“The Hindu” Notes On 2018 Indian Musicals
If broadsheets and banners are to be taken into account, this has been another fertile year for...
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Musical Theatre
“Anna Karenina Musical” At The Moscow Operetta Theatre
Anna Karenina at the Moscow Operetta Theatre is an original musical adaptation of Leo Tolstoy’s...
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2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak
Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...
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“Breath And Imagination”: The Rediscovery Of Roland Hayes
Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...
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Interview with Michael Arden
Michael Arden is most recently known for directing the Tony Award Winning musical revival of Once...
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“Fun Home”: An Extraordinary Musical
Fun Home, the multi-Tony award winning musical is making its Boston début at SpeakEasy and a fine...
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“Company” Review, Gielgud Theatre: “You Can’t Imagine It Being Staged Any Other Way Again”
This is a game-changer. “Radical update” is a phrase that is all too often bandied about in...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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From Idea To Page To Stage
The creators of #SingIndiaSing talk about what it takes to make a musical from the ground up The...
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Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
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Mark Sonnenblick And “Midnight At The Never Get”
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
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Shaina Taub’s “Twelfth Night” At The Young Vic
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
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“The Last Five Years”: Poignant Tale Of Failed Marriage
From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...
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Debris Stevenson’s “Poet In Da Corner” at The Royal Court
There was once a time when grime music was very angry and very threatening, but that seems a long...
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Akinori Nakagawa Captures Frankie Valli In “Jersey Boys”
Nothing sounds quite like the early 1960s more than the vocals of Frankie Valli. As lead singer of...
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“Heathers The Musical” Wildly Funny And In Deliciously Bad Taste
Heathers The Musical Theatre Royal Haymarket, London ★★★ On its release in 1989, Heathers was an...
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B+ For Broadway Across Canada’s “School Of Rock”
The great pity is that this high-energy rock musical is largely unintelligible. From flashing...
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“Oklahoma!” Is Still OK
I grew up on Oklahoma! Now, I’m not sure how many Millennials can share this feeling, but that was...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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