“Painted Alice” Review: Down The Rabbit Hole Once More
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
Read More
Adaptation
Mozart by Way of Cape Town
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
Read More
Between the Virtual and Real
Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....
Read More
“Oscar Wao” at Repertorio Español
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read More
Maxim Gorky’s “Vassa” at the Almeida Theatre
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/mephisto-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read More
David Greig’s “Solaris” at the Lyric Hammersmith Theatre
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read More
“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read More
Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read More
“The Ugly One:” Re-adaptation Attempts Face-Lift
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read More
The WaxFactory’s “Lulu XX”
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read More
“Distancias Cortas” (Short Distances): Four Spaces, Four Moments
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
Read More
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read More
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read More
“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
Read More
Henrik Ibsen’s “A Doll’s House” at the Lyric Hammersmith: New Artistic Director’s Superb Debut
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read More
“The Secret River” at The National Theatre
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
Read More
Lucy Prebble’s “A Very Expensive Poison” at the Old Vic: Post-truth Games with Docu-drama
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
Read More
“Felix Starro” is Born
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
Read More
Robert Icke’s “The Doctor” at the Almeida Theatre
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
Read MoreLike Us On Facebook
Featured Writers
Most Popular Posts
“XXX Neon Sign” Review: Embodied… 31st October 2019 
Sarah Rutherford’s “The Girl Who Fell” at the… 31st October 2019 
A Transgender Theatre Group Focuses on the Lives of… 30th October 2019 
How “Six” Became The Biggest New Musical… 23rd January 2019 
Translating Trojan Horses 1st November 2019 
Ian McKellen Tour 2019: Tickets, Dates, And Venues… 3rd December 2018 
Avignon 2019 – “Outwitting the… 11th August 2019 
Thrown into the Deep End! A Participant’s… 25th October 2019 
Tribalism, Tragedy and Torment: Yaël Farber’s “Blood… 10th October 2019 
“A Night At The Kabuki”: Giving a… 18th October 2019