Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Alexander Fatouros | 4th Dec 2020 | Featured, New York, Participatory Theatre, Review, Theatre and Art, Theatre and Dance, United States of America
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Trevor Boffone | 4th Sep 2020 | Covid-19, Immersive Theatre, Participatory Theatre, Transmedia, United States of America
Strange Bird Immersive premieres its all-new immersive, virtual theatrical experience “The Strange Secret of Mr. Adrian Rook,” playing through October 10, 2020 on Zoom.
Read MorePosted by Irina Yakubovskaya | 14th Aug 2020 | Interview, Participatory Theatre, Russian Theatre Abroad, Transcultural Collaborations, Transmedia, United States of America
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
Read MorePosted by Gowri S | 18th Jul 2020 | India, News, Participatory Theatre
Every Brilliant Thing is an interactive performance that initiates conversations around hope and...
Read MorePosted by Nobuko Tanaka | 10th Jun 2020 | Covid-19, Essay, Japan, News, Participatory Theatre
On April 3, Shizuoka Performing Arts Center (SPAC) announced the cancellation of this year’s...
Read MorePosted by Kat Mustatea | 8th Jun 2020 | Covid-19, News, Participatory Theatre, Theatre and Politics, Transmedia, United States of America
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
Read MorePosted by Armando Rotondi | 19th May 2020 | Devised Theatre, France, Participatory Theatre, Theatre and Dance, Transmedia
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
Read MorePosted by Christiane Waked | 17th Mar 2020 | Lebanon, Participatory Theatre, Review
The Greek philosopher Plato, summarized what is to be in love as “a serious mental illness.”...
Read MorePosted by Abigail Weil | 27th Feb 2020 | New York, Participatory Theatre, Review, Theatre and Disability, United States of America
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
Read MorePosted by Aisling Murphy | 25th Feb 2020 | Canada, Participatory Theatre, Review
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
Read MorePosted by Matthew McMahan | 23rd Feb 2020 | Boston, North America, Participatory Theatre, Review, United States of America
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
Read MorePosted by Matthew McMahan | 22nd Feb 2020 | Boston, Participatory Theatre, Review, United States of America
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
Read MorePosted by Irina Yakubovskaya | 24th Jan 2020 | Boston, Immersive Theatre, Interview, Participatory Theatre, United States of America
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
Read MorePosted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
Read MorePosted by Aida Rocci | 15th Dec 2019 | Immersive Theatre, London, Participatory Theatre, United Kingdom
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
Read MorePosted by Rathsaran Sireekan | 4th Dec 2019 | Belgium, Participatory Theatre, Review
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Abigail Weil | 15th Nov 2019 | Immersive Theatre, New York, Participatory Theatre, Review
The Black History Museum….According to the United States of America, Smoke & Mirrors...
Read More