2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak
Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...
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Transcultural Collaborations
Artistic Collaborations In Southeast Asia–Current Gaps And What’s Next For Producers
Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...
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Pushing Early Regional Exchanges And Responding To Artists’ Needs
Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...
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A Producer’s Life–Catalysing Exchanges And Supporting Art-Making In Southeast Asia
Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...
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Do You Speak Tech? Report From An Interdisciplinary And Cross-Cultural Partnership
More recent studies from the social sciences showed that “familiar ground may not be the best...
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Stages Of Womanhood: On Female Theatre In The Arab World
The University of Bordeaux Montaigne concluded its 2018 public cultural program with a...
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Stan Lai: Between Laughter And Tears
Part of the Asian Theatremakers series At the height of the fear and panic caused by the SARS...
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Kampala International Theatre Festival, 2018 Edition
The venue is the Uganda Museum and performances from Kenya, India, Iran, UK, USA and the host nation will be staged. Below are teasers of some of the scheduled performances.
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Telling A Thai Tale: A Dance Dramaturg’s Take
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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Decide How To Decide. Managing Processes In International Interdisciplinary Projects
From observing the creative process of pilot projects and Waag’s expertise in (social) innovation,...
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Theatre Meeting 2018: The Sun As The Last Frontier
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
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Traditional Storytelling Meets New Media Activism In Iran
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
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Kinetics Of Sound
Kinetics Of Sound takes its starting point in an ordinary theatre exchange programme in which two...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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The Croatian National Theatre Stages Henrik Ibsen’s “Peer Gynt” In Zagreb
The Croatian National Theatre in Zagreb and Det Norske Teatret from Oslo created a co-production...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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Arabic Storytelling In Bahrain’s Theater Festival
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
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Epidaurus Lyceum: International Summer School Of Ancient Drama
Theme 2019: Reinventing Ancient Drama on the contemporary stage July 2- 16, 2019 The Epidaurus...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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Korean Theater Of Musical Comedy In Kazakhstan Receives CIS Cultural Award
Kazakhstan’s State Republican Academic Korean Theater of Musical Comedy has received...
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