Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
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Directing
On Teaching Directing: The Essential Five
After teaching directing for several years, across the globe and at different kinds of...
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Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
It was long overdue for a British audience to be given the opportunity to see another work by the...
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Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
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“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
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Sunandha Raghunathan’s “Bad Hindu” Is Caught Between Two Worlds
“I still remember, I was down with chicken pox and my mom would tell me stories. But, The...
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Guiding Principles: A New Play Takes Hong Kong’s Educational System To Task
From an early age, we are taught that right and wrong are two distinct entities, just as easily...
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The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
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“Bali”: Between The Heroic And The Iniquitous
Long awaited by theatre aficionados in the city, a rousing new physical theatre production by the...
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Yukio Ninagawa, The Architect Of Cultural Crossroads
Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...
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Dystopian Fairy Tale: Faezeh Jalali Adapts Vineet Bhalla’s Award Winning Play, “A Farming Story,” For The Mumbai Stage
The prolific theatremaker Faezeh Jalali has once again emerged from a strenuous and demanding...
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Move The Sound! Directing With New Technology
For me, as a director, it is important that the artistic idea and concept emerge from the story...
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“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
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“This Flight Tonight”: Joni Mitchell Remembered In Song
This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The...
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“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater
There has always been a considerable amount of cultural exchange between China and Japan, but...
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Interview With Opera Director Rodula Gaitanou: “The Culinary Traditions Give Me A Great Insight Into A Nation’s Taste For Hospitality”
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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“Remembering Stanislavsky”: A Tribute To The Great Russian Master At The University Of Macerata
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
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