“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
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Theatre and Science
Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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South Australia’s Limestone Coast Was Formed from the Bones of Dead Fish. “Cathedral” Brings the Story of These Caves to the Stage
Review: Cathedral, directed by Shannon Rush for the State Theatre Company of South Australia...
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Medical Science and the Irony of Sex Education
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Four Times Shakespeare Has Inspired Stories About Robots and AI
Science fiction is a genre very much associated with technological marvels, innovations, and...
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Women in Science in Theater – Transforma Theatre Paves a New Crossroads with Stunning Insight
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
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Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.
Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...
Read MoreRobots Were Dreamt up 100 Years Ago – Why Haven’t Our Fears About Them Changed Since?
This is a story you will have heard before. A genius but completely mad scientist – with the backing of a ruthlessly greedy corporation – creates a sentient robot. The scientist’s intentions for the robot are noble: to help us...
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Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor
Composed by Valgeir Sigurðsson and directed by Sara Martí, Wide Slumber for Lepidopterists is an...
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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
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21st Century Dreamin’: Theater — a Major Job Sector
Once the COVID-19 pandemic finally relinquishes its control of the world economy, the impact of...
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“Fission”: Entangling Science, Theatre and Mātauranga Māori.
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
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Chennai-Based The Little Theatre Introduces ArtsLab, A New Alternative Learning Initiative
ArtsLab explores the phenomenon of ‘light’ in its first module through theatre, art, music, and...
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Simulations With Actors Prepare Nurses For The Demands Of Their Profession
Now more than ever, it is essential that post-secondary nursing programs train students to deal...
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