“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
Read MorePosted by Urszula Pysyk | 10th Apr 2022 | Festivals, Hong Kong, Japan, Poland, Review, Transcultural Collaborations
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
Read MorePosted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations
February is summer in Argentina, and most Argentinian theaters and companies are on holiday....
Read MorePosted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read MorePosted by Siraya PAI | 25th Mar 2022 | Denmark, Interview, Taiwan, Transcultural Collaborations, Transmedia
“We began with looking for the differences between us, but at some point we came to realize that...
Read MorePosted by Alexander Nderitu | 21st Mar 2022 | Education, Kenya, News, Theatre and Decolonization, Transcultural Collaborations
‘Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.’
Read MorePosted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Praveen Sudevan | 27th Dec 2021 | Adaptation, India, Interview, Transcultural Collaborations
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
Read MorePosted by Delphine Hesters | 25th Dec 2021 | Belgium, News, Transcultural Collaborations
Every three years 1000 young dancers from all over the world audition for PARTS, the renowned school for contemporary dance in Brussels, directed by choreographer Anne Teresa De Keersmaeker. Every three years, only 40 are chosen...
Read MorePosted by WeekendSpecial.Co | 12th Dec 2021 | Acting, Review, South Africa, Transcultural Collaborations
Krotoa Eva van de Kaap is a moving music theatre production that was first performed in The...
Read MorePosted by Nobuko Tanaka | 5th Dec 2021 | Interview, Japan, Transcultural Collaborations
After its premiere at north London’s Almeida Theatre in 2019, Robert Icke’s The Doctor earned...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Alexander Nderitu | 19th Nov 2021 | Adaptation, Denmark, Kenya, Review, Theatre and Decolonization, Transcultural Collaborations
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
Read MorePosted by Marisa C. Hayes | 18th Nov 2021 | France, Review, Theatre and Opera, Transcultural Collaborations
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
Read MorePosted by Alexander Nderitu | 12th Nov 2021 | Interview, Kenya, Management, Transcultural Collaborations, United States of America
‘The pandemic did interesting things for creativity, forcing us to sequester ourselves and finish works that we hadn’t yet finished. It gave us an opportunity to really hanker down. We’re glad that some of the writers we have been working with a gonna present some of their material here, at Theatre For One.’
Read MorePosted by The Theatre Times | 6th Nov 2021 | Editorial, Transcultural Collaborations, Worldwide
TheTheatreTimes.com was founded in 2016 as an all-volunteer project to decolonize theatre...
Read MorePosted by Sakina Mirichii | 23rd Oct 2021 | Kenya, Review, Transcultural Collaborations, United States of America
Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
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