“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
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LGBTQ Theatre
Re-visiting Sartre with a Pacific Twist: “Uma Lava” by Victor Rodger
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
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Trying to Transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos/Millions of Seconds”
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
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“History of Violence” and How Your iPhone is a Culprit
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
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A Transgender Theatre Group Focuses on the Lives of Fellow Members Through a Play
Mazhavil Dhwani which works towards the upliftment of the members of the transgender community in...
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Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity
Once there were radically innovative playwrights; then came university courses about radically...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
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How “The Penis Monologues” Challenges China’s Toxic Masculinity
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
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“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
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“Drag Becomes Her” at The Soho Theatre
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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Lesbian Pirates! A Historical Look At Disability And Queerness
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
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Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
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Block Party and “Rotterdam” at the Kirk Douglas
The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...
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Popular Culture And Political Theatre In PETA’s “Charot!, The Musical”
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
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