A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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Transcultural Collaborations
“From Darkness” Review: Family Loss And Sorry Business that Invokes Laughter And Tears
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
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The “Time Traveler” Who Took Our Tobacco
The Akamba people of East Africa have a saying: “The visitor has the best tobacco.”...
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Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
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Mòshkamo: “Finding Wolastoq Voice”
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
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Stratford 2019: “Birds of a Kind”- A Remarkable Dialogue Between the Author and the Director
“Is it really important to cling to our lost identities? What is a life lived between two...
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How I Produced My First Ever (Multilingual) School Play
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
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“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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Plotting Yiddish Drama: A New Digital Resource
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
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“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
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Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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On The Magic of Cirque du Soleil: Conversation With the Members of “Corteo”
To audiences around the world, Cirque du Soleil is a must-see entertainment with mesmerizing...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
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