“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Antonio Hernández Nieto | 22nd May 2022 | Immersive Theatre, Participatory Theatre, Review, Spain
It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
Read MorePosted by Ágnes Bakk | 30th Apr 2022 | Immersive Theatre, Interview, Transmedia, United States of America
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
Read MorePosted by Nemanja Stanojevic | 27th Apr 2022 | Design, Immersive Theatre, Interview, Producing, Serbia
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Beverley Brommert | 23rd Nov 2021 | Covid-19, Immersive Theatre, Review, South Africa
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
Read MorePosted by The African Theatre Magazine | 20th Aug 2021 | Immersive Theatre, Review, South Africa
Described as a “musical satire” and with its tongue-in-cheek title, which evokes a...
Read MorePosted by Lara Cox | 30th Jul 2021 | Australia, Avignon 2021, France, Immersive Theatre, Review
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
Read MorePosted by Jonathan W. Marshall | 24th Mar 2021 | Australia, Immersive Theatre, Review, Theatre and Decolonization
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
Read MorePosted by Aida Rocci | 19th Mar 2021 | Immersive Theatre, Participatory Theatre, Transmedia, United Kingdom
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
Read MorePosted by French Culture | 18th Mar 2021 | France, Immersive Theatre, News
Tamanoir is a French Immersive Studio dedicated to creating international experiences, lying at...
Read MorePosted by Natasha Tripney | 4th Dec 2020 | Acting, Immersive Theatre, Kosovo, Review
The audience sits on the stage looking out at a sea of empty seats. From this perspective, they...
Read MorePosted by Duncan Wheeler | 1st Oct 2020 | Covid-19, Immersive Theatre, Review, Spain, Theatre and Politics, Transmedia
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Trevor Boffone | 4th Sep 2020 | Covid-19, Immersive Theatre, Participatory Theatre, Transmedia, United States of America
Strange Bird Immersive premieres its all-new immersive, virtual theatrical experience “The Strange Secret of Mr. Adrian Rook,” playing through October 10, 2020 on Zoom.
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MorePosted by Helen W. Kennedy and Sarah Atkinson | 6th Jul 2020 | Covid-19, Immersive Theatre, News, United Kingdom
Pubs and cinemas may be opening in the UK, but the performing arts sector remains languishing...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Daniel Johnston | 18th Apr 2020 | Essay, Immersive Theatre, Sydney
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
Read MorePosted by Aida Rocci | 5th Mar 2020 | Immersive Theatre, London, Review, United States of America
United Queendom shines with potential. The location itself offers the thrill of being after hours in a royal palace, the expectations of whispers and court intrigue. Queen Caroline and Henrietta Howard bring a captivating tale and Les Enfants Terribles have a relevant lens to approach it and a bold aesthetic to make a memorable event. But I wished I had been part more of an immersive show than of a historical tour.
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