Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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Adaptation
“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Soyinka Meets Shakespeare
One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...
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Lekan Balogun’s “Ogun Skugga”: Memoirs of A Civil War
The Lagos Theatre Festival may have come and gone but the memories of the week-long activities...
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10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run
It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...
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Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic
Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...
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Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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Samuel Beckett’s “Waiting for Godot” is brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert
Visitors to Disney California Adventure Park should be sure to check their schedules and make time...
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“The Damned”: La Comédie Française On the Barbican Stage.
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
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“1001 Nights” From Target Margin
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
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Stefano Massini’s “The Lehman Trilogy” at the Piccadilly Theatre
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
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“The Three Musketeers:” A Traditional Bout
After an inaugural season of staged readings last year, this season, The Front Porch Arts...
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PQ 2019: An A+ B-Movie
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
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“Pride and Prejudice:” Delightfully Present
Pride and Prejudice, presented by the Actors’ Shakespeare Project and performed at the Balch Arena...
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PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
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