World Theatre Festival Shizuoka Heads Online In Desperate Times
On April 3, Shizuoka Performing Arts Center (SPAC) announced the cancellation of this year’s...
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Participatory Theatre
Oedipus Zoom: Remaking Tragedy, Now Via Video Conference
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
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“#GestezChezVous” Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
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Zoukak’s “In My Heart’s Eye: The Love Project” Deciphers All the Emotions Related to Love with Intelligence, Depth and Wit.
The Greek philosopher Plato, summarized what is to be in love as “a serious mental illness.”...
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Born Toulouse
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
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On Guts and Astonishing Effect: Gctc’s “Kiinalik: These Sharp Tools”
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
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Funny and Fem, “She the People” at the Huntington Theatre Company
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
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Screaming, Sweat, and Prizes in “Old School Game Show” at OBERON
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
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“Shear Madness:” Utterly Bostonian and World-Famous
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
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Cosmos, Without Us
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
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Any One Thing’s Souvenir: Being a Guest in A Dystopian Birthday Party
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
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“Tactile Quartet(s)” – Vera Tussing and Quatuor MP4
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
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“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
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HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
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Site-Specific, Immersive, and Interactive Theatre at the Napoli Teatro Festival 2019
Most writing on site-specific, immersive, and interactive theatre focuses on productions in...
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Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day One, Saturday
Here, at the annual ‘Our Stage Festival’ in Dresden, the average citizen is the center of the...
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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