On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
Read MoreTranscultural Collaborations
Korean Theater Of Musical Comedy In Kazakhstan Receives CIS Cultural Award
Kazakhstan’s State Republican Academic Korean Theater of Musical Comedy has received...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Creating Tapestries Of Sound
Passing through Mumbai last week was Japanese composer Yasuhiro Morinaga. Arts aficionados in...
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Kamishibai: How The Magical Art Of Japanese Storytelling Is Being Revived And Promoting Bilingualism
In a world where technological advancement seems to be at the forefront of almost everything, it...
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Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees
A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...
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“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
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The Immigrant Dragons–Part I: How Australia Is Saving A Hong Kong Tradition
It’s a cool January afternoon at a bus terminal at Yuen Long station. A blue minivan pulls up....
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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“Still Life With Chickens:” New Samoan Play Confronts Loneliness Through Comedy
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
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Birthing A Country: “Womb Of Fire”
The provocative one-hander Womb Of Fire by The Mothertongue Project recently had a three-week run...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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“Possession:” Music And Movement Dominate Performance On Hermits, Deserts And Demons
Possession was performed twice during D-Caf festival, and is directed by Tom Bailey. English...
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A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”
The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...
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World Theatre Festival Shizuoka 2018: Reaching Out To The World Through Theatre
World Theatre Festival Shizuoka 2018 Shizuoka Performing Arts Center (SPAC) will hold its annual...
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Global Shakespeare
Voodoo Macbeth? Heir apparent of the Denmark Corporation in Manhattan? A pair of star-crossed...
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The Perks Of Bringing In New People In The Theatre Repertory
Casting actors from outside the repertory means new energy and new audiences. Last week, I watched...
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Force And Fragility Meet And Merge In “Dunas”
There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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How Can We Transform The World Through One’s Self? Amsterdam’s Butoh Festival
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
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