
We are watching history being made: after decades of being in the shadows, queer drama is now...
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Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
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“Sea Creatures,” Hampstead Theatre
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
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“Nora”: Present Continuous Hell
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
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Miriam Battye’s “Little Scratch” at the New Diorama Theatre: Restaged Adaptation of Rebecca Watson’s Novel Is Powerfully Theatrical
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
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You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
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“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
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The Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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“Trade/Motorhead” at PROTOTYPE 2023 Festival
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
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“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
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Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors
A day in the museum turns out to be an unforgettable journey across time and regions for six...
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New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
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“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
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“Desdemona Roopakam” to be Staged
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
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