“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Clare Cioffero | 12th Jan 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Lisa Monde | 19th Dec 2022 | Adaptation, Musical Theatre, New York, Review, United States of America
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
Read MorePosted by Magda Romanska | 23rd Nov 2022 | Adaptation, Essay, Theatre and Politics
Since February 2022, Western and Ukrainian media have reported on the kidnapping and forced...
Read MorePosted by Orlaith Darling | 20th Nov 2022 | Adaptation, Essay, Theatre and Politics, United Kingdom
The last few years in politics have gifted the keen observer many allusions to some of...
Read MorePosted by Lisa Monde | 14th Nov 2022 | Adaptation, Books, Essay, Musical Theatre
Dedicated to the 125th anniversary of the legendary hero of the famous gothic novel “Dracula”,...
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read MorePosted by Emilija Kvočka | 3rd Nov 2022 | Adaptation, Dramaturgy, Hungary, Review
Buchner’s “historically difficult explains modernity” in the performance of...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by The Hindu | 16th Oct 2022 | Adaptation, India, Interview, Theatre and Gender
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
Read MorePosted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
Read MorePosted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
Read MorePosted by Michelle Arrow | 19th Sep 2022 | Adaptation, Australia, Review, Theatre and Disability
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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