Radical Representation: “Hi, Are You Single” Engages and Triumphs
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
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LGBTQ Theatre
In China’s Voguing Houses, Queer Millennials Strike a New Pose
Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...
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The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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Fake Friends’ “Jerk” in Brooklyn
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
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“Different Stars:” A Song Cycle in Digital Form
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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Flawless Live Stream of Award-winning New Zealand Solo Show Celebrates Transgender Tdentity
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
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A Café in Performance: An Example of Queer Theatre in the Balkans
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
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Dollhouse: Innovative New Plays for A Traditional Set Piece
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
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“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
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Re-visiting Sartre with a Pacific Twist: “Uma Lava” by Victor Rodger
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
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Trying to Transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos/Millions of Seconds”
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
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“History of Violence” and How Your iPhone is a Culprit
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
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A Transgender Theatre Group Focuses on the Lives of Fellow Members Through a Play
Mazhavil Dhwani which works towards the upliftment of the members of the transgender community in...
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Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity
Once there were radically innovative playwrights; then came university courses about radically...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
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