An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Musical Theatre
With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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“Flo & Joan,” Lund Comedy Festival
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
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The Return of Gringoire: An Exclusive Interview with Bruno Pelletier
Interview of the “original” Gringoire from Notre Dame de Paris the musical – Bruno...
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“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!
I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
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In Conversation with Regan Hicks: Part Two
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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In Conversation with Regan Hicks: Part One
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
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Emerging Playwright Embarks on Gershwin Era Musical
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
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In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
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The Musical “Notre Dame de Paris” Returns to the United States
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
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Post-Factual Theater: “MJ” on Broadway
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
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“Bangers,” Soho Theatre
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
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Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
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“Penelope”: A Fresh Take on Homer’s Classic Epic Poem
The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...
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Pandemonium Magic: “The Hang” at HERE
Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...
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With Nine Broadway Musicals Currently on Australian Stages, Musical Theatre is Thriving Again
With nine Broadway musicals currently playing on Australian stages – and a further three set to...
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Black Second-Act Problems: “Black No More” by The New Group
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
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“Legend of The Waitress & The Robber” – A Korean American Cross Cultural Collaboration Makes it to New York City
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
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EPIC Players Creates Employment and Training Opportunities for Autistic & Neurodivergent Theatre Makers
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
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An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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Imagine/: Artificial Intelligence Comes to Theatrical Design 17th September 2022 - Emerging Playwright Embarks on Gershwin Era Musical 23rd August 2022
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