“Daniel’s Husband” At Westside Theatre
A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...
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“Sound Of The Beast” Slams Brutality, Inequality, And Racism
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
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“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
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Mark Sonnenblick And “Midnight At The Never Get”
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
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Jo Clifford’s “Losing Venice” at The Orange Tree Theatre
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
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Out Of The Extraordinary: Women-Centered New Plays From India
The characteristic middle-of-the-road sensibility of Akvarious Productions has found an outlet in...
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Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries
oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
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Review: “The Rocky Horror Show” At The Stratford Festival
Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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A Century Of Queer Performance With Serena Grasso
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
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Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini
The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...
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Baig’s “Acha Bacha” Shows That Sometimes Real Stories Don’t Have Happy Endings
I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...
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“A Dyke’s Guide To Fair Play” Offers A Queer Response To #MeToo (Montreal Fringe)
Montreal, Québec Willow Whitereviews Daughter Product’s production of A Dyke’s Guide To Fair...
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Metropolis Visits “Avenue Q” In Female-Led Production
Memory lane took on the form of a shabby New York City block dubbed “Avenue Q” for...
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When The Personal And Political Collide
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
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All Love for “Black Boys’” Black On Black Love
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
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Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
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