Move The Sound! Directing With New Technology
For me, as a director, it is important that the artistic idea and concept emerge from the story...
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“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
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“This Flight Tonight”: Joni Mitchell Remembered In Song
This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The...
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“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater
There has always been a considerable amount of cultural exchange between China and Japan, but...
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Interview With Opera Director Rodula Gaitanou: “The Culinary Traditions Give Me A Great Insight Into A Nation’s Taste For Hospitality”
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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“Remembering Stanislavsky”: A Tribute To The Great Russian Master At The University Of Macerata
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
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Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
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Keiko Miyata To Mark Departure From The New National Theatre, Tokyo, With Piece By Up-And-Coming Playwright
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
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Robert Lepage Finally Makes It To Stratford With An Astonishing “Coriolanus”
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
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Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
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“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
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“Uncle Vanya,” Anton Chekhov’s Play, On The London Stage
Uncle Vanya is, perhaps, one of the most hopeless plays by Anton Chekhov. Talking about...
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La Reprise–Histoire(s) Du Théâtre (I)–Milo Rau/IIPM
Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...
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Lev Dodin Brings To Life Grossman’s “Life And Fate” Onstage At The TRH
Internationally acclaimed theatre director Lev Dodin and the legendary Maly Drama Theatre of St....
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“Terrestrial,” A Tale Of Friendship, Loneliness, And Aliens In The Australian Desert
Fleur Kilpatrick’s Terrestrial, directed by Nescha Jelk for the State Theatre Company of South...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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The Drama Of Independence
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
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