Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
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Participatory Theatre
Kenyans Get a Taste of “The French Shakespeare”
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
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“Abril imaginario”: One Step Beyond Immersive and Collaborative Theater
It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
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Blurring Borders Between Performers and Audience in Kozhikode
Imitation of Death staged in Kozhikode Imitation of Death, a play staged at Zamorin’s Higher...
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“You Will Never Walk Alone”: A Story of Resilience and Hope
Ten mentor Mothers and one Father, devised theatre, drama therapy, healing, and community...
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“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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Under the Influence of Dada: Readymade Cabaret 2.0 Breaks Out of Linear Time, Celebrates Chance
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
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4 Lessons from the NBA Bubble for the Future of Live Arts Performance
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
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Zoom Theatre But Make It Immersive: Strange Bird’s “The Strange Secret of Mr. Adrian Rook”
Strange Bird Immersive premieres its all-new immersive, virtual theatrical experience “The Strange Secret of Mr. Adrian Rook,” playing through October 10, 2020 on Zoom.
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What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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QTP’s “Every Brilliant Thing” Takes to The Digital Medium for a Live Storytelling Performance
Every Brilliant Thing is an interactive performance that initiates conversations around hope and...
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World Theatre Festival Shizuoka Heads Online In Desperate Times
On April 3, Shizuoka Performing Arts Center (SPAC) announced the cancellation of this year’s...
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Oedipus Zoom: Remaking Tragedy, Now Via Video Conference
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
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“#GestezChezVous” Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
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Zoukak’s “In My Heart’s Eye: The Love Project” Deciphers All the Emotions Related to Love with Intelligence, Depth and Wit.
The Greek philosopher Plato, summarized what is to be in love as “a serious mental illness.”...
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