LGBTQ Theatre Archives - The Theatre Times

A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October

Posted by Andrew Agress | 29th Sep 2022 | LGBTQ Theatre, New York, News, United States of America

This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.

“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe

Posted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ Theatre, Review, Theatre and Politics

Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...

Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”

Posted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ Theatre, Melbourne, Review, Transmedia

Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

Posted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ Theatre, London, Review, Theatre and Disability, United Kingdom

As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...

“Bronx Gothic” by Okwui Okpokwasili

Posted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America

On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...

Pandemonium Magic: “The Hang” at HERE

Posted by Jonathan Kalb | 2nd Jul 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America

Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...

“Shadow Boxing” at Baxter Masambe Theatre

Posted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ Theatre, Review, South Africa

SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...

Missing Mason Jars —”Take Me Out,” Second Stage

Posted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ Theatre, Playwriting, Review, United States of America

Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...

“Stay Woke” Reminded Me of The Importance of Telling Stories of Injustice by Those Most Affected by It

Posted by Niro Kandasamy | 17th May 2022 | Australia, LGBTQ Theatre, Review

Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...

“Bacon” at the Finborough Theatre

Posted by Konrad Zielinski | 15th Apr 2022 | LGBTQ Theatre, Playwriting, Review, United Kingdom

Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

Posted by William Peterson | 5th Apr 2022 | Australia, LGBTQ Theatre, Musical Theatre, Review

Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....

Still a Bitter Pill: An Involving Play of Love and Loss

Posted by Donald Brown | 8th Mar 2022 | LGBTQ Theatre, Review, United States of America

At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...

Waking Up in the Morning, Thinking About “This American Wife”

Posted by Trevor Boffone | 24th May 2021 | LGBTQ Theatre, Review, Transmedia, United States of America

“Waking up in the morning, thinking about so many things, I just wish things would get...

“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh

Posted by David O'Donnell | 14th May 2021 | Interview, LGBTQ Theatre, New Zealand, Playwriting, Theatre and Gender, Theatre for Young Audiences

The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...

Radical Representation: “Hi, Are You Single” Engages and Triumphs

Posted by Taurie Kinoshita | 24th Feb 2021 | Hawaii, LGBTQ Theatre, Review, Theatre and Disability, United States of America

Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...

In China’s Voguing Houses, Queer Millennials Strike a New Pose

Posted by Wang Xuandi and Fan Yiying | 1st Feb 2021 | China, LGBTQ Theatre, News, Theatre and Dance

Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...

The Rise of the Ridiculous in “Circle Jerk” by Fake Friends

Posted by Timothy L'Ecuyer | 6th Jan 2021 | Interview, LGBTQ Theatre, Transmedia, United States of America

Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

Posted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ Theatre, Review, Sydney

Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...

Fake Friends’ “Jerk” in Brooklyn

Posted by Jack Wernick | 26th Oct 2020 | LGBTQ Theatre, New York, Review, Theatre and Politics, United States of America

Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...

“Different Stars:” A Song Cycle in Digital Form

Posted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ Theatre, New York, Review, Transmedia, United States of America

Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...

LGBTQ Theatre

A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October

“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe

Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

“Bronx Gothic” by Okwui Okpokwasili

Pandemonium Magic: “The Hang” at HERE

“Shadow Boxing” at Baxter Masambe Theatre

Missing Mason Jars —”Take Me Out,” Second Stage

“Stay Woke” Reminded Me of The Importance of Telling Stories of Injustice by Those Most Affected by It

“Bacon” at the Finborough Theatre

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

Still a Bitter Pill: An Involving Play of Love and Loss

Waking Up in the Morning, Thinking About “This American Wife”

“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh

Radical Representation: “Hi, Are You Single” Engages and Triumphs

In China’s Voguing Houses, Queer Millennials Strike a New Pose

The Rise of the Ridiculous in “Circle Jerk” by Fake Friends

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

Fake Friends’ “Jerk” in Brooklyn

“Different Stars:” A Song Cycle in Digital Form

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