“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
Read MorePosted by Kuan-Ting Lin | 12th May 2023 | Directing, Review, Taiwan, Theatre and Politics, Transcultural Collaborations
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
Read MorePosted by Aleks Sierz | 27th Apr 2023 | Directing, Ireland, Review, United Kingdom
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
Read MorePosted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Maria Delgado | 15th Feb 2023 | Directing, Review, Spain
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MorePosted by Maria Delgado | 14th Feb 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Richard Newsome | 28th Jan 2023 | Devised Theatre, Directing, Essay, Finland, Italy, Translation
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
Read MorePosted by Susanna Sun | 26th Jan 2023 | Directing, Review, United States of America
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
Read MoreWhen I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Aleks Sierz | 22nd Dec 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Tom Cornford | 17th Oct 2022 | Directing, Essay, Theatre and Politics, United Kingdom
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
Read MorePosted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
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