Drag Queens in Musical Theatre
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
Read MorePosted by Lisa Monde | 8th May 2023 | Essay, Interview, LGBTQ Theatre, Musical Theatre, New York, United States of America
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
Read MorePosted by Aleks Sierz | 16th Feb 2023 | LGBTQ Theatre, London, Playwriting, Review, United Kingdom
The female monologue is a well-established contemporary theatre form, but often the content is...
Read MorePosted by Aleks Sierz | 5th Feb 2023 | LGBTQ Theatre, Review, Theatre and Religion, United Kingdom
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
Read MorePosted by Aleks Sierz | 1st Feb 2023 | LGBTQ Theatre, Review, United Kingdom
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Simon Baetens | 14th Dec 2022 | Belgium, Essay, LGBTQ Theatre
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
Read MorePosted by Verity Healey | 11th Dec 2022 | Kosovo, LGBTQ Theatre, Review
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Morgan Skolnik | 28th Oct 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
Read MorePosted by Andrew Agress | 29th Sep 2022 | LGBTQ Theatre, New York, News, United States of America
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
Read MorePosted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ Theatre, Review, Theatre and Politics
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ Theatre, Melbourne, Review, Transmedia
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
Read MorePosted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ Theatre, London, Review, Theatre and Disability, United Kingdom
As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...
Read MorePosted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
Read MorePosted by Jonathan Kalb | 2nd Jul 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...
Read MorePosted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ Theatre, Review, South Africa
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MorePosted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ Theatre, Playwriting, Review, United States of America
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Niro Kandasamy | 17th May 2022 | Australia, LGBTQ Theatre, Review
Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
Read MorePosted by Konrad Zielinski | 15th Apr 2022 | LGBTQ Theatre, Playwriting, Review, United Kingdom
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
Read MorePosted by William Peterson | 5th Apr 2022 | Australia, LGBTQ Theatre, Musical Theatre, Review
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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