“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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LGBTQ Theatre
Glitches, Memes and Playbackshows: Performance in the Post-internet Era
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
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“Our Son”—Kosovo Theatre Showcase ‘22
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
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Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”
As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...
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“Bronx Gothic” by Okwui Okpokwasili
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
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Pandemonium Magic: “The Hang” at HERE
Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...
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“Shadow Boxing” at Baxter Masambe Theatre
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
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Missing Mason Jars —”Take Me Out,” Second Stage
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
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“Stay Woke” Reminded Me of The Importance of Telling Stories of Injustice by Those Most Affected by It
Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
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“Bacon” at the Finborough Theatre
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
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An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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Still a Bitter Pill: An Involving Play of Love and Loss
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Radical Representation: “Hi, Are You Single” Engages and Triumphs
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
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