Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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Transcultural Collaborations
Haruna Lee’s “Suicide Forest”
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
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Theatreperson Phillip Zarrilli on Adopting and Adapting Intercultural Techniques in his Teachings and Works
The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...
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Bringing Haruki Murakami’s “The Wind-Up Bird Chronicle” to Japan’s Stages
Haruki Murakami is probably Japan’s best-known living writer — a worldwide bestseller with novels...
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Three Houston Theatres Collaborate to Produce Quiara Alegría Hudes’ “Elliot” Trilogy
How often do audiences in a given city get the chance to see a full body of work by a single...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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The Year That Musicals took on Japanese Stages
As the curtain falls on 2019’s theater scene in Japan, a continuing rise in the popularity of...
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“Macondo” in New York: Russian Theatre Brings Márquez’s Epic to Life
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
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A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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“From Darkness” Review: Family Loss And Sorry Business that Invokes Laughter And Tears
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
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The “Time Traveler” Who Took Our Tobacco
The Akamba people of East Africa have a saying: “The visitor has the best tobacco.”...
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Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
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Mòshkamo: “Finding Wolastoq Voice”
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
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Stratford 2019: “Birds of a Kind”- A Remarkable Dialogue Between the Author and the Director
“Is it really important to cling to our lost identities? What is a life lived between two...
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How I Produced My First Ever (Multilingual) School Play
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
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“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
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“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
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