“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
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LGBTQ Theatre
How “The Penis Monologues” Challenges China’s Toxic Masculinity
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
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“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
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“Drag Becomes Her” at The Soho Theatre
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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Lesbian Pirates! A Historical Look At Disability And Queerness
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
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Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
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Block Party and “Rotterdam” at the Kirk Douglas
The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...
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Popular Culture And Political Theatre In PETA’s “Charot!, The Musical”
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
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Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
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“La Reprise”: Startling Theatre And A Call To The Dead To Speak
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
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“Circa” at The Old Red Lion Theatre
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
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Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center
The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...
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“KING” – An Interview With Shaun Parker
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
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What Is Queer About Queer Performance Now?
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
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Vikram Phukan: Mapping Resilience And Vulnerability
In the midst of external turmoil, how does one battle with one’s inner demons? In a world where...
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Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
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Kevin Elyot’s “Coming Clean” At The Trafalgar Studios
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
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