Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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Directing
A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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“Comfort and Joy” Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
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Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...
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An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
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Paid-For Digital Streaming Has A Place In Theatre’s Return
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
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For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
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Tianjiao Li and Xuexi Li On The Pandemic And Post-Pandemic Theatre
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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William Kentridge On The Pandemic And Post-Pandemic Theatre
William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the...
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Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland)– responds to Boris...
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“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
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Adapting Traditional Chinese Theater For The Modern Day: An Interview With Xuexi Li And Tianjiao Liu
This interview with Xuexi Li and Tianjiao Li was conducted by Xunnan Li. Both interviewees are...
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Boris Yukhananov On The Pandemic And Post-Pandemic Theatre
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow –...
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Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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Interview with Raphaëlle Boitel – Compagnie L’oubliée
Written by The Cultural Services of the French Embassy of the United States. Interview Conducted...
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Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
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“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...
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