Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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LGBTQ Theatre
Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity
Once there were radically innovative playwrights; then came university courses about radically...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
Read MoreHow “The Penis Monologues” Challenges China’s Toxic Masculinity
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
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“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
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“Drag Becomes Her” at The Soho Theatre
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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Lesbian Pirates! A Historical Look At Disability And Queerness
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
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Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
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Block Party and “Rotterdam” at the Kirk Douglas
The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...
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Popular Culture And Political Theatre In PETA’s “Charot!, The Musical”
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
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Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
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“La Reprise”: Startling Theatre And A Call To The Dead To Speak
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
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“Circa” at The Old Red Lion Theatre
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
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Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center
The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...
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“KING” – An Interview With Shaun Parker
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
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